Bibliography

Bibliography

1: J. O. Smith and J. B. Allen,
``Variable bandwidth adaptive delta modulation'',
Bell System Technical Journal, vol. 60, no. 5, pp. 719-737, May-June 1981.
2: J. O. Smith and J. B. Angell,
``A constant-gain digital resonator tuned by a single coefficient'',
Computer Music Journal, vol. 6, no. 4, pp. 36-40, 1982.
3: M. Gutknecht, J. O. Smith, and L. N. Trefethen,
``The Caratheodory-Fejer (CF) method for recursive digital filter design'',
IEEE Transactions on Acoustics, Speech, Signal Processing, vol. 31, no. 6, pp. 1417-1426, 1983.
4: J. O. Smith,
``Synthesis of bowed strings'',
in Proceedings of the 1982 International Computer Music Conference, Venice. 1982, Computer Music Association,
Essentially fully contained in [5].
5: J. O. Smith,
Techniques for Digital Filter Design and System Identification with Application to the Violin,
PhD thesis, Elec. Engineering Dept., Stanford University (CCRMA), June 1983,
CCRMA Technical Report STAN-M-14, http://ccrma.stanford.edu/STANM/stanms/stanm14/.
6: J. O. Smith,
``Spectral pre-processing for audio digital filter design'',
in Proceedings of the 1983 International Computer Music Conference, Eastman School of Music. 1983, Computer Music Association,
Essentially fully contained in [5].
7: J. O. Smith,
``An allpass approach to digital phasing and flanging'',
in Proceedings of the 1984 International Computer Music Conference, Paris. 1984, Computer Music Association,
CCRMA Technical Report STAN-M-21, http://ccrma.stanford.edu/STANM/stanms/stanm14/.
8: J. O. Smith and P. Gossett,
``A flexible sampling-rate conversion method'',
in Proceedings of the International Conference on Acoustics, Speech, and Signal Processing, San Diego, New York, Mar. 1984, vol. 2, pp. 19.4.1-19.4.2, IEEE Press,
expanded tutorial and associated free software available at the Digital Audio Resampling Home Page: http://ccrma.stanford.edu/~jos/resample/.
9: J. O. Smith and B. Friedlander,
``Estimation of multipath delay'',
in Proceedings of the International Conference on Acoustics, Speech, and Signal Processing, San Diego, New York, Mar. 19-21 1984, pp. 15.9.1-15.9.4, IEEE Press.
10: J. O. Smith and B. Friedlander,
``Global convergence of the constant modulus algorithm'',
Proceedings of the International Conference on Acoustics, Speech, and Signal Processing, Tampa, Florida, pp. 30.5.1-30.5.4, 1985.
11: J. O. Smith and B. Friedlander,
``Extensions of the constant modulus algorithm'',
Asilomar-84, 1984.
12: J. O. Smith and B. Friedlander,
``Adaptive multipath delay estimation'',
IEEE Transactions on Acoustics, Speech, Signal Processing, vol. 33, no. 4, pp. 812-822, Aug. 1985.
13: J. O. Smith and B. Friedlander,
``Adaptive interpolated time-delay estimation'',
IEEE Transactions on Aerospace and Electronic Systems, vol. 21, no. 2, pp. 180-199, Mar. 1985.
14: J. O. Smith,
``A new approach to digital reverberation using closed waveguide networks'',
in Proceedings of the 1985 International Computer Music Conference, Vancouver. 1985, pp. 47-53, Computer Music Association,
also available in [19].
15: C. Chafe, D. Jaffe, K. Kashima, B. Mont-Reynaud, and J. O. Smith,
``Techniques for note identification in polyphonic music'',
in Proceedings of the 1985 International Computer Music Conference, Vancouver. 1985, Computer Music Association.
16: J. O. Smith,
``Elimination of limit cycles and overflow oscillations in time-varying lattice and ladder digital filters'',
in Proceedings of the IEEE Conference on Circuits and Systems, San Jose, May 1986, pp. 197-299,
conference version; full version available in [19].
17: J. O. Smith,
``Efficient simulation of the reed-bore and bow-string mechanisms'',
in Proceedings of the 1986 International Computer Music Conference, The Hague. 1986, pp. 275-280, Computer Music Association,
also available in [19].
18: J. O. Smith,
``Waveguide filter tutorial'',
in Proceedings of the 1987 International Computer Music Conference, Champaign-Urbana. 1987, pp. 9-16, Computer Music Association.
19: J. O. Smith,
``Music applications of digital waveguides'',
Tech. Rep. STAN-M-39, CCRMA, Music Department, Stanford University, 1987,
CCRMA Technical Report STAN-M-39, http://ccrma.stanford.edu/STANM/stanm39/.
20: J. O. Smith and J. S. Abel,
``Closed-form least-squares location estimation from range-difference measurements'',
IEEE Transactions on Acoustics, Speech, Signal Processing, vol. 35, no. 12, pp. 1661-1669, Dec. 1987.
21: J. O. Smith and X. Serra,
``PARSHL: A program for the analysis/synthesis of inharmonic sounds based on a sinusoidal representation'',
in Proceedings of the 1987 International Computer Music Conference, Champaign-Urbana. 1987, Computer Music Association,
Also available as Stanford Music Department Technical Report STAN-M-43. Expanded version available on-line at http://ccrma.stanford.edu/~jos/parshl/.
