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- 1
-
Handbook of Mathematical Functions,
New York: Dover, 1965.
- 2
-
R. D. Ayers, L. J. Eliason, and D. Mahgerefteh, ``The conical bore in musical
acoustics,'' American Journal of Physics, vol. 53, pp. 528-537, June
1985.
- 3
-
V. Belevitch, ``Summary of the history of circuit theory,'' Proceedings of the IRE,
vol. 50, pp. 848-855, May 1962.
- 4
-
V. Belevitch, Classical Network Theory,
San Francisco: Holden-Day, 1968.
- 5
-
A. Benade, ``Equivalent Circuits for Conical Waveguides,'' Journal of the Acoustical Society of America, vol. 83, pp. 1764-1769, May 1988.
- 6
-
G. Borin and G. De Poli, ``A Hammer-String Interaction Model for Physical
Model Synthesis,'' in Proc. XI Colloquium Mus. Inform., (Bologna,
Italy), pp. 89-92, AIMI, Nov. 1995.
- 7
-
G. Borin and G. De Poli, ``A Hysteretic Hammer-String Interaction Model for
Physical Model Synthesis,'' in Proceedings of the Nordic Acoustical Meeting
(NAM-96), Helsinki, Finland, (Helsinki, Finland), pp. 399-406, June
1996.
- 8
-
G. Borin, G. De Poli, and A. Sarti, Sound Synthesis by Dynamic Systems
Interaction, vol. Readings in Computer-Generated Music, pp. 139-160,
IEEE Computer Society Press, 1992,
D. Baggi, editor.
- 9
-
A. Bruckstein and T. Kailath, ``An inverse scattering framework for several
problems in signal processing,'' IEEE Signal Processing Magazine,
vol. 4, pp. 6-20, January 1987.
- 10
-
A. Chaigne, ``On the Use of Finite Differences for Musical Synthesis.
Application to Plucked Stringed Instruments,'' J. Acoustique, vol. 5,
pp. 181-211, 1992.
- 11
-
A. Chaigne and A. Askenfelt, ``Numerical Simulations of Piano Strings. I. A
Physical Model for a Struck String using Finite Difference Methods,'' Journal of the Acoustical Society of America, vol. 95, pp. 1112-1118, Feb 1994.
- 12
-
J. Chung and K. K. Parhi, ``Scaled normalized lattice digital filter
structures,'' IEEE Transactions on Circuits and Systems-II, vol. 42,
pp. 278-282, Apr. 1995.
- 13
-
P. Cook, ``Integration of physical modeling for synthesis and animation,'' in
Proceedings of the 1995 International Computer Music Conference, Banff, pp. 525-528,
Computer Music Association, 1995.
- 14
-
P. R. Cook, Identification of Control Parameters in an Articulatory Vocal
Tract Model, with Applications to the Synthesis of Singing,
PhD thesis, Elec. Engineering Dept., Stanford University, Dec. 1990.
- 15
-
P. R. Cook, ``Tbone: An interactive waveguide brass instrument synthesis
workbench for the NeXT machine,'' in Proceedings of the 1991 International
Computer Music Conference, Montreal, pp. 297-299, Computer Music
Association, 1991.
- 16
-
P. R. Cook, ``A meta-wind-instrument physical model, and a meta-controller for
real time performance control,'' in Proceedings of the 1992 International Computer
Music Conference, San Jose, pp. 273-276, Computer Music Association, 1992.
- 17
-
P. R. Cook, ``Singing voice synthesis: History, current work, and future
directions,'' Computer Music Journal, vol. 20, pp. 38-46, Fall
1996.
- 18
-
P. R. Cook, ``Synthesis toolkit in C++, version 1.0,'' in SIGGRAPH
Proceedings, Assoc. Comp. Mach., May 1996.
- 19
-
L. Cremer, The Physics of the Violin,
Cambridge, MA: MIT Press, 1984.
- 20
-
J. l. d'Alembert, ``Investigation of the curve formed by a vibrating string,
1747,'' in Acoustics: Historical and Philosophical Development (R. B.
Linsdsay, ed.), pp. 119-123, Stroudsburg: Dowden, Hutchinson & Ross, 1973.
