Society for Music TheorySociety for Music Theory
- Feminist Theories and/of Music
- Music Theory and Feminist Theory
- Issues in Feminist Theory and Music
- Basic Resources
- Reviews
- Gay, Lesbian, and Queer Theory
- Feminist Analyses of Music
- Analyses of Compositions by Women **new! Please submit materials!**
- Women, Feminism, Opera
- Music History
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- Status Issues
- Cultural Studies/Social Function of Music
- Ethnomusicology
Banks, Paul. "Images of the Self: Duke Bluebeard's Castle." In The Stage Works of Bela Bartok, 7-12. New York: Riverrun, 1991.
Bergeron, Katherine, and Philip V. Bohlman., eds. Disciplining Music: Musicology and Its Canons.Chicago: University of Chicago Press, 1992.
Bergeron, Katherine. "Prologue: Disciplining Music." In Disciplining Music: Musicology and Its Canons, ed. Katherine Bergeron and Philip V. Bohlman. Chicago: University of Chicago Press, 1992.
Bergeron, Katherine. "A Lifetime of Chants." In Disciplining Music: Musicology and Its Canons, ed. Katherine Bergeron and Philip V. Bohlman. Chicago: University of Chicago Press, 1992.
Citron, Marcia J. "Feminist Approaches to Musicology." In Cecilia Reclaimed: Feminist Perspectives on Gender and Music, ed. Susan C. Cook and Judy S. Tsou, 15-34. Urbana: University of Illinois Press, 1994.
Cook, Susan, and Judy Tsou. "Introduction: 'Bright Cecilia.'" In Cecilia Reclaimed: Feminist Perspectives on Gender and Music, ed. Susan C. Cook and Judy S. Tsou, 1-14. Urbana University of Illinois Press, 1994.
Cook, Susan C. and Judy S. Tsou, ed. Cecilia Reclaimed: Feminist Perspectives on Gender and Music. Foreword by Susan McClary, and Introduction by Susan C. Cook and Judy S. Tou. Urbana: University of Illinois Press, 1994.
Cox, Renee. "A Gynecentric Aesthetic." Hypatia 5/2 (1990), 43-62.
Cox, Renee. "Are Musical Works Discovered?" The Journal of Aesthetics and Art Criticism, 367-374.
Cox, Renee. "Recovering Jouissance: Feminist Aesthetics and Music." In Women and Music: A History, ed. Karin Pendle, 331-340. Bloomington: Indiana University Press, 1991.
Cusick, Suzanne G. "Gender and the Cultural Work of a Classical Music Performance." repercussions 3/1 (1994), 77-110.
Detels, Claire. "Soft Boundaries and Relatedness: Paradigm for a Postmodern Feminist Musical Aesthetics." Boundary 2: An International Journal of Literature and Culture 19/2 (1992), 184-204.
Dobie, Elizabeth Ann. "Interweaving Feminist Frameworks." The Journal of Aesthetics and Art Criticism 48/4 (1990), 381-394.
Dunn, Leslie C. and Nancy A. Jones, ed. Embodied Voices: Representing Female Vocality in Western Culture. Cambridge: Cambridge University Press, 1994.
Elliott, C.H. "Race and Gender as Factors in Judgments of Music Performance." CRME 127 (1995-1996), 50-56.
Engh, Barbara. "Adorno and the Sirens: Tele-phono-graphic Bodies." In Embodied Voices: Representing Female Vocality in Western Culture, ed. Leslie C. Dunn and Nancy A. Jones, 120-138. Cambridge: Cambridge University Press, 1994.
Engh, Barbara. "Loving It: Music and Criticism in Roland Barthes." In Musicology and Difference: Gender and Sexuality in Music Scholarship, ed. Ruth Solie, 66-82. Berkeley: University of California Press, 1993.
Erlmann, Veit. "The Politics and Aesthetics of Transnational Musics." The World of Music: Journal of the International Institute for Traditional Music 35/2 (1993), 3-15.
