Marin Headlands, October 2004
BA (2005): Music, Science, and Technology (advisor: Chris Chafe) Concentrations in Composition and Performance
MA (2005): Music, Science, and Technology (Co-terminal Program)
selected MP3s: (email me if you want a higher bitrate ;)
aria3: In May 2004 I composed an electronic soundtrack for Anna Kerrigan's play The Poor. This track was played
during one female character's final "deconstruction". My task was to incorporate opera tracks and
successively deconstruct and industrialize them to reflect the characters' emotional distintegration.
breath: a spare, concrete study on how a recording's silent spaces can define a room resonance.
how fair this spot!: In 2002-03 I edited/transcribed several of Rachmaninoff's vocal songs for best performance
on the flute, with attention paid to the original Russian prose. This is a live performance
of mine from April 6, 2003 of his song "How fair this spot!" originally for soprano and piano.
my best paying gig: I'm the flute part of a Baroque trio (flute, violin, 'cello, harpsichord). This is a live
recording from 2003.
Me in Kyoto for ISMA 2004!
Projects and Papers:
SPF 8: A system for real-time spatialized performer feedback in 8 channels. website.
(Recepient of VPUE Major Grant)
Chafe, C., M. Gurevich, G. Leslie, and S. Tyan (2004). Effect of time delay on ensemble accuracy. In
Proceedings of the International Symposium on Musical Acoustics, Nara, Japan. .pdf
G. Leslie, [a] Computer Music Theory. Presentation part of "Interactive Sound Synthesis" at the Stanford in
Japan Research Center, 2 April 2004, Kyoto, Japan. similar website.
M. Gurevich, G. Leslie, and S. Tyan (2004). Simulation of networked ensemble performance with varying time
delays: characterization of ensemble accuracy. In Proceedings of the 2004 International Computer Music
Conference, Miami, FL. .pdf
My other CCRMA pages:
Live Performance Spatializer
Computer Music Theory talk
Music 220b
Music 220a
the mark trap
teaching assistant work:
Sophomore College 2003
Sophomore College 2004
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