- 21
-
G. De Poli and A. Sarti, ``Generalized adaptors with memory for nonlinear
wave digital structures,'' in EUSIPCO, (Trieste, Italy),
pp. 1941-1944, Sept. 1996.
- 22
-
J. R. Deller Jr., J. G. Proakis, and J. H. Hansen, Discrete-Time
Processing of Speech Signals,
New York: Macmillan, 1993.
- 23
-
P. H. Dietz and N. Amir, ``Synthesis of trumpet tones by physical modeling,''
in Proceedings of the International Symposium on Musical Acoustics (ISMA-95), Dourdan,
France, (France), pp. 471-477, Société Français d'Acoustique, July
1995.
- 24
-
W. C. Elmore and M. A. Heald, Physics of Waves,
New York: McGraw Hill, 1969,
Dover Publ., New York, 1985.
- 25
-
K. T. Erickson and A. N. Michel, ``Stability analysis of fixed-point digital
filters using computer generated Lyapunov functions--Part I: Direct
form and coupled form filters, and Part II: Wave digital filters and
lattice digital
filters,'' IEEE Transactions on Circuits and Systems, vol. 32,
pp. 113-132 and 132-142, Feb. 1985.
- 26
-
A. Fettweis, ``Some Principles of Designing Digital Filters Imitating
Classical Filter Structures,'' IEEE Transactions on Circuit Theory, vol. 18,
pp. 314-316, Mar. 1971.
- 27
-
A. Fettweis, ``Wave Digital Filters: Theory and Practice,'' Proceedings of the IEEE, vol. 74, pp. 270-327, Feb. 1986.
- 28
-
A. Fettweis and K. Meerkötter, ``On Adaptors for Wave Digital Filters,''
IEEE Transactions on Acoustics, Speech, Signal Processing, vol. 23,
pp. 516-524, Dec. 1975.
- 29
-
J. L. Flanagan, K. Ishizaka, and K. L. Shipley, ``Signal models for low
bit-rate coding of speech,'' Journal of the Acoustical Society of
America, vol. 68, no. 3, pp. 780-791, 1980.
- 30
-
F. Fontana and D. Rocchesso, ``Physical modeling of membranes for percussion
instruments,'' Acta Acustica, vol. 84, pp. 529-542, May/June 1998.
- 31
-
F. Fontana and D. Rocchesso, ``Simulations of Membrane-based Percussion
Instruments,'' in Proc. Workshop: Sound Synthesis by Physical
Modeling, (Firenze, Italy), Centro Tempo Reale, June 1996.
- 32
-
W. Frank and A. Lacroix, ``Improved vocal tract models for speech synthesis,''
Proceedings of the International Conference on Acoustics, Speech, and Signal Processing, vol. 3,
pp. 2011-2014, April 7-11 1986.
- 33
-
M. A. Gerzon, ``Unitary (Energy Preserving) Multichannel Networks with
Feedback,'' Electronics Letters V, vol. 12, no. 11, pp. 278-279,
1976.
- 34
-
G. H. Golub and C. F. V. Loan, Matrix Computations,
Baltimore: The Johns Hopkins University Press, 1989.
- 35
-
A. H. Gray and J. D. Markel, ``A Normalized Digital Filter Structure,'' IEEE Transactions on Acoustics, Speech, Signal Processing, vol. 23, pp. 268-277,
June 1975.
- 36
-
S. Hirschman, Digital Waveguide Modelling and Simulation of Reed
Woodwind Instruments,
Engineer's thesis, Elec. Engineering Dept., Stanford University (CCRMA),
May 1991,
available as CCRMA Technical Report Stan-M-72, Music Dept., Stanford
University, July 1991.
- 37
-
S. Hirschman, P. R. Cook, and J. O. Smith, ``Digital waveguide modelling of
reed woodwinds: An interactive development environment on the NeXT
computer,'' in Proceedings of the 1991 International Computer Music Conference,
Montreal, pp. 300-303, Computer Music Association, 1991,
available in ``CCRMA Papers on Physical Modeling from the 1991
International Computer Music Conference,'' Department of Music Technical Report
STAN-M-73, Stanford University, October 1991.
- 38
-
Y. H. Hu, ``CORDIC-Based VLSI Architectures for Digital Signal Processing,''
IEEE Signal Processing Magazine, pp. 16-35, July 1992.
