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Critically Sampled Perfect Reconstruction Filter Banks

A Perfect Reconstruction (PR) filter bank is any filter bank whose reconstruction is the original signal, possibly delayed, and possibly scaled by a constant. In this context, critical sampling (also called ``maximal downsampling'') means that the downsampling factor is the same as the number of filter channels. For the STFT, this implies $ R=M=N$ (with $ M>N$ for Portnoff windows).

As derived in Chapter 8, the Short-Time Fourier Transform (STFT) is a PR filter bank whenever the Constant-OverLap-Add (COLA) condition is met by the analysis window $ w$ and the hop size $ R$. However, only the rectangular window case with no zero-padding is critically sampled (OLA hop size = FBS downsampling factor = $ N$). Advanced audio compression algorithms (``perceptual audio coding'') are based on critically sampled filter banks, for obvious reasons.

Important Point: We normally do not require critical sampling for audio analysis, digital audio effects, and music applications. We normally only need it when compression is a requirement.



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``Spectral Audio Signal Processing'', by Julius O. Smith III, (March 2007 Draft).
Copyright © 2008-05-20 by Julius O. Smith III
Center for Computer Research in Music and Acoustics (CCRMA),   Stanford University
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