Used an edited version of the trackAmplitudeFrequency curve for part 1, then a random rhythmic impulse for part 2. The first section, due to lack of line in microphones, are both recordings of "Ode to Joy" played at different speeds then recorded through the trackAmplitudeFrequency. The instrument changed to FM in section 2; the instrument was also air-mic recorded and a lesser-quality version. For the third part, I took a square wave section, looped it, then phased it for special effect. I also took some sounds of campfire/general human noise and sped it up double-time. Audio: 1.1 1.2 2.1 2.2 3.1 3.2 the whole she-bang Chuck File: Chuck file for part 1 (updated to sound nicer)