- 39
-
J. J. L. Kelly and C. C. Lochbaum, ``Speech synthesis,'' Proceedings of the Fourth
International Congress on Acoustics, Copenhagen, pp. 1-4, September 1962,
Paper G42.
- 40
-
D. A. Jaffe and J. O. Smith, ``Extensions of the Karplus-Strong Plucked String
Algorithm,'' Computer Music Journal, vol. 7, no. 2, pp. 56-69,
1983.
- 41
-
D. A. Jaffe and J. O. Smith, ``Performance expression in commuted waveguide
synthesis of bowed strings,'' in Proceedings of the 1995 International Computer
Music Conference, Banff, pp. 343-346, Computer Music Association, 1995.
- 42
-
J.-M. Jot and A. Chaigne, ``Digital Delay Networks for Designing Artificial
Reverberators,'' in Audio Engineering Society Convention, (Paris, France),
AES, Feb. 1991.
- 43
-
T. Kailath, Linear Systems,
Englewood Cliffs: Prentice-Hall, 1980.
- 44
-
M. Karjalainen and U. K. Laine, ``A model for real-time sound synthesis of
guitar on a floating-point signal processor,'' in Proceedings of the International
Conference on Acoustics, Speech, and Signal Processing, Toronto, vol. 5, (New
York), pp. 3653-3656, IEEE Press, May 1991.
- 45
-
M. Karjalainen and J. O. Smith, ``Body modeling techniques for string
instrument synthesis,'' in Proceedings of the 1996 International Computer Music
Conference, Hong Kong, pp. 232-239, Computer Music Association, Aug. 1996.
- 46
-
M. Karjalainen, U. K. Laine, T. I. Laakso, and V. Välimäki,
``Transmission-Line Modeling and Real-Time Synthesis of String and Wind
Instruments,'' in Proc. International Computer Music Conference,
(Montreal, Canada), pp. 293-296, ICMA, 1991.
- 47
-
M. Karjalainen, J. Backman, and J. Pölkki, ``Analysis, Modeling, and
Real-Time Sound Synthesis of the Kantele, A Traditional Finnish String
Instrument,'' in Proceedings of the International Conference on Acoustics, Speech, and Signal
Processing, (Minneapolis), pp. 229-232, IEEE, 1993.
- 48
-
M. Karjalainen, V. Välimäki, and Z. Jánosy, ``Towards High-Quality
Sound Synthesis of the Guitar and String Instruments,'' in Proc.
International Computer Music Conference, (Tokyo, Japan), pp. 56-63, ICMA,
1993.
- 49
-
M. Karjalainen, V. Välimäki, B. Hernoux, and J. Huopaniemi, ``Exploration
of wind instruments using digital signal processing and physical modeling
techniques,'' in Proceedings of the 1995 International Computer Music Conference, Banff,
pp. 509-516, Computer Music Association, 1995,
Revised version published in the Journal of New Music Research,
24(4), December 1995.
- 50
-
E. Keller, Fundamentals of Speech Synthesis,
New York: John Wiley and Sons, Inc., 1994.
- 51
-
S.-Y. Kung, ``On supercomputing with systolic/wavefront array processors,''
Proceedings of the IEEE, vol. 72, pp. 867-884, July 1984.
- 52
-
H. Kuttruff, Room Acoustics,
Essex, England: Elsevier Science, 1991,
Third Ed.; First Ed. 1973.
- 53
-
T. I. Laakso, V. Välimäki, M. Karjalainen, and U. K. Laine, ``Splitting
the Unit Delay--Tools for Fractional Delay Filter Design,'' IEEE
Signal Processing Magazine, vol. 13, pp. 30-60, January 1996.
- 54
-
A. Lacroix and B. Makai, ``A novel vocoder concept based on discrete time
acoustic tubes,'' Proceedings of the International Conference on Acoustics, Speech, and Signal
Processing, Washington, D.C., pp. 73-76, April 2-4 1979.
- 55
-
F. T. Leighton, Introduction to Parallel Algorithms and Architectures :
Arrays, Trees, Hypercubes,
Los Altos, California: William Kaufmann, Inc., 1992.