22: J. O. Smith, D. A. Jaffe, and L. Boynton,
``Music system architecture on the NeXT computer'',
The Proceedings of the AES 7th International Conference: Audio in Digital Times, pp. 301-312, May 14-17 1989.
23: J. O. Smith,
``Computer music on the DSP56001'',
in Proceedings of the IEEE Workshop on Applications of Signal Processing to Audio and Acoustics, New Paltz, NY, New York, Oct. 1989, IEEE Press.
24: C. Roads, Ed.,
The Music Machine,
MIT Press, Cambridge, MA, 1989.
25: J. O. Smith,
``Unit-generator implementation on the NeXT DSP chip'',
in Proceedings of the 1989 International Computer Music Conference, Ohio. 1989, pp. 303-306, Computer Music Association.
26: J. O. Smith,
``Rectangular, Hanning, and Hamming window transforms'', Winter 1992,
Mathematica notebook for Music 420 (EE 367A), URL:ftp://ccrma-ftp.stanford.edu/pub/DSP/Tutorials/GenHamming.ma.Z.
27: J. O. Smith,
``The Kaiser window'', Winter 1992,
Mathematica notebook for Music 420 (EE 367A), URL:ftp://ccrma-ftp.stanford.edu/pub/DSP/Tutorials/Kaiser.ma.Z.
28: J. O. Smith,
``The window method for digital filter design'', Winter 1992,
Mathematica notebook for Music 420 (EE 367A), URL:ftp://ccrma-ftp.stanford.edu/pub/DSP/Tutorials/Kaiser.ma.Z.
29: J. O. Smith,
``Efficient yet accurate models for strings and air columns using sparse lumping of distributed losses and dispersion'',
in Proceedings of the Colloquium on Physical Modeling, Grenoble, France, 1990, ACROE,
Essentially superceded by [34].
30: J. O. Smith,
``Viewpoints on the history of digital synthesis'',
in Proceedings of the 1991 International Computer Music Conference, Montreal. 1991, pp. 1-10, Computer Music Association,
http://ccrma.stanford.edu/~jos/kna/.
31: J. S. Abel and J. O. Smith,
``Restoring a clipped signal'',
in Proceedings of the International Conference on Acoustics, Speech, and Signal Processing, Toronto, New York, May 1991, IEEE Press.
32: J. O. Smith,
``Waveguide simulation of non-cylindrical acoustic tubes'',
in Proceedings of the 1991 International Computer Music Conference, Montreal. 1991, pp. 304-307, Computer Music Association.
33: J. O. Smith and P. R. Cook,
``The second-order digital waveguide oscillator'',
in Proceedings of the 1992 International Computer Music Conference, San Jose. 1992, pp. 150-153, Computer Music Association,
http://ccrma.stanford.edu/~jos/wgo/.
34: J. O. Smith,
``Physical modeling using digital waveguides'',
Computer Music Journal, vol. 16, no. 4, pp. 74-91, Winter 1992,
special issue: Physical Modeling of Musical Instruments, Part I. http://ccrma.stanford.edu/~jos/pmudw/.
35: J. O. Smith,
``Efficient synthesis of stringed musical instruments'',
in Proceedings of the 1993 International Computer Music Conference, Tokyo. 1993, pp. 64-71, Computer Music Association,
incorporated into [201].
36: J. O. Smith,
``Use of commutativity in simplifying acoustic simulations'',
in Proceedings of the IEEE Workshop on Applications of Signal Processing to Audio and Acoustics, New Paltz, NY, New York, Oct. 1993, IEEE Press.
37: J. O. Smith and D. Rocchesso,
``Connections between feedback delay networks and waveguide networks for digital reverberation'',
in Proceedings of the 1994 International Computer Music Conference, Århus. 1995, pp. 376-377, Computer Music Association.
38: J. O. Smith and S. A. Van Duyne,
``Commuted piano synthesis'',
in Proceedings of the 1995 International Computer Music Conference, Banff. 1995, pp. 319-326, Computer Music Association,
http://ccrma.stanford.edu/~jos/pdf/svd95.pdf.
39: D. P. Berners and J. O. Smith,
``On the use of Schrodinger's equation in the analytic determination of horn reflectance'',
in Proceedings of the 1994 International Computer Music Conference, Århus. 1994, pp. 419-422, Computer Music Association.
40: D. P. Berners and J. O. Smith,
``Super-spherical wave simulation in flaring horns'',
in Proceedings of the 1995 International Computer Music Conference, Banff. 1995, pp. 112-113, Computer Music Association.
41: B. Friedlander and J. O. Smith,
``Analysis and performance evaluation of an adaptive notch filter'',
IEEE Transactions on Information Theory, vol. 30, no. 2, pp. 283-295, Mar. 1984.
42: J. W. Gordon and J. O. Smith,
``A sine generation algorithm for VLSI applications'',
in Proceedings of the 1985 International Computer Music Conference, Vancouver. 1985, Computer Music Association.