Escot, Pozzi. "Streams and Dreams: "O virtued wisdom which encircles circles." Sonus 13/2 (1993), 23-44b.
Fuller, Sophie. "Dead White Men in Wigs: Women and Classical Music." In Girls! Girls! Girls!: Essays on Women and Music, ed. Sarah Cooper. New York: New York University Press, 1996.
Gates, Eugene. "The Female Voice: Sexual Aesthetics Revisited." Journal of Aesthetic Education 22/4 (1988), 59-68.
Giles, Jennifer and John Shepherd. "Theorizing Music's Affective Power." Ethnomusicology in Canada, ed. Robert Witmer, 19. Toronto: Institute for Canadian Music, 1990.
Gramit, David. "Constructing a Victorian Schubert: Music, Biography, and Cultural Values." Nineteenth-Century Music 17/1 (1993), 65-78.
Gramit, David. "Schubert's Wanderers and the Autonomous Lied." Journal of Musicological Research 14 (1995), 156ff.
Greenhill, P. "Neither a Man Nor a Maid: Sexualities and Gendered Meanings in Cross-Dressing Ballads." Journal of American Folklore 108 (1995), 156-77.
Grennan, Eamon. "The Women's Voices in Othello: Speech, Song, Silence." Shakespeare Quarterly 38 (Autumn 1987), 275-303.
Henderson, Moya. "Music as Lifestyle, Politics as Music." CMR 11 (1994), 140ff.
Herndon, Marcia and Susanne Ziegler, eds. Music, Gender, and Culture. Wilhelmshaven: F. Noetzel; New York: Peters, 1990. "International Council for Traditional Music Study Group on Music and Gender."
Jacobs, Jo Ellen. "Identifying Musical Works of Art." Journal of Aesthetic Education 24/4 (1990), 75-85.
Kilmister, Sally. "Aesthetics and Music: The Appropriation of the Other." Women: A Cultural Review 3/1 (Summer 1992), 30-39.
Koskoff, Ellen. "Gender, Power and Music." The Musical Woman: An Interdisciplinary Perspective 3 (1986-1990), 769-788.
Koskoff, Ellen. "When Women Play: The Relationship Between Musical Instruments and Gender Style." Canadian University Music Review 16/1 (1995), 114-127.
Koskoff, Ellen, ed. Women and Music in Cross-Cultural Perspective. Chicago: University of Illinois Press, 1989.
Kramer, Lawrence. "Carnaval, Cross-Dressing, and the Woman in the Mirror." In Musicology and Difference: Gender and Sexuality in Music Scholarship, ed. Ruth Solie, 305-325. Berkeley: University of California Press, 1993.
Lawrence, Amy. "Staring the camera down: direct address and women's voices." In Embodied Voices: Representing Female Vocality in Western Culture, ed. Leslie C. Dunn and Nancy A. Jones, 166-178. Cambridge: Cambridge University Press, 1994.
Leppert, Richard and Susan McClary, eds. Music and Society: The Politics of Composition, Performance, and Reception. Cambridge: Cambridge University Press, 1987.
MacArthur, Sally. "Writing "Difference" into the Musical Body." Music in New Zealand 21 (1993), 10-13, 104.
Maus, Fred Everett. "Hanslick's Animism." Journal of Musicology 10/3 (1992), 273-292. [Hanslick, eroticism, aesthetics, animism]
McClary, Susan. Feminine Endings: Music, Gender, and Sexuality. Minneapolis: University of Minnesota Press, 1991. [cf. book reviews]
McClary, Susan and Robert Walser. "Theorizing the Body in African-American Music." Black Music Research Journal 14/1 (Spring 1994), 75-84.
Mohammed, Patricia. "Reflections on the Women's Movement in Trinidad: Calypsos, Changes and Sexual Violence." Feminist Review 38 (Summer 1991), 33-47.
Monson, Ingrid. "Music and the Anthropology of Gender and Cultural Identity." Women and Music: A Journal of Gender and Culture 1/1 (1997), 24-32.