- 56
-
I. T. Lim and B. G. Lee, ``Lossless Pole-Zero Modeling of Speech Signals,''
IEEE Transactions on Speech and Audio Processing, vol. 1, pp. 269-276, July
1993.
- 57
-
J. D. Markel and A. H. Gray, Linear Prediction of Speech,
New York: Springer-Verlag, 1976.
- 58
-
K. Meerkotter and R. Scholtz, ``Digital simulation of nonlinear circuits by
wave digital filter principles,'' in IEEE Proc. ISCAS '89, (New York),
pp. 720-723, IEEE Press, 1989.
- 59
-
R. K. Miller and A. N. Michel, Ordinary Differential Equations,
New York: Academic Press, 1982.
- 60
-
P. M. Morse, Vibration and Sound,
New York: American Institute of Physics for the Acoustical Society of
America, 1991,
1st ed. 1936, 2nd ed. 1948.
- 61
-
P. M. Morse and K. U. Ingard, Theoretical Acoustics,
New York: McGraw-Hill, 1968,
Reprinted in 1986, Princeton Univ. Press, Princeton, NJ.
- 62
-
P. J. Moylan, ``Implications of passivity in a class of nonlinear systems,''
IEEE Transactions on Automatic Control, vol. 19, pp. 373-381, Aug. 1974.
- 63
-
R. W. Newcomb, Linear Multiport Synthesis,
New York: McGraw-Hill, 1966.
- 64
-
A. Paladin and D. Rocchesso, ``A Dispersive Resonator in Real Time on MARS
Workstation,'' in Proc. International Computer Music Conference
(A. Strange, ed.), (San Jose, CA), pp. 146-149, ICMA, Oct. 1992.
- 65
-
T. W. Parks and C. S. Burrus, Digital Filter Design,
New York: John Wiley and Sons, Inc., 1987.
- 66
-
S. Perlis, Theory of Matrices,
Reading, Mass.: Addison-Wesley, 1952.
- 67
-
J. R. Pierce and S. A. Van Duyne, ``A passive nonlinear digital filter design
which facilitates physics-based sound synthesis of highly nonlinear musical
instruments,'' Journal of the Acoustical Society of America, vol. 101,
pp. 1120-1126, Feb. 1997.
- 68
-
N. Porcaro, P. Scandalis, D. Jaffe, and J. O. Smith, ``Using SynthBuilder
for the creation of physical models,'' in Proceedings of the 1996 International
Computer Music Conference, Hong Kong, Computer Music Association, 1996.
- 69
-
G. Putland, ``Every one-parameter acoustic field obeys webster's horn
equation,'' Journal of the Audio Engineering Society, vol. 41, pp. 435-451, June
1993.
- 70
-
W. Putnam and J. O. Smith, ``Design of fractional delay filters using convex
optimization,'' in Proceedings of the IEEE Workshop on Applications of Signal
Processing to Audio and Acoustics, New Paltz, NY, (New York), IEEE Press,
Oct. 1997,
http://ccrma.stanford.edu/~jos/resample/optfir.pdf.
- 71
-
P. A. Regalia, S. K. Mitra, and P. P. Vaidyanathan, ``The Digital All-Pass
Filter: A Versatile Signal Processing Building Block,'' Proceedings of the IEEE,
vol. 76, pp. 19-37, Jan. 1988.
- 72
-
J. D. Rhodes, P. C. Marston, and D. C. Youla, ``Explicit solution for the
synthesis of two-variable transmission-line networks,'' IEEE Transactions on Circuit Theory, vol. CT-20, pp. 504-511, Sept. 1973.
- 73
-
C. Roads, The Computer Music Tutorial,
Cambridge, MA: MIT Press, 1996.
- 74
-
C. Roads, S. T. Pope, A. Piccialli, and G. De Poli, eds., Musical Signal
Processing,
Netherlands: Swets and Zietlinger, 1997.
- 75
-
R. A. Roberts and C. T. Mullis, Digital Signal Processing,
Reading - MA: Addison-Wesley, 1987.
- 76
-
D. Rocchesso, Strutture ed Algoritmi per l'Elaborazione del Suono basati
su Reti di Linee di Ritardo Interconnesse,
Phd thesis, Università di Padova, Dipartimento di Elettronica e
Informatica, Feb. 1996.