43: S. Hirschman, P. R. Cook, and J. O. Smith,
``Digital waveguide modelling of reed woodwinds: An interactive development environment on the NeXT computer'',
in Proceedings of the 1991 International Computer Music Conference, Montreal. 1991, pp. 300-303, Computer Music Association,
available in ``CCRMA Papers on Physical Modeling from the 1991 International Computer Music Conference,'' Department of Music Technical Report STAN-M-73, Stanford University, October 1991.
44: D. A. Jaffe and J. O. Smith,
``Extensions of the Karplus-Strong plucked string algorithm'',
Computer Music Journal, vol. 7, no. 2, pp. 56-69, 1983,
Reprinted in [24, pp. 481-494].
45: D. A. Jaffe and J. O. Smith,
``Real time sound processing and synthesis on multiple DSPs using the Music Kit and the Ariel QuintProcessor'',
in Proceedings of the 1993 International Computer Music Conference, Tokyo. 1993, Computer Music Association.
46: D. A. Jaffe and J. O. Smith,
``Performance expression in commuted waveguide synthesis of bowed strings'',
in Proceedings of the 1995 International Computer Music Conference, Banff. 1995, pp. 343-346, Computer Music Association.
47: D. A. Jaffe, J. O. Smith, and N. Porcaro,
``The Music Kit on a PC'',
in Proceedings of the First Brazilian Symposium on Computer Music, XIV Congress of the Brazillian Society of Computation, Caxambu, Canela, Brazil, Aug. 1994, pp. 63-69, Informática UFRGS.
48: N. Porcaro, P. Scandalis, J. O. Smith, D. A. Jaffe, and T. Stilson,
``SynthBuilder--a graphical real-time synthesis, processing and performance system'',
in Proceedings of the 1995 International Computer Music Conference, Banff. 1995, pp. 61-62, Computer Music Association.
49: D. Rocchesso and J. O. Smith,
``Circulant feedback delay networks for sound synthesis and processing'',
in Proceedings of the 1994 International Computer Music Conference, Århus. 1995, pp. 378-381, Computer Music Association.
50: X. Serra and J. O. Smith,
``Spectral modeling synthesis: A sound analysis/synthesis system based on a deterministic plus stochastic decomposition'',
Computer Music Journal, vol. 14, no. 4, pp. 12-24, Winter 1990,
Software and recent papers URL: //www.iua.upf.es/~xserra/.
51: X. Serra and J. O. Smith,
``Sound-sheet examples for a sound analysis/synthesis system based on a deterministic plus stochastic decomposition'',
Computer Music Journal, vol. 15, no. 1, pp. 86-87, Spring 1991.
52: S. A. Van Duyne and J. O. Smith,
``Implementation of a variable pick-up point on a waveguide string model with FM/AM applications'',
in Proceedings of the 1992 International Computer Music Conference, San Jose. 1992, pp. 154-157, Computer Music Association.
53: S. A. Van Duyne and J. O. Smith,
``Physical modeling with the 2-D digital waveguide mesh'',
in Proceedings of the 1993 International Computer Music Conference, Tokyo. 1993, pp. 40-47, Computer Music Association,
http://ccrma.stanford.edu/~jos/pdf/mesh.pdf.
54: S. A. Van Duyne and J. O. Smith,
``The 2-D digital waveguide mesh'',
in Proceedings of the IEEE Workshop on Applications of Signal Processing to Audio and Acoustics, New Paltz, NY, New York, Oct. 1993, IEEE Press.
55: S. A. Van Duyne and J. O. Smith,
``A simplified approach to modeling dispersion caused by stiffness in strings and plates'',
in Proceedings of the 1994 International Computer Music Conference, Århus. 1994, pp. 407-410, Computer Music Association.
56: S. A. Van Duyne, J. R. Pierce, and J. O. Smith,
``Traveling-wave implementation of a lossless mode-coupling filter and the wave digital hammer'',
in Proceedings of the 1994 International Computer Music Conference, Århus. 1994, pp. 411-418, Computer Music Association,
Also presented at the conference of the Acoustical Society of America, Nov., 1994.
57: S. A. Van Duyne and J. O. Smith,
``Developments for the commuted piano'',
in Proceedings of the 1995 International Computer Music Conference, Banff. 1995, pp. 335-343, Computer Music Association,
http://ccrma.stanford.edu/~jos/pdf/vds95.pdf.
58: J. O. Smith,
``Discrete-time modeling of acoustic systems'',
CCRMA Associates Conference, May 1995,
Monograph in progress.
59: J. O. Smith,
``Digital waveguide models for sound synthesis based on musical acoustics'',
in Proceedings of the 15th International Conference on Acoustics (ICA-95), Trondheim, Norway, June 1995.
60: J. O. Smith,
``Music synthesis techniques based on musical acoustics research'',
in Proceedings of the International Meeting on Physical Modeling in Music, Physical Modeling of Ancient Instruments, and Applications of Physical Modeling in Psychoacoustics, Thessaloniki, Greece, July 10-12 1995.
61: J. O. Smith,
``Future developments in physical modeling'',
in Proceedings of the International Meeting on Physical Modeling in Music, Physical Modeling of Ancient Instruments, and Applications of Physical Modeling in Psychoacoustics, Thessaloniki, Greece, July 10-12 1995.