Pegley, Karen and Virginia Caputo. "Growing Up Female(s): Retrospective Thoughts on Musical Preferences and Meanings." repercussions 1-1 (1992), 65-80. [Diamond, identity, male gaze]
Rabinowitz, Peter J. "'With Our Own Dominant Passions': Gottschalk, Gender, and the Power of Listening." Nineteenth-Century Music16/3 (1993), 242-252. [Gottschalk, reception, interpretation]
Rahn, John. "Centers--Dissenters: Music, Religion, and Politics." Current Musicology 56 (1994), 72-85.
Rebollo-Sborgi, Francesca. "Decentering the Feminist Self." repercussions 1/2 (1992), 26-51.
Robertson, Carol E. "Power and Gender in the Musical Experiences of Women." In Women and Music in Cross-Cultural Perspective, ed. Ellen Koskoff, 225-244. Urbana: University of Illinois Press, 1989.
Rorem, Ned: "Ladies' Music." In Settling the Score: Essays on Music, 330-338. San Diego: Harcourt, Brace, Jovanovich, 1989.
Rycenga, Jennifer. "The Uncovering of Ontology in Music: Speculative and Conceptual Feminist Music." repercussions 3/1 (1994), 22-46.
Said, Edward W. "Music." The Nation 244 (Feb. 7 1987), 158-60.
Samuel, Rhian. "Feminist Musicology: Endings or Beginnings?" Women: A Cultural Review 3/1 (Summer 1992), 65-69.
Sarkissian, Margaret. "Gender and music." In Ethnomusicology. I: An introduction, 337-348. London: Macmillan, 1992.
Segal, Charles. "The Gorgon and the Nightingale: The Voice of Female Lament and Pindar's Twelfth Pythian Ode." In Embodied Voices: Representing Female Vocality in Western Culture, ed. Leslie C. Dunn and Nancy A. Jones, 17-34. Cambridge: Cambridge University Press, 1994.
Smith, Catherine Parsons. "'A Distinguishing Virility': Feminism and Modernism in American Art Music." In Cecilia Reclaimed: Feminist Perspectives on Gender and Music, ed. Susan C. Cook and Judy S. Tsou, 90-106. Urbana: University of Illinois Press, 1994.
Solie, Ruth A., ed. Musicology and Difference: Gender and Sexuality in Music Scholarship. With an Introduction by Ruth Solie. Berkeley: University of California Press, 1993. [cf. book reviews]
Subotnik, Rose Rosengard. Deconstructive Variations: Music and Reason in Western Society. Minneapolis: University of Minnesota Press, 1996.
Subotnik, Rose Rosengard. Developing Variations: Style and Ideology in Western Music. Minneapolis: University of Minnesota Press, 1991.
Subotnik, Rose Rosengard. "Toward a Deconstruction of Structural Listening: A Critique of Schoenberg, Adorno, and Stravinsky." In Explorations in Music, The Arts, and Ideas: Essays in Honor of Leonard B. Meyer, ed. Eugene Narmour and Ruth A. Solie, 87-122. Stuyvesant: Pendragon Press, 1988.
Tick, Judith. "Charles Ives and Gender Ideology." In Musicology and Difference: Gender and Sexuality in Music Scholarship, ed. Ruth Solie, 83-106. Berkeley: University of California Press, 1993.
Treadwell, Nina. "The Performance of Gender in Cavalieri/Guidiccioni's Ballo 'O che nuovo miracolo' (1589)." Women and Music: A Journal of Gender and Culture 1/1 (1997), 55-70.
White, Hayden. "Commentary: Form, Reference, and Ideology in Musical Discourse." In Music and Text: Critical Inquiries, ed. Steven Paul Scher, 288-319. Cambridge; New York: Cambridge University Press, 1992.
Boretz, Benjamin. " /music/consciousness/gender [videorecording]." Realized by Benjamin Boretz and Noel Bush; produced by Mary Lee Roberts. Red Hook, NY : Open Space, 1996. annotation
Burnham, Scott. "A.B. Marx and the Gendering of Sonata Form." In Music Theory in the Age of Romanticism, ed. Ian Bent, 163-186. Cambridge: Cambridge University Press, 1996.