- 77
-
D. Rocchesso and F. Scalcon, ``Accurate Dispersion Simulation for Piano
Strings,'' in Proceedings of the Nordic Acoustical Meeting (NAM-96), Helsinki,
Finland, pp. 407-414, June 1996.
- 78
-
D. Rocchesso and J. O. Smith, ``Circulant Feedback Delay Networks for Sound
Synthesis and Processing,'' in Proc. International Computer Music
Conference, (Aarhus, Denmark), pp. 378-382, ICMA, Sept. 1994.
- 79
-
D. Rocchesso and J. O. Smith, ``Circulant and Elliptic Feedback Delay Networks
for Artificial Reverberation,'' IEEE Transactions on Speech and Audio
Processing, vol. 5, no. 1, pp. 51-63, 1996.
- 80
-
D. Rocchesso and F. Turra, ``A Generalized Excitation for Real-Time Sound
Synthesis by Physical Models,'' in Proc. of the Stockholm Music
Acoustics Conf. (A. Friberg, J. Iwarsson, E. Jansson, and J. Sundberg,
eds.), (Stockholm), pp. 584-588, Royal Swedish Academy of Music, July 1993.
- 81
-
X. Rodet, ``Flexible yet controllable physical models: A nonlinear dynamics
approach,'' in Proceedings of the 1993 International Computer Music Conference, Tokyo,
pp. 10-15, Computer Music Association, 1993.
- 82
-
X. Rodet, ``One and two mass model oscillations for voice and instruments,'' in
Proceedings of the 1995 International Computer Music Conference, Banff, pp. 207-214,
Computer Music Association, 1995.
- 83
-
T. Saramäki, ``On the Design of Digital Filters as a Sum of Two All-Pass
Filters,'' IEEE Transactions on Circuits and Systems, vol. 32, pp. 1191-1193,
Nov. 1985.
- 84
-
L. Savioja, J. Backman, A. Järvinen, and T. Takala, ``Waveguide Mesh
Method for Low-Frequency Simulation of Room Acoustics,'' Proceedings of the 15th
International Conference on Acoustics (ICA-95), Trondheim, Norway, pp. 637-640,
June 1995.
- 85
-
G. Scavone, An Acoustic Analysis of Single-Reed Woodwind Instruments with
an Emphasis on Design and Performance Issues and Digital Waveguide Modeling
Techniques,
PhD thesis, Music Department, March 1997,
In preparation; date estimated.
- 86
-
G. Scavone and J. O. Smith, ``Digital waveguide modeling of woodwind
toneholes,'' in Proceedings of the 1997 International Computer Music Conference,
Greece, Computer Music Association, 1997.
- 87
-
G. Scavone and J. O. Smith, ``Scattering parameters for the Keefe clarinet
tonehole model,'' in Proceedings of the International Symposium on Musical Acoustics
(ISMA-97), Edinburgh, Scotland, pp. 433-438, Aug. 1997.
- 88
-
R. W. Schafer and L. R. Rabiner, ``A digital signal processing approach to
interpolation,'' Proceedings of the IEEE, vol. 61, pp. 692-702, June 1973.
- 89
-
J. Schroeter and M. M. Sondhi, ``Techniques for estimating vocal-tract shapes
from the speech signal,'' IEEE Transactions on Speech and Audio Processing,
vol. 2, pp. 133-150, Jan. 1994.
- 90
-
J. O. Smith, Techniques for Digital Filter Design and System
Identification with Application to the Violin,
PhD thesis, Elec. Engineering Dept., Stanford University, June 1983.
- 91
-
J. O. Smith, ``A New Approach to Digital Reverberation Using Closed Waveguide
Networks,'' in Proc. International Computer Music Conference,
(Vancouver, Canada), pp. 47-53, ICMA, 1985,
Also available in [93].
- 92
-
J. O. Smith, ``Elimination of limit cycles and overflow oscillations in
time-varying lattice and ladder digital filters,'' Tech. Rep. STAN-M-35,
CCRMA, Music Department, Stanford University, May 1986,
Short version published in Proceedings of the IEEE Conference on Circuits and
Systems, San Jose, May 1986. Full version also available in [93].