62: J. O. Smith and S. A. Van Duyne,
``Recent results in piano synthesis via physical modeling'',
in Proceedings of the International Symposium on Musical Acoustics (ISMA-95), Dourdan, France, France, July 1995, pp. 503-509, Société Français d'Acoustique.
63: J. O. Smith and J. S. Abel,
``The Bark bilinear transform'',
in Proceedings of the IEEE Workshop on Applications of Signal Processing to Audio and Acoustics, New Paltz, NY, New York, Oct. 1995, IEEE Press,
Session 8, paper 6, 4 pages. http://ccrma.stanford.edu/~jos/gz/bbtmh.tgz.
64: W. Putnam, D. Rocchesso, and J. O. Smith,
``A numerical investigation of the invertibility of room transfer functions'',
in Proceedings of the IEEE Workshop on Applications of Signal Processing to Audio and Acoustics, New Paltz, NY, New York, Oct. 1995, IEEE Press.
65: S. A. Van Duyne and J. O. Smith,
``The tetrahedral waveguide mesh: Multiply-free computation of wave propagation in free space'',
in Proceedings of the IEEE Workshop on Applications of Signal Processing to Audio and Acoustics, New Paltz, NY, New York, Oct. 1995, pp. 9a.6.1-4, IEEE Press.
66: J. O. Smith and S. A. V. Duyne,
``Overview of the commuted piano synthesis technique'',
in Proceedings of the IEEE Workshop on Applications of Signal Processing to Audio and Acoustics, New Paltz, NY, New York, Oct. 1995, pp. 9a.4.1-4, IEEE Press.
67: J. O. Smith,
``Physical modeling synthesis update'',
Computer Music Journal, vol. 20, no. 2, pp. 44-56, Summer 1996,
http://ccrma.stanford.edu/~jos/pmupd/.
68: T. Stilson and J. O. Smith,
``Alias-free synthesis of classic analog waveforms'',
in Proceedings of the 1996 International Computer Music Conference, Hong Kong. 1996, Computer Music Association,
http://ccrma.stanford.edu/~stilti/.
69: A. Igoudin and J. O. Smith, Eds.,
CCRMA Report, May 1996, Stanford University Department of Music Technical Report STAN-M-98, May 1996.
70: T. Stilson and J. O. Smith,
``Analyzing the Moog VCF with considerations for digital implementation'',
in Proceedings of the 1996 International Computer Music Conference, Hong Kong. 1996, Computer Music Association,
http://ccrma.stanford.edu/~stilti/.
71: M. Karjalainen and J. O. Smith,
``Body modeling techniques for string instrument synthesis'',
in Proceedings of the 1996 International Computer Music Conference, Hong Kong. Aug. 1996, pp. 232-239, Computer Music Association.
72: S. A. Van Duyne and J. O. Smith,
``The 3D tetrahedral digital waveguide mesh with musical applications'',
in Proceedings of the 1996 International Computer Music Conference, Hong Kong. 1996, Computer Music Association.
73: N. Porcaro, P. Scandalis, D. Jaffe, and J. O. Smith,
``Using SynthBuilder for the creation of physical models'',
in Proceedings of the 1996 International Computer Music Conference, Hong Kong. 1996, Computer Music Association.
74: J. O. Smith,
``Discrete-time modeling of acoustic systems with applications to sound synthesis of musical instruments'',
in Proceedings of the Nordic Acoustical Meeting, Helsinki, 1996, pp. 21-32,
(Plenary paper.).
75: J. O. Smith,
``Recent results in discrete-time models of musical instruments'',
in Proceedings of the Tempo Reale Workshop on Physical Model Synthesis of Sound, Florence, June 1996, pp. 1-6,
(Keynote paper).
76: J. O. Smith,
``Principles of digital waveguide models of musical instruments'',
in Applications of Digital Signal Processing to Audio and Acoustics, M. Kahrs and K. Brandenburg, Eds., pp. 417-466. Kluwer Academic Publishers, Boston/Dordrecht/London, 1998.
77: D. Rocchesso and J. O. Smith,
``Circulant and elliptic feedback delay networks for artificial reverberation'',
IEEE Transactions on Speech and Audio Processing, vol. 5, no. 1, pp. 51-63, Jan. 1997,
preprint http://ccrma.stanford.edu/~jos/cfdn/.
78: A. Wang and J. O. Smith,
``On fast FIR filters implemented as tail-canceling IIR filters'',
IEEE Transactions on Signal Processing, vol. 45, no. 6, pp. 1415-1427, June 1997.
79: J. O. Smith,
``Acoustic modeling using digital waveguides'',
in Musical Signal Processing, C. Roads, S. T. Pope, A. Piccialli, and G. De Poli, Eds., pp. 221-263. Swets and Zietlinger, Netherlands, 1997.
80: G. Scavone and J. O. Smith,
``Digital waveguide modeling of woodwind toneholes'',
132nd meeting of the Acoustical Society of America, Honolulu, Dec. 1996.
81: N. Porcaro, W. Putnam, P. Scandalis, D. Jaffe, J. O. Smith, T. Stilson, and S. V. Duyne,
``SynthBuilder and Frankenstein, tools for the creation of musical physical models'',
in International Conference on Auditory Display, Palo Alto, G. Kramer, Ed. 1996, Santa Fe Institute and Xerox Parc,
http://www.santafe.edu/~icad/.