Code, David Loberg. "[not equal]: Feminism, Tuning, and Theory Pedagogy." Theory and Practice 20 (1995), 1-12.
Cook, Nicholas. "Music Theory and the Postmodern Muse: An Afterword." In Concert Music, Rock, and Jazz Since 1945: Essays and Analytical Studies, ed. Elizabeth Marvin and Richard Hermann, 422 ff. Rochester, NY : University of Rochester Press, 1995.
Cusick, Suzanne G. "Feminist Theory, Music Theory, and the Mind/Body Problem." Perspectives of New Music 32/1 (1994), 8-27. [music theory, embodiment, Fanny Mendelssohn Hensel, J.S. Bach]
Detels, Claire. "Autonomist/Formalist Aesthetics, Music Theory, and the Feminist Paradigm of Soft Boundaries." The Journal of Aesthetics and Art Criticism 52/1 (1994), 113-126.
Dusman, Linda. "Unheard of: Music as Performance and the Reception of the New." Perspectives of New Music 32/2(1994), 130-146. [music theory][cf. McClary]
Frey, Janice Mowery. "Elaine Barkin: Active Participant (Feminist Theory Forum)." Perspectives of New Music 31/2 (1993), 252-63.
Gans, Eric. "Remarks on Originary Feminism." Perspectives of New Music 32/1 (Winter 1994), 86-88.
Guck, Marion. "Music Loving, Or the Relationship with the Musical Work." Music Theory Online 2/2 (1996).
Guck, Marion. "Varese Bound." Perspectives of New Music 30/2 (1992), 244-273.
Guck, Marion. "A Woman's (Theoretical) Work." Perspectives of New Music 32/1 (1994), 28-43. [Maus, Boretz]
Hisama, Ellie. "Gender, Politics, and Modernist Music: Analyses of Five Compositions by Ruth Crawford (1901-1953) and Marion Bauer (1887-1955)." Ph.D dissertation, City University of New York, 1996.
Kielian-Gilbert, Marianne. "Of Poetics and Poiesis, Pleasure and Politics--Music Theory and Modes of the Feminine." Perspectives of New Music 32/1 (1994), 44-67.
Killam, Rosemary. "Feminist Theories--Process and Continuation." Music Theory Online 0/8(1994). [Dolly Parton, Libby Larsen, Joan Tower, music theory]
Killam, Rosemary N. "Women Working: An Alternative to Gans (Feminist Theory Forum)." Perspectives of New Music 31.2 (1993), 230-51.
Killam, Rosemary N. "Writing Music Culture for Calamity Jane, Water, and Other Dangerous Women (with minimal apologies to Clifford and Lakoff)." Perspectives of New Music 32/2 (1994), 194-198.
Lewin, David. "Women's Voices and the Fundamental Bass." Journal of Musicology 10/4 (Fall 1992), 464-82.
Lorraine, Renee. "Musicology and Theory: Where It's Been, Where It's Going." The Journal of Aesthetics and Art Criticism 51 (1993), 235-244.
Marvin, Elizabeth and Richard Hermann. Concert Music, Rock, and Jazz Since 1945: Essays and Analytical Studies. Rochester, NY : University of Rochester Press, 1995.
Maus, Fred Everett. "Masculine Discourse in Music Theory." Perspectives of New Music 31/2 (1993), 264-293.
McClary, Susan. "Paradigm Dissonances: Music Theory, Cultural Studies, Feminist Criticism." Perspectives of New Music 32/1 (1994), 68-85.
McClary, Susan. "Response to Linda Dusman." Perspectives of New Music 32/2(1994), 148-153. [cf. Dusman]
Oliveros, Pauline and Fred Maus. "A Conversation about Feminism and Music." Perspectives of New Music 32/1 (1994), 174-193.
Snarrenberg, Robert, Nadine Hubbs and Mauro Botelho. "Editorial: Is There Feminist Music Theory?" In Theory Only 9/8 (1987), 3-4.