- 93
-
J. O. Smith, ``Music applications of digital waveguides,'' Tech. Rep.
STAN-M-39, CCRMA, Music Department, Stanford University, 1987,
A compendium containing four related papers and presentation
overheads on digital waveguide reverberation, synthesis, and filtering. CCRMA
technical reports can be ordered by calling (415)723-4971 or by sending an
email request to hmk@ccrma.stanford.edu.
- 94
-
J. O. Smith, ``Waveguide filter tutorial,'' in Proceedings of the 1987 International
Computer Music Conference, Champaign-Urbana, pp. 9-16, Computer Music
Association, 1987.
- 95
-
J. O. Smith, ``Waveguide digital filters,'' in Music Applications of
Digital Waveguides, CCRMA, 1987,
Part IV of [93].
- 96
-
J. O. Smith, ``Waveguide simulation of non-cylindrical acoustic tubes,'' in
Proceedings of the 1991 International Computer Music Conference, Montreal, pp. 304-307,
Computer Music Association, 1991.
- 97
-
J. O. Smith, ``Physical modeling using digital waveguides,'' Computer Music Journal, vol. 16, pp. 74-91, Winter 1992,
special issue: Physical Modeling of Musical Instruments, Part I.
http://ccrma.stanford.edu/~jos/pmudw/.
- 98
-
J. O. Smith, ``Efficient synthesis of stringed musical instruments,'' in Proceedings of the 1993 International Computer Music Conference, Tokyo, pp. 64-71, Computer
Music Association, 1993.
- 99
-
J. O. Smith, ``Use of commutativity in simplifying acoustic simulations,'' in
Proceedings of the IEEE Workshop on Applications of Signal Processing to Audio and
Acoustics, (New York), IEEE Press, Oct. 1993.
- 100
-
J. O. Smith, ``Physical modeling synthesis update,'' Computer Music
Journal, vol. 20, pp. 44-56, Summer 1996.
- 101
-
J. O. Smith, ``Acoustic modeling using digital waveguides,'' in Musical
Signal Processing (C. Roads, S. T. Pope, A. Piccialli, and G. De Poli,
eds.), pp. 221-263, Netherlands: Swets and Zietlinger, 1997.
- 102
-
J. O. Smith, ``Principles of digital waveguide models of musical
instruments,'' in Applications of Digital Signal Processing to Audio and
Acoustics (M. Kahrs and K. Brandenburg, eds.), pp. 417-466,
Boston/Dordrecht/London: Kluwer Academic Publishers, 1998.
- 103
-
J. O. Smith and P. R. Cook, ``The second-order digital waveguide oscillator,''
in Proceedings of the 1992 International Computer Music Conference, San Jose, pp. 150-153,
Computer Music Association, San 1992,
Available online at http://www-ccrma.stanford.edu/~jos/.
- 104
-
J. O. Smith and B. Friedlander, ``Adaptive Interpolated Time-Delay
Estimation,'' IEEE Transactions on Aerospace and Electronic Systems, vol. 21,
pp. 180-199, Mar. 1985.
- 105
-
J. O. Smith and P. Gossett, ``A flexible sampling-rate conversion method,'' in
Proceedings of the International Conference on Acoustics, Speech, and Signal Processing, vol. 2,
(San Diego), pp. 19.4.1-19.4.2, IEEE Press, March 1984,
An expanded tutorial based on this paper and associated free software
are available online under http://www-ccrma.stanford.edu/~jos.
- 106
-
J. O. Smith and D. Rocchesso, ``Connection between Feedback Delay Networks and
Waveguide Networks for Digital Reverberation,'' in Proc. International
Computer Music Conference, (Aarhus, Denmark), pp. 376-377, ICMA, Sept.
1994.
- 107
-
J. O. Smith and G. Scavone, ``The one-filter Keefe clarinet tonehole,'' in
Proceedings of the IEEE Workshop on Applications of Signal Processing to Audio and
Acoustics, New Paltz, NY, (New York), IEEE Press, Oct. 1997.
- 108
-
T. Stilson, ``Forward-going wave extraction in acoustic tubes,'' in Proceedings of the 1995 International Computer Music Conference, Banff, pp. 517-520, Computer Music
Association, 1995.