82: G. Scavone and J. O. Smith,
``Scattering parameters for the Keefe clarinet tonehole model'',
in Proceedings of the International Symposium on Musical Acoustics (ISMA-97), Edinburgh, Scotland, Aug. 1997, pp. 433-438.
83: J. O. Smith and G. Scavone,
``The one-filter Keefe clarinet tonehole'',
in Proceedings of the IEEE Workshop on Applications of Signal Processing to Audio and Acoustics, New Paltz, NY, New York, Oct. 1997, IEEE Press.
84: G. Scavone and J. O. Smith,
``Digital waveguide modeling of woodwind toneholes'',
in Proceedings of the 1997 International Computer Music Conference, Greece. 1997, Computer Music Association.
85: J. O. Smith,
``Nonlinear commuted synthesis of bowed strings'',
in Proceedings of the 1997 International Computer Music Conference, Greece. 1997, Computer Music Association,
http://ccrma.stanford.edu/~jos/ncbs/.
86: W. Putnam and J. O. Smith,
``Design of fractional delay filters using convex optimization'',
in Proceedings of the IEEE Workshop on Applications of Signal Processing to Audio and Acoustics, New Paltz, NY, New York, Oct. 1997, IEEE Press,
http://ccrma.stanford.edu/~jos/resample/optfir.pdf.
87: S. N. Levine, T. S. Verma, and J. O. Smith,
``Alias-free multiresolution sinusoidal modeling for polyphonic, wideband audio'',
in Proceedings of the IEEE Workshop on Applications of Signal Processing to Audio and Acoustics, New Paltz, NY, New York, Oct. 1997, IEEE Press,
http://ccrma.stanford.edu/~scottl/papers.html.
88: A. Wang and J. O. Smith,
``Some properties of tail-canceling IIR filters'',
in Proceedings of the IEEE Workshop on Applications of Signal Processing to Audio and Acoustics, New Paltz, NY, New York, Oct. 1997, IEEE Press.
89: J. O. Smith and D. Rocchesso,
``Aspects of digital waveguide networks for acoustic modeling applications'',
http://ccrma.stanford.edu/~jos/wgj/, December 19, 1997.
90: S. N. Levine and J. O. Smith,
``A sines+transients+noise audio representation for data compression and time/pitch-scale modifications'',
Audio Engineering Society Convention, vol. Session on Analysis and Synthesis of Sound, no. preprint 4781, 1998,
http://ccrma.stanford.edu/ scottl/papers.html.
91: M. van Walstijn and J. O. Smith,
``Use of truncated infinite impulse response (TIIR) filters in implementing efficient digital waveguide models of flared horns and piecewise conical bores with unstable one-pole filters elements'',
in Proc. Int. Symp. Musical Acoustics (ISMA-98), Leavenworth, Washington. June 28 1998, pp. 309-314, Acoustical Society of America,
http://ccrma.stanford.edu/~jos/tiirts/.
92: J. O. Smith,
``Virtual musique concréte--algorithmic synthesis of natural sound'',
in Inventionen-98, Berlin, Sept. 1998, DAAD.
93: S. N. Levine, T. S. Verma, and J. O. Smith,
``Multiresolution sinusoidal modeling for wideband audio with modifications'',
in Proceedings of the International Conference on Acoustics, Speech, and Signal Processing, Seattle, New York, 1998, IEEE Press,
http://ccrma.stanford.edu/~scottl/papers.html.
94: J. Huopeniemi and J. O. Smith,
``Spectral and time-domain processing and the choice of modeling error criteria for binaural digital filters'',
in AES 16th International Conference on Spatial Sound Reproduction, Rovaniemi, Finland, Apr. 1999, pp. 301-312.
95: S. N. Levine and J. O. Smith,
``A switched parametric & transform audio coder'',
in Proceedings of the International Conference on Acoustics, Speech, and Signal Processing, Phoenix, New York, 1999, IEEE Press,
http://ccrma.stanford.edu/~scottl/papers.html.
96: S. N. Levine and J. O. Smith,
``Improvements to the switched parametric and transform audio coder'',
in Proceedings of the IEEE Workshop on Applications of Signal Processing to Audio and Acoustics, New Paltz, NY, New York, Oct. 1999, IEEE Press.
97: H.-L. Lu and J. O. Smith,
``Joint estimation of vocal tract filter and glottal source waveform via convex optimization'',
in Proceedings of the IEEE Workshop on Applications of Signal Processing to Audio and Acoustics, New Paltz, NY, New York, Oct. 1999, IEEE Press.
98: S. Serafin, J. O. Smith, and J. Woodhouse,
``An investigation of the impact of torsion waves and friction characteristics on the playability of virtual bowed strings'',
in Proceedings of the IEEE Workshop on Applications of Signal Processing to Audio and Acoustics, New Paltz, NY, New York, Oct. 1999, IEEE Press.
99: Y. Kim and J. O. Smith,
``A speech feature based on bark frequency warping - the non-uniform linear prediction (nlp) cepstrum'',
in Proceedings of the IEEE Workshop on Applications of Signal Processing to Audio and Acoustics, New Paltz, NY, New York, Oct. 1999, IEEE Press.