Van den Toorn, Pieter C. Music, Politics, and the Academy. Berkeley: University of California Press, 1995.
Agawu, Kofi. "Analyzing Music Under the New Musicological Regime." Music Theory Online 2/4 (1996).
Agawu, Victor Kofi. "Schubert's Sexuality: A Prescription for Analysis?" Nineteenth-Century Music 17/1 (1993), 79-82. [Solomon, Steblin, Schubert]
Bowers, Jane M. "Feminist Scholarship and the Field of Musicology: I." College Music Symposium 29 (1989), 81-92.
Bowers, Jane M. "Feminist Scholarship and the Field of Musicology: II." College Music Symposium 30/1 (1990), 1-13.
Chmaj, Betty E. "Reality is on Our Side: Research on Gender in American Music." The Sonneck Society for American Music bulletin 16/2 (1990), 53-58.
Citron, Marcia J. "Gender and the Field of Musicology." Current Musicology 53 (1993), 66-75.
Cook, Susan C. "Women, Women's Studies, Music, and Musicology: Issues of Pedagogy and Scholarship." College Music Symposium 29 (1989), 93-100.
Edwards, J. Michele. Music: Discipline Analysis. Publication of the Women in the Curriculum series, ed. Elaine Hedges. Baltimore: National Center for Curriculum Transformation Resources on Women, Institute for Teaching and Research on Women, Towson University, 1997. [curriculum transformation, bibliography, electronic resources] annotation
Fuller, Sophie. "New Perspectives: Feminism and Music." In Analysing Performance: A Critical Reader, ed. Patrick Campbell. New York, St. Martin's Press, 1996.
McClary, Susan. "Reshaping a Discipline: Musicology and Feminism in the 1990s." Feminist Studies 19 (Summer 1993), 399-423.
McClary, Susan. "Music and Sexuality: On the Steblin/Solomon Debate." Nineteenth-Century Music 17/1 (1993), 83-88. [Schubert, Steblin, Solomon]
McClary, Susan. "Towards a Feminist Criticism of Music." Canadian University Music Review 10/2 (1990), 9-18.
Schwarz, David. "Music and Disciplinarity." Stanford Humanities Review 3/2 (1993), 179-186.
Shapiro, Anne Dhu. "Music and Gender: Another Look." Sonneck Society Bulletin XVII(2), pp. 58-60. annotation
Shapiro, Anne Dhu. "A Critique of Current Research on Music and Gender." The World of Music 33/2 (1991), 5-13.
Solie, Ruth A. "Defining Feminism: Conundrums, Contexts, Communities." Women and Music: A Journal of Gender and Culture 1/1 (1997), 1-12.
Solomon, Maynard. "Franz Schubert and the Peacocks of Benvenuto Cellini." Nineteenth-Century Music 12 (Spring 1989), 193-208.
Solomon, Maynard. "Schubert: Some Consequences of Nostalgia." Nineteenth-Century Music 17/1 (1993), 34-46.
Webster, James. "Music, Pathology, Sexuality, Beethoven, Schubert." Nineteenth-Century Music 17/1 (1993), 89-93. [persona, Schubert, Beethoven]
Wolff, Janet. "Death and the Maiden: Does Semiotics Justify Murder?" Critical Quarterly 35 (Summer 1993), 38-44.
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| Historical Texts/Sources | Bibliographies | Anthologies and Sources for Music |
Baldauf-Berdes, Jane L. Women Musicians of Venice. Oxford: Clarendon Press, 1993.
Bogin, Meg. The Women Troubadours. New York: Norton, 1980.
Bowers, Jane and Judith Tick, eds. Women Making Music : The Western Art Tradition, 1150-1950. Urbana: University of Illinois Press, 1986. [cf. book reviews]
Cohen, Aaron I., ed. International Encyclopedia of Women Composers. 2nd ed. Westport: Greenwood, 1987. [cf. book reviews]
Drinker, Sophie Hutchinson, 1888-1968. Music and women: The Story of Women in their Relation to Music. New York: Coward McCann, 1948; reprint, Zenger Publishing Company, 1977; reprint, with a Preface by Elizabeth Wood, and Afterword by Ruth A. Solie. New York: The Feminist Press at the City University of New York, 1995. [Drinker, Solie, Wood]
Ebel, Otto. Women Composers: A Biographical Handbook of Woman's Work in Music. New York: F.H. Chandler, 1902.