- 109
-
J. Strikwerda, Finite Difference Schemes and Partial Differential
Equations,
Pacific Grove, CA: Wadsworth and Brooks, 1989.
- 110
-
P. P. Vaidyanathan, Multirate Systems and Filter Banks,
Englewood Cliffs, NY: Prentice Hall, 1993.
- 111
-
P. P. Vaidyanathan and S. K. Mitra, ``Low Passband Sensitivity Digital
Filters: A Generalized Viewpoint and Synthesis Procedures,'' Proceedings of the IEEE, vol. 72, pp. 404-423, Apr. 1984.
- 112
-
P. P. Vaidyanathan and S. K. Mitra, ``A General Family of Multivariable
Digital Lattice Filters,'' IEEE Transactions on Circuits and Systems, vol. 32,
pp. 1234-1245, Dec. 1985.
- 113
-
P. P. Vaidyanathan and S. K. Mitra, ``Passivity Properties of Low-Sensitivity
Digital Filter Structures,'' IEEE Transactions on Circuits and Systems,
vol. 32, pp. 217-223, Mar. 1985.
- 114
-
P. P. Vaidyanathan, S. K. Mitra, and Y. Neuvo, ``A New Approach to the
Realization of Low-Sensitivity IIR Digital Filters,'' IEEE Transactions on Acoustics, Speech, Signal Processing, vol. 34, pp. 350-361, Apr. 1986.
- 115
-
V. Välimäki, Discrete-Time Modeling of Acoustic Tubes Using
Fractional Delay Filters,
PhD thesis, Report no. 37, Helsinki University of Technology, Faculty
of Elec. Eng., Lab. of Acoustic and Audio Signal Processing, Espoo, Finland,
Dec. 1995.
- 116
-
V. Välimäki and M. Karjalainen, ``Digital Waveguide Modeling of Wind
Instrument Bores Constructed of Truncated Cones,'' in Proc.
International Computer Music Conference, (Aarhus, Denmark), pp. 423-430,
ICMA, 1994.
- 117
-
V. Välimäki and M. Karjalainen, ``Improving the Kelly-Lochbaum vocal
tract model using conical tube sections and fractional delay filtering
techniques,'' in Proc. 1994 International Conference on Spoken Language Processing
(ICSLP-94), vol. 2, (Yokohama, Japan), pp. 615-618, IEEE Press, Sept.
18-22 1994.
- 118
-
V. Välimäki and M. Karjalainen, ``Implementation of Fractional Delay
Waveguide Models using Allpass Filters,'' in Proceedings of the International Conference on Acoustics, Speech, and Signal Processing, (Detroit), pp. 8-12, IEEE, May
1995.
- 119
-
V. Välimäki, M. Karjalainen, and T. I. Laakso, ``Modeling of Woodwind
Bores with Finger Holes,'' in Proc. International Computer Music
Conference, (Tokyo, Japan), pp. 32-39, ICMA, 1993.
- 120
-
V. Välimäki, T. I. Laakso, and J. Mackenzie, ``Elimination of Transients
in Time-Varying Allpass Fractional Delay Filters with Application to Digital
Waveguide Modeling,'' in Proc. International Computer Music
Conference, (Banff, Canada), pp. 327-334, ICMA, 1995.
- 121
-
V. Välimäki, J. Huopaniemi, M. Karjalainen, and Z. Jánosy,
``Physical Modeling of Plucked String Instruments with Application to
Real-Time Sound Synthesis,'' Audio Engineering Society Convention,
vol. Preprint 3956, Feb 1995,
Submitted to the Journal of the Audio Engineering Society.
- 122
-
S. A. Van Duyne and J. O. Smith, ``Physical Modeling with the 2-D Digital
Waveguide Mesh,'' in Proc. International Computer Music Conference,
(Tokyo, Japan), pp. 40-47, ICMA, 1993.
- 123
-
S. A. Van Duyne and J. O. Smith, ``The 2-D Digital Waveguide Mesh,'' in
Proceedings of the IEEE Workshop on Applications of Signal Processing to Audio and
Acoustics, (Mohonk, NY), IEEE, 1993.