100: J. O. Smith and J. S. Abel,
``Bark and ERB bilinear transforms'',
IEEE Transactions on Speech and Audio Processing, pp. 697-708, Nov. 1999.
101: J. O. Smith,
Music 420 (EE 367A) Lecture Overheads and Supplementary Readers,
Stanford Bookstore Custom Publishing, Jan. 2000.
102: C. Traube and J. O. Smith,
``Estimating the plucking point on a guitar string'',
in Proceedings of the International Conference on Digital Audio Effects (DAFx-00), Verona, Italy, Dec. 2000,
http://www.dafx.de/.
103: P. Huang, S. Serafin, and J. O. Smith,
``Modeling high-frequency modes of complex resonators using a waveguide mesh'',
in Proceedings of the International Conference on Digital Audio Effects (DAFx-00), Verona, Italy, Dec. 2000,
http://www.dafx.de/.
104: H.-L. Lu and J. O. Smith,
``Glottal source modeling for singing voice synthesis'',
in Proceedings of the 2000 International Computer Music Conference, Berlin, Aug. 2000,
http://ccrma.stanford.edu/~vickylu/research/glottalSource/glottal.htm.
105: P. Huang, S. Serafin, and J. O. Smith,
``A waveguide mesh model of high-frequency violin body resonances'',
in Proceedings of the 2000 International Computer Music Conference, Berlin, Aug. 2000.
106: C. C. Sile O'Modhrain, Stefania Serafin and J. O. Smith,
``Influence of attack parameters on the playability of a virtual bowed string instrument: Tuning the model'',
in Proceedings of the 2000 International Computer Music Conference, Berlin, Aug. 2000.
107: S. Serafin and J. O. Smith,
``Influence of attack parameters on the playability of a virtual bowed string instrument'',
in Proceedings of the 2000 International Computer Music Conference, Berlin, Aug. 2000.
108: J. O. Smith and S. Serafin,
``Tutorial lecture on virtual musical instruments (abstract)'',
Journal of the Acoustical Society of America, Program of the 140th Meeting, Newport Beach, CA, Dec. 3-8, vol. 108, no. 5, Pt. 2 of 2, pp. 2487, Nov. 2000,
Invited Tutorial (60-page hand-out).
109: T. Smyth and J. O. Smith,
``Applications of bioacoustics in physical modeling and the creation of new musical instruments'',
in Proceedings of the International Symposium on Musical Acoustics (ISMA-01), Perugia, Umbria, Italy, 2001.
110: S. Serafin, H. Thornburg, and J. O. Smith,
``A pattern recognition approach to invert a bowed string physical model'',
in Proceedings of the International Symposium on Musical Acoustics (ISMA-01), Perugia, Umbria, Italy, 2001.
111: P. de la Cuadra, T. Smyth, C. Chafe, and H. Baoqiang,
``Waveguide simulation of neolithic Chinese flutes'',
in Proceedings of the International Symposium on Musical Acoustics (ISMA-01), Perugia, Umbria, Italy, 2001.
112: T. Smyth and J. O. Smith,
``A musical instrument based on a bioacoustic model of a cicada'',
in Proceedings of the 2001 International Computer Music Conference, Havana, 2001.
113: H.-L. Lu and J. O. Smith,
``Estimating glottal aspiration noise via wavelet thresholding and best basis thresholding'',
in Proceedings of the IEEE Workshop on Applications of Signal Processing to Audio and Acoustics, New Paltz, NY, New York, Oct. 2001, IEEE Press.
114: C. Traube and J. O. Smith,
``Estimating the fingering and the plucking points on a guitar string from a recording'',
in Proceedings of the IEEE Workshop on Applications of Signal Processing to Audio and Acoustics, New Paltz, NY, New York, Oct. 2001, IEEE Press.
115: S. Serafin and J. O. Smith,
``Impact of string stiffness on digital waveguide models of bowed strings'',
Catgut Acoustical Society Journal, Series II, vol. 4, no. 4, pp. 49-52, Nov. 2001.
116: J. O. Smith,
Music 320 Reader: Mathematics of the Discrete Fourier Transform (DFT),
http://ccrma.stanford.edu/~jos/mdft/, Oct. 1997.
117: S. Serafin, P. Huang, and J. O. Smith,
``The banded digital waveguide mesh'',
in Workshop on Current Research Directions in Computer Music, Audiovisual Institute, Pompeu Fabra University, Nov. 15-17, 2001.
118: J. Bensa, S. Bilbao, R. Kronland-Martinet, and J. O. Smith,
``From the physics of piano strings to digital waveguides'',
in Proceedings of the 2002 International Computer Music Conference, Sweden, 2002.
119: S. Serafin, P. Huang, S. Ystad, C. Chafe, and J. O. Smith,
``Analysis and synthesis of unusual friction-driven musical instruments'',
in Proceedings of the 2002 International Computer Music Conference, Sweden, 2002.
120: Y.-W. Liu and J. O. Smith,
``Perceptually similar orthogonal sounds and applictions to multichannel acoustic echo canceling'',
The Proceedings of the AES 22nd International Conference on Virtual, Synthetic, and Entertainment Audio, May 14-17 2002.