Elson, Arthur. Woman's Work in Music. Boston, 1904.
Fuller, Sophie. The Pandora Guide to Women Composers: Britain and the United States 1629- present. London; San Francisco: Pandora, 1994.
Green, Mildred Denby. Black Women Composers: A Genesis. Boston: Twayne, 1983.
Hixon, Don L. and Don A. Hennessee. Women in Music: An Encyclopedic Biobibliography(2 vols.), 2nd. ed. Metuchen, NJ: Scarecrow Press, 1993.
Jezic, Diane Peacock. Women composers: The Lost Tradition Found. With a Foreword by Elizabeth Wood. New York: Feminist Press, 1988; 2nd ed. prepared by Elizabeth Wood. New York: The Feminist Press, 1994.
LePage, Jane Weiner. Women Composers, Conductors and Musicians of the Twentieth Century: Selected Biographies. 3 volumes. Metuchen, NJ: Scarecrow, 1980, 1983, 1985.
Loesser, Arthur. Men, Women and Pianos. London: Victor Gollancz, 1955.
Neuls-Bates, Carol, ed. Women in Music: An Anthology of Source Readings from the Middle Ages to the Present. Rev. ed, Northeastern University Press, 1996. [cf. book reviews]
Pendle, Karin, ed. Women & Music: A History. Bloomington: Indiana University Press, 1991. [cf. book reviews]
Includes:
Michelini, Ann N. "Women and Music in Greece and Rome." 3-7
Edwards, J. Michele. "Women in Music to ca. 1450." 8-28.
Pendle, Karin. "Women in Music, ca. 1450-1600." 31-53
Jackson, Barbara Garvey. "Musical Women of the Seventeenth and Eighteenth Centuries." 54-94.
Reich, Nancy B. "European Composers and Musicians, ca. 1800-1890."
Citron, Marica J. "European Composers and Musicians, 1880-1918."
Block, Adrienne Fried, assisted by Nancy Stewart. "Women in American Music, 1800-1918." 142-172.
Roma, Catherine. "Contemporary British composers."
Zierolf, Robert. "Composers of Modern Europe, Australia, and New Zealand." 187-207.
Edwards, J. Michele, with contributions by Leslie Lassetter. "North America since 1920."
Hoke, S. Kay. "American Popular Music." 258-281.
Budds, Michael J. "African-American Women in Blues and Jazz."
Whitesitt, Linda. "Women's Support and Encouragement of Music and Musicians." 301-313.
Jones, L. JaFran. "Women in Non-Western Music." 314-330
Cox, Renee. "Recovering Jouissance: An Introduction to Feminist Musical Aesthetics."
Sadie, Julie Anne & Rhian Samuel, eds. The Norton/Grove Dictionary of Women Composers. New York; London: W.W. Norton, 1994.
Schleifer, Martha Furman and Sylvia Glickman. Women Composers: Music through the Ages. Vols. I and II. New York: G. K. Hall, 1996.
Tick, Judith. American Women Composers Before 1870. Ann Arbor: UMI Research Press, 1983.
Upton, George P. Woman in Music. Sixth Ed. Chicago: A. C. McClurg and Co., 1899.
Zaimont, Judith Lang, ed. The Musical Woman: An International Perspective. Westport: Greenwood Press, 1984, 1984, 1991 (three volumes).
Block, Adrienne Fried and Carol Neuls-Bates. Women in American Music: A Bibliography of Music and Literature. Westport: Greenwood, 1979.
Bowers, Jane and Urban Bareis. "Bibliography on Music and Gender -- Women in Music." The World of Music 33/2 (1991), 65-103.
