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Vector Formulation

Denote the sound-source velocity by $ \underline{v}_s(\underline{x},t)$ where $ \underline{x}\isdef (x_1,x_2,x_3)$ is 3D position and $ t$ is time. Similarly, let $ \underline{v}_l(\underline{x},t)$ denote the velocity of the listener, if any. The position of source and listener are denoted $ \underline{x}_s(t)$ and $ \underline{x}_l(t)$, respectively. We have velocity related to position by

$\displaystyle \underline{v}_s= \frac{d}{dt}\underline{x}_s(t) \qquad \underline{v}_l= \frac{d}{dt}\underline{x}_l(t). \protect$ (2)

Consider a Fourier component of the source at frequency $ \omega_s $. We wish to know how this frequency is shifted to $ \omega_l $ at the listener due to the Doppler effect.

The Doppler effect depends only on the relative motion between the source and listener [12, p. 453]. We must therefore orthogonally project the source and listener velocities onto the vector $ \underline{x}_{sl}=\underline{x}_l-\underline{x}_s$ pointing from the source to the listener. (See Fig. [*] for a specific example.)

The orthogonal projection of a vector $ \underline{x}$ onto a vector $ {\underline{y}}$ is given by [15]

$\displaystyle {\cal P}_{\underline{y}}(\underline{x}) = \frac{\left<\underline{...
...nderline{x}^T{\underline{y}}}{{\underline{y}}^T{\underline{y}}}{\underline{y}}
$

Therefore, we can write the projected source velocity as

$\displaystyle \underline{v}_{sl}= {\cal P}_{\underline{x}_{sl}}(\underline{v}_s...
...line{x}_s\,\right\Vert^2}\left(\underline{x}_l-\underline{x}_s\right). \protect$ (3)

In the far field (listener far away), Eq. (3) reduces to

$\displaystyle \underline{v}_{sl} \approx \frac{\left<\underline{v}_s,\underline...
...derline{x}_l\,\right\Vert\gg\left\Vert\,\underline{x}_s\,\right\Vert). \protect$ (4)


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``Doppler Simulation and the Leslie'', by Julius O. Smith III, Stefania Serafin, Jonathan Abel, David P. Berners, Music 421 Handout, Spring 2002 .
Copyright © 2006-03-30 by Julius O. Smith III, Stefania Serafin, Jonathan Abel, David P. Berners
Center for Computer Research in Music and Acoustics (CCRMA),   Stanford University
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