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Spectrogram versus Frequency and Angle

\epsfig{file=eps/lnrpsimage.eps,width=\textwidth }
Angle-dependent amplitude response divided by Bark-smoothed average response to be used as the basis for design of time-varying, angle-dependent equalization to be applied after $ H_0(z)$

Spectrogram view of the angle-dependent amplitude responses of the horn with $ H_0(z)$ (Bark-smoothed curve divided out. This angle-dependent, differential equalization is used to design the filters $ H_{0L}(z)$ and $ H_{0R}(z)$ in the Leslie simulation. Note that below 12 Barks or so, the angle-dependence is primarily to decrease amplitude as the horn points away from the listener, with high frequencies decreasing somewhat faster with angle than low frequencies.


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Download DelayVar.pdf
Download DelayVar_2up.pdf
Download DelayVar_4up.pdf

``Time Varying Delay Effects'', by Julius O. Smith III, (From Lecture Overheads, Music 420).
Copyright © 2008-02-08 by Julius O. Smith III
Center for Computer Research in Music and Acoustics (CCRMA),   Stanford University
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