Edwards, J. Michele. Music: Discipline Analysis. Publication of the Women in the Curriculum series, ed. Elaine Hedges. Baltimore: National Center for Curriculum Transformation Resources on Women, Institute for Teaching and Research on Women, Towson University, 1997. [curriculum transformation, bibliography, electronic resources] annotation
Ericson, Margaret. Women and Music: A Selective Annotated Bibliography on Women and Gender Issues in Music, 1987-1992. New York: G.K. Hall; London: Prentice Hall International, 1996. annotation
LeFanu, Nicola and Sarah Fuller. "A Select Bibliography of English Language Writing on Women and Music." CONT MUS R 11 (1994), 335ff.
Tsou, Judy. "Women and music: A selective annotated bibliography on women and gender issues in music, 1987-1992." Fontes artis musicae 43/4 (Oct-Dec 1996), 413-414.
Briscoe, James R. Historical Anthology of Music by Women. Bloomington: Indiana University Press, 1987.
Boenke, H.M. Flute Music by Women Composers: An Annotated Catalog. Westport, CT: Greenwood Press, 1988.
Edwards, J. Michele. "Choral Potpourri: Literature by Women Composers." ChoralNet Resource Site (FTP and Gopher). Available as of May 9, 1995; South Dakota School of Mines and Technology/ChoralNet/Reference/Composers/Women.cmp. Also accessible via Internet website; scroll halfway down the page until you reach "Choral Potpourri." annotation
Frasier, Jane. Women Composers: A Discography. Detroit Information Coordinators, 1983.
Leder, Jan. Women in Jazz: A Discography of Instrumental Music 1913-1968. Westport, CT: Greenwood Press, 1985.
Meggett, Joan M. Keyboard Music by Women Composers: A Catalogue and Bibliography. Westport: Greenwood, 1981.
Reich, Nancy. "An Annotated Bibliography of Recent Writings on Women in Music." In Women's Studies/Women's Status. CMS Report Number 5, Nancy B. Reich, Chair, CMS Committee on the Status of Women in Music. Boulder, CO: The College Music Society, 1988.
Schlegel, Ellen Grolman. Catalog of Published Works for String Orchestra and Piano by Twentieth-Century American Women Composers. Birmingham, AL: Colonial Press, 1992.
Stewart-Green, Miriam. Women Composers: A Checklist of Works for the Solo Voice. Boston, MA: G. K. Hall and Co., 1980.
Straus, Joseph N. Music by Women for Tonal Theory Students. New York: Prentice-Hall, 1995.
Walker-Hill, Helen. Piano Music by Black Women Composers: A Catalog of Solo and Ensemble Works. Westport, CT: Greenwood Press, 1992.
Zaimont, Judith and Karen Famera, eds. Contemporary Concert Music by Women: A Directory of the Composers and their Works. Westport, CT: Greenwood Press, 1981.
Cash, Alice H. "Conference Report: Feminist Theory and Music: Toward a Common Language, University of Minnesota, June 26-30 1991." Journal of Musicology 9/4 (1991), 521-532.
Kielian-Gilbert, Marianne. "Feminist Theory and Music Conference, Minneapolis, June 1991: Questions on Ecstasy, Morality, Creativity (Feminism Forum)." Perspectives of New Music 30/2 (1992), 240-242.
Riis, Thomas and Fred Maus. "Conference Report: Feminist Theory and Music I." Sonneck Society Bulletin 17/3 (1991), 103-104.
Bowers, Jane. "Feminist Theory and Music II in Rochester, June 1993." Current Musicology 56 (1994), 138-149.
Caputo, Virginia and Roberta Lamb. "Feminist Theory and Music II: Rochester, 1993." Canadian University Music Review/Revue de musique des universites canadiennes 14 (1994), 182-187.
Edwards, J. Michele. "Feminist Theory and Music II: A Continuing Dialogue." The International League of Women Composers Journal (October 1993), 36-39.
Laugesen, Emily Sneider. "Feminist Theory and Music II: A Continuing Dialog, 17-20 June 1993." Perspectives of New Music 32 (1994), 300-303.
