AUTHOR(S) | TITLE | ISSUE:PAGE(S) | DATE |
---|---|---|---|
Macomber, H. K. | See Hanson, R. J. -- issue 2.4:45 11/93 | ||
| Sound radiation from an organ pipe (abstract) | 2.3:30 | 05/93 |
Malka, A. | See Bazant, P. -- issue 2.4:42 11/93 | ||
| Sound radiation from bass handbells (abstract) | 2.8:43 | 11/95 |
| Tuning of trichords in the piano (abstract) | 2.8:41 | 11/95 |
Marcus, R. | See Menzel, R. E. -- issue 32:14-20 11/79 | ||
Marrou-Maurières, J. P. | See Hirschberg, A. -- issue 1.4:40 11/89 | ||
Marshall, K. D. | Computer aided engineering and musical instruments (abstract) | 41:12-13 | 05/84 |
Prediction of coupled plate modes from free plate measurements (abstract) | 41:13 | 05/84 | |
The musician and the vibrational behavior of a violin | 45:28-33 | 05/86 | |
Modal analysis: A primer on theory and practice | 46:7-17 | 11/86 | |
Three subtle problems in modal testing, and when is the data "good enough" (abstract) | 46:37 | 11/86 | |
See Hutchins, M. A. -- issue 41:9 5/84 | |||
| The air modes of a harpsichord (abstract) | 1.4:42 | 11/89 |
| Assessment of innovations in the construction of the classical guitar: Part I, Analysis of top plate resonances using FFT techniques and holographic interferometry | 47:26-29 | 05/87 |
Assessment of innovations in the construction of the classical guitar: Part II, New developments in guitar construction | 47:30-33 | 05/87 | |
Masino, T. R. | See Rodgers, O. E. -- issue 1.6:6-10 11/90 | ||
Masui, M. | An experimental environment for separating sound source (abstract) | 2.3:25 | 05/93 |
Mather, J. | Propolis: Its composition and purification | 43:15-18 | 05/85 |
Mathews, A. F. | See Bissinger, G. -- issue