Jian-Lung(Larry) Wu

larrywu@ccrma.stanford.edu
MST student, CCRMA, Department of Music, Stanford University


Brief Introduction

  1. Resume

Grade

  1. Graduate Transcrip

Convention Paper

  1. Earl Vickers, Jian-Lung Wu, Praveen Gobichettipalayam Krishnan, and Ravirala Narayana Karthik Sadanandam, "Frequency Domain Artificial Reverberation using Spectral Magnitude Decay" accepted and published in Audio Engineering Society the 121th Convention, 2006
  2. Yi-Song Siao, Alvin W.Y. Su, Jia-Lin Yeh and Jian-Lung Wu, " A Structured Audio System Based on JAVAOL". Workshop on Computer Music and Audio Technology, Taiwan, 2005 (Demo Web Site)
  3. Alvin W.Y. Su, Yi-Song Xiao, Jia-Lin Yeh and Jian-Lung Wu, " Real-Time Internet MPEG-4 SA Player and the Streaming Engine". Audio Engineering Society the 116th Convention, 2004

Undergraduate Project

  1. "Application of high quality internet music service & combination of MPEG-4 Structured Audio and physical model synthesis method". It is also the project of National Science Council in Taiwan. (Demo Web Site)

Note: 1. Please download the Player and install it. [Download] 2.Windows Java Virtual Machine Engine is required. We provided the install program here. [Download]


Independent Study in CCRMA, Stanford (Adviser: Julius O. Simth III)

  1. Guitar Sound Analysis and Pitch Detection. (Research Paper)
  2. Demo Progam. (For Microsoft Windows System)

    Note: Please read the instruction.

Course Work in CCRMA, Stanford

Fall 2005

EE 261: Introduction to Digital Audio Signal Processing
Music 220A: Foundations of Computer-Generated Sound
Melody / Rhythm / Polyphony
Pd and Snd streaming illusion
Pd localization cues, Schroeder-style reverb and analysis / resynthesis
Recreate the basic structure of the THX logo, aka Deep Note
Dynamical systems in Scheme and Pd
Stk, Scheme, Midi/Skini and Robot/Human performance
Abstraction, and real-time signal tracking in Pd
Convert STK instruments to PD patch on Windows version.
Music 192A: Foundations of Sound-Recording Technology
Microphone recording
Microphone recording

Winter 2006

EE 367A: Signal Processing Models in Musical Acoustics
Audio Effects: Delay & Echo
Audio Effects: Reverberation
Audio Effects: Schroeder Reverberator, Order 4 SISO Feedback Delay Network
Audio Effects: Doppler, Leslie, Flanging
Physical Modeling: Electric Guitar Synthesis, Amplifier Distortion, Amplifier Feedback
Physical Modeling: Acoustic Guitar Synthesis
Music 220B: Compositional Algorithms, Psychoacoustics, and Spatial Processing
Twelve tone composition
Markov chains composition
Implement Phase Vocoder using C++
Music 250A: HCI Theory and Practice
Sketch
Make music with PD
AVR - discrete
Sensors - circuits - OSC
Lab4
Op amps
Lab5
Communications (OSC) and more sensors
Lab6
Haptics
Wutar-Larry Wu's Virtual Air Guitar
Music 192B: Advanced Sound Recording Technology
Project Report
Music 150: Musical Acoustics
Music 423: Signal Processing Research Seminar

Spring 2006

EE 367D: Signal Processing Techniques for Digital Audio Effects
Dynamic Range Control
Reverberation
Reverberator Equalization and Feedback Filter Design
Distortion and Upsampling
Music 220C: Research Seminar in Computer-Generated Music
Guitar Chord Detection
Music 151: Psychophysics and Cognitive Psychology for Musicians
Could People Learn 'Perfect Pitch' by Short-Term Memory?
EE 367B: Audio Applications of the Fast Fourier Transform


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