121: J. O. Smith, S. Serafin, J. Abel, and D. Berners,
``Doppler simulation and the leslie'',
in Proceedings of the COST-G6 Conference on Digital Audio Effects (DAFx-02), Hamburg, Germany, September 26 2002, pp. 13-20,
http://www.dafx.de/.
122: S. Serafin, C. Wilkerson, and J. O. Smith,
``Modeling bowl resonators using circular waveguide networks'',
in Proceedings of the COST-G6 Conference on Digital Audio Effects (DAFx-02), Hamburg, Germany, September 26 2002, pp. 117-121,
http://www.dafx.de/.
123: T. Smyth and J. O. Smith,
``Creating sustained tones with the cicada's rapid sequential buckling mechanism'',
in Proceedings of the 2002 Conference on New Instruments for Musical Expression (NIME-02), Dublin, Ireland, May 24-26, 2002, pp. 112-115.
124: T. Smyth and J. O. Smith,
``The sounds of the avian syrinx - are they really flute-like?'',
in Proceedings of the COST-G6 Conference on Digital Audio Effects (DAFx-02), Hamburg, Germany, September 27 2002, pp. 199-202,
http://www.dafx.de/.
125: T. Smyth and J. O. Smith,
``The syrinx: Nature's hybrid wind intrument'',
in Journal of the Acoustical Society of America, Program of the 144th Meeting, Cancun, Mexico, Dec. 2-6, 2002.
126: S. Bilbao, J. O. Smith, J. Bensa, and R. Kronland-Martinet,
``A power-normalized wave digital piano hammer'',
Journal of the Acoustical Society of America, Program of the 144th Meeting, Cancun, Mexico, Dec. 2-6, Dec. 2002,
see paper on the conference CD-ROM.
127: J. O. Smith,
``Recent developments in musical sound synthesis based on a physical model'',
in Proceedings of the Stockholm Musical Acoustics Conference (SMAC-03), http://www.speech.kth.se/smac03/, Stockholm, Aug. 2003, Royal Swedish Academy of Music.
128: T. Smyth, J. S. Abel, and J. O. Smith,
``The estimation of birdsong control parameters using maximum likelihood and minimum action'',
in Proceedings of the Stockholm Musical Acoustics Conference (SMAC-03), http://www.speech.kth.se/smac03/, Stockholm, Aug. 2003, Royal Swedish Academy of Music.
129: T. Smyth, J. Abel, and J. O. Smith,
``Feathered collisions in beating reed simulation'',
Journal of the Acoustical Society of America, Program of the 146th Meeting, Austin, Texas, Nov. 10-14, vol. 114, pp. 2325, 2003,
Press: http://www.acoustics.org/press/146th/Smyth.htm.
130: J. Bensa, R. Kronland-Martinet, S. Bilbao, and J. O. Smith,
``A power-normalized non-linear lossy piano hammer'',
in Proceedings of the Stockholm Musical Acoustics Conference (SMAC-03), http://www.speech.kth.se/smac03/, Stockholm, Aug. 2003, pp. 365-368, Royal Swedish Academy of Music.
131: J. Bensa, S. Bilbao, R. Kronland-Martinet, and J. O. Smith,
``A power normalized non-linear lossy piano hammer'',
in Proceedings of the Stockholm Musical Acoustics Conference (SMAC-03), http://www.speech.kth.se/smac03/, 2003.
132: M. Mathews and J. O. Smith,
``Methods for synthesizing very high Q parametrically well behaved two pole filters'',
in Proceedings of the Stockholm Musical Acoustics Conference (SMAC-03), http://www.speech.kth.se/smac03/, Stockholm, Aug. 2003, Royal Swedish Academy of Music,
available online, with sound examples, at http://ccrma.stanford.edu/~jos/smac03maxjos/.
133: A. Krishnaswamy and J. O. Smith,
``Methods for simulating string collisions with rigid spatial objects'',
in Proceedings of the IEEE Workshop on Applications of Signal Processing to Audio and Acoustics, New Paltz, NY, New York, Oct. 2003, IEEE Press.
134: T. Smyth, J. Abel, and J. O. Smith,
``Discrete-time simulation of air-flow cut-off in pressure-controlled valves'',
in Proceedings of the IEEE Workshop on Applications of Signal Processing to Audio and Acoustics, New Paltz, NY, New York, Oct. 2003, pp. 229-232, IEEE Press.
135: A. Krishnaswamy and J. O. Smith,
``Inferring control inputs to an acoustic violin from audio spectra'',
in Proceedings of the International Conference on Multimedia Engineering, New York, 2003, IEEE Press.
136: Y.-W. Liu and J. O. Smith,
``Watermarking parametric representations for synthetic audio'',
in Proceedings of the International Conference on Acoustics, Speech, and Signal Processing, Hong Kong, Apr. 2003.
137: T. Smyth and J. O. Smith,
``A musical controller inspired by the cicada's efficient buckling mechanism'',
Journal of New Music Research, vol. 32, no. 4, pp. 361-368, Dec. 2003.
138: D. Rocchesso and J. O. Smith,
``Generalized digital waveguide networks'',
IEEE Transactions on Speech and Audio Processing, vol. 11, no. 3, pp. 242-254, May 2001.