- 124
-
S. A. Van Duyne and J. O. Smith, ``The Tetrahedral Digital Waveguide
Mesh,'' in Proceedings of the IEEE Workshop on Applications of Signal Processing to
Audio and Acoustics, (Mohonk, NY), IEEE, Oct. 1995.
- 125
-
S. A. Van Duyne and J. O. Smith, ``The Tetrahedral Waveguide Mesh:
Multiply-Free Computation of Wave Propagation in Free Space,'' in Proceedings of the IEEE Workshop on Applications of Signal Processing to Audio and
Acoustics, (Mohonk, NY), Oct. 1995.
- 126
-
S. A. Van Duyne, J. R. Pierce, and J. O. Smith, ``Traveling Wave
Implementation of a Lossless Mode-Coupling Filter and the Wave Digital
Hammer,'' in Proc. International Computer Music Conference, (Aarhus,
Denmark), pp. 411-418, ICMA, Sept. 1994.
- 127
-
S. A. Van Duyne, J. R. Pierce, and J. O. Smith, ``Traveling-wave
implementation of a lossless mode-coupling filter and the wave digital
hammer,'' in Proceedings of the 1994 International Computer Music Conference, Århus,
pp. 411-418, Computer Music Association, 1994,
Also presented at the conference of the Acoustical Society of
America, Nov., 1994.
- 128
-
M. E. Van Valkenburg, Introduction to Modern Network Synthesis,
New York: John Wiley and Sons, Inc., 1960.
- 129
-
M. E. Van Valkenburg, Introduction to Modern Network Synthesis,
New York: John Wiley and Sons, Inc., 1960.
- 130
-
M. van Walstijn and G. de Bruin, ``Conical waveguide filters,'' in Proceedings of the Second International Conference on Acoustics and Musical Research, (Ferrara, Italy),
pp. 47-54, CIARM, May 1995.
- 131
-
A. Wang and J. O. Smith, ``On fast fir filters implemented as tail-canceling
iir filters,'' IEEE Transactions on Signal Processing, vol. 45, 1997,
Accepted for publication.
- 132
-
G. Weinreich, ``Coupled Piano Strings,'' Journal of the Acoustical Society of
America, vol. 62, pp. 1474-1484, Dec. 1977.
- 133
-
M. R. Wohlers, Lumped and Distributed Passive Networks,
New York: Academic Press, Inc., 1969.
- 134
-
Yamaha Corp., ``Yamaha VL-1 User's Manual,'' 1993.
Julius O. Smith received the B.S.E.E. degree from Rice
University, Houston, TX, in 1975. He received the M.S. and Ph.D. degrees
in E.E. from Stanford University, Stanford, CA, in 1978 and 1983,
respectively. His Ph.D. research involved the application of digital
signal processing and system identification techniques to the modeling and
synthesis of the violin, clarinet, reverberant spaces, and other musical
systems. From 1975 to 1977 he worked in the Signal Processing Department
at ESL, Sunnyvale, CA, on systems for digital communications. From 1982 to
1986 he was with the Adaptive Systems Department at Systems Control
Technology, Palo Alto, CA, where he worked in the areas of adaptive
filtering and spectral estimation. From 1986 to 1991 he was employed at
NeXT Computer, Inc., responsible for sound, music, and signal processing
software for the NeXT computer workstation. Since then he has been an
Associate Professor at the Center for Computer Research in Music and
Acoustics (CCRMA) at Stanford teaching courses in signal processing and
music technology, and pursuing research in signal processing techniques
applied to music and audio. For more information, see
http://ccrma.stanford.edu/~jos/.
Davide Rocchesso is a PhD candidate at the
Dipartimento di Elettronica e Informatica, Università di Padova -
Italy. He received his Electrical Engineering degree from the
Università di Padova in 1992, with a dissertation on real-time
physical modeling of music instruments. In 1994 and 1995, he was
visiting scholar at the Center for Computer Research in Music and
Acoustics (CCRMA), Stanford University. He has been collaborating
with the Centro di Sonologia Computazionale (CSC) dell'Università di
Padova since 1991, as a researcher and a live-electronic
designer/performer. His main interests are in audio signal processing,
physical modeling, sound reverberation and spatialization, parallel
algorithms. Since 1995 he has been a member of the Board of Directors
of the Associazione di Informatica Musicale Italiana (AIMI).
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