Citron, Marcia J. "Beyond Biography: Seventh International Congress on Women in Music, Utrecht, The Netherlands 29 May-2 June 1991 [and] Music and Gender Conference, King's College, London, 5-7 July 1991." Journal of Musicology 9/4 (1991), 533-543.
Senici, E, and A. Suschitxky. "Conference Report: Representations of Gender and Sexuality in Opera, September 1995, SUNY-Stony Brook." Journal of Musicological Research 15 (1995), 275-283.
Gottlieb, Jane. Notes 47/1 (1990), 56-9.
Carter, Tim. Music and Letters 69/1 (1988), 61-4.
Koskoff, Ellen. Ethnomusicology 32/3 (1988), 474-478.
Wood, Elizabeth. Signs 13/2 (1988), 354-7.
LeFanu, Nicola. Music and Letters 71/1(1990), 74-5.
Tsou, Judy. Notes 46/3 (1990), 633-5.
Neuls-Bates, Carol. Notes 40/1 (1983), 53-5. (1st ed.)
Rettig, James. Wilson Library Bulletin 56 (1982), 463.
Bristah, Pamela. Notes 40/2 (1983), 302-3.
Raynor, Henry. The Music Review 46 (May 1985), 148-50.
Barwick, Linda. Australian Journal of Anthropology 2/1 (1991), 149-50.
Bowers, Jane. Gender & Society 5/1 (1991), 125-127.
Hamessley, Lydia. American Ethnologist 18/2 (1991), 377-8.
Djedje, Jacqueline Cogdell. Ethnomusicology 33/3 (1989), 514-520.
Feld, Steven. American Anthropologist 90 (1988), 1003.
Rosen, Charles. The New York Review of Books. 41/12 (June 23, 1994), 55.
Smart, Mary Ann. Journal of Musicological Research 14/1-2 (1994), 77-84. [McClary, reviews]
Sayrs, Elizabeth. "Deconstructing McClary: Narrative, Feminine Sexuality and Feminism in Susan McClary's Feminine Endings." College Music Symposium 33/34 (1993/1994), 41-55.
DeNora, Tia. Contemporary Sociology 22/1 (1993), 116-117.
Ferris, Lesley. "Absent Bodies, Dancing Bodies, Broken Dishes: Feminist Theory, Postmodernism, and the Visual Arts." Signs 18/1 (1992), 162-172. annotation
Higgins, Paula. "Women in Music, Feminist Criticism, and Guerilla Musicology: Reflections on Recent Polemics." Nineteenth-Century Music 17/2 (1993), 174-192. [McClary, reviews] annotation
Kallick, Jenny. Journal of Music Theory 37/2 (1993), 391-402. [McClary, reviews] annotation
Solie, Ruth. Journal of Modern History 65/3 (1993), 575-577. [McClary, reviews]
Treitler, Leo. "Gender and Other Dualities of Music History." In Musicology and Difference: Gender and Sexuality in Music Scholarship,ed. Ruth Solie, 23-45. Berkeley: University of California Press, 1993. [McClary, reviews]
Wolff, Janet. "Death and the Maiden: Does Semiotics Justify Murder?" Critical Quarterly 35/2 (1993), 38-44.
Barkin, Elaine. "'either/other' (Feminism Forum)." Perspectives of New Music 30/2 (1992), 206-33. [McClary, reviews]
Carl, Robert. Notes 48/4 (1992), 1288. [McClary, reviews]
Biddlecombe, George. "Review of Feminine Endings." Popular Music 11/3 (1992), 373-376.
Cook, Susan. American Quarterly 44/1 (1992), 155-163.
Detels, Claire. The Journal of Aesthetics and Art Criticism 50/4 (1992), 338-340.
McClary, Susan. "A Response to Elaine Barkin (Feminism Forum)." Perspectives of New Music 30/2 (1992), 234-38. [McClary, reviews, Barkin] [cf. Barkin]
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Last updated on 10/9/2002 by Leigh VanHandel