139: S. Bilbao and J. O. Smith,
``Finite difference schemes and digital waveguide networks for the wave equation: stability, passivity, and numerical dispersion'',
IEEE Transactions on Speech and Audio Processing, vol. 11, no. 3, pp. 255-266, May 2001.
140: J. O. Smith,
``Virtual musical instruments'',
in McGraw-Hill 2003 Yearbook of Science and Technology. McGraw-Hill, New York, Jan. 2003.
141: J. Abel, T. Smyth, and J. O. Smith,
``A simple, accurate wall loss filter for acoustic tubes'',
Proceedings of the Conference on Digital Audio Effects (DAFx-03), Queen Mary, University of London, Sept. 2003,
http://www.dafx.de/.
142: G. Essl, S. Serafin, P. R. Cook, and J. O. Smith,
``Theory of banded waveguides'',
Computer Music Journal, vol. 28, no. 1, pp. 37-50, Spring 2004.
143: G. Essl, S. Serafin, P. R. Cook, and J. O. Smith,
``Musical applications of banded waveguides'',
Computer Music Journal, vol. 28, no. 1, pp. 51-63, Spring 2004.
144: Y.-W. Liu and J. O. Smith,
``Audio watermarking based on sinusoidal analysis and synthesis'',
in Proceedings of the International Symposium on Musical Acoustics (ISMA-02), Nara, Japan, 2004.
145: M. Wright, J. Berger, C. Burns, C. Chafe, F. Lopez-Lezcano, and J. O. Smith,
``CCRMA studio report'',
in Proceedings of the 2004 International Computer Music Conference, Miami, Florida. Nov. 2004, Computer Music Association.
146: K. Lee and J. O. Smith,
``Implementation of a highly diffusing 2-D digital waveguide mesh with a quadratic residue diffuser'',
in Proceedings of the 2004 International Computer Music Conference, Miami, Florida. Nov. 2004, Computer Music Association.
147: P. Huang and J. O. Smith,
``Loudness-based display and analysis applied to artificial reverberation'',
in Proceedings of the 2004 International Computer Music Conference, Miami, Florida. Nov. 2004, Computer Music Association.
148: T. Smyth, J. S. Abel, and J. O. Smith,
``The feathered clarinet reed'',
in Proceedings of the Conference on Digital Audio Effects (DAFx-04), Naples, Italy, Oct. 2004.
149: Y.-W. Liu and J. O. Smith,
``Watermarking sinusoidal audio representations by quantization index modulation in multiple frequencies'',
in Proceedings of the International Conference on Acoustics, Speech, and Signal Processing, Montreal, May 2004, pp. V373-376.
150: Y.-W. Liu and J. O. Smith,
``Audio watermarking by modifying the host signal's frequency variation over time'', 2004,
invention disclosure prepared for the Stanford Office of Technology and Licensing.
151: Y.-W. Liu and J. O. Smith,
``Multiple watermarking: Is power sharing better than time sharing?'',
in ICME 2004, 2004, pp. 1939-1942.
152: J. O. Smith,
``On the equivalence of digital waveguide and finite difference time domain schemes'', July 21, 2004,
http://arxiv.org/abs/physics/0407032/.
153: J. O. Smith,
``Virtual acoustic musical instruments: Review and update'',
Journal of New Music Research, vol. 33, no. 3, pp. 283-304, 2004.
154: M. Abe and J. O. Smith,
``Design criteria for simple sinusoidal parameter estimation based on quadratic interpolation of FFT magnitude peaks'',
Audio Engineering Society Convention, San Francisco, 2004,
Preprint 6256.
155: H. Thornburg, R. Leistikow, J. Berger, and J. O. Smith,
``Bayesian identification of closely-spaced chords from single-frame STFT peaks'',
in Proceedings of the Conference on Digital Audio Effects (DAFx-04), Naples, Italy, 2004,
http://www.dafx.de/.
156: T. Smyth, J. Abel, and J. O. Smith,
``Musical effects of the digital pressure-controlled valve'',
Acoustical Society of America, Program of the 148th Meeting (abstract and presentation), San Diego, California, Nov. 15-19, vol. 116, pp. 2563, 2004,
(invited presentation).
157: J. Bensa, S. Bilbao, R. Kronland-Martinet, J. O. Smith, and T. Voinier,
``Computational modeling of stiff piano strings using digital waveguides and finite differences'',
Acustica--Acta Acustica, vol. 91(2), pp. 289-298, 2005.
158: S. Bilbao and J. O. Smith,
``Energy-conserving finite difference schemes for nonlinear strings'',
Acustica--Acta Acustica, vol. 91(2), pp. 299-311, 2005.
159: E. Berdahl, S. Backer, and J. O. Smith,
``If I had a hammer: Design and theory of an electromagnetically-prepared piano'',
in Proceedings of the 2005 International Computer Music Conference, Sept., Barcelona, Spain, Sept. 5-9 2005.
160: H. Terasawa, J. Berger, and J. O. Smith,
``Using a perceptually based timbre metric for parameter control estimation in physical modeling synthesis'',
in Proceedings of the 2005 International Computer Music Conference, Sept., Barcelona, Spain, Sept. 5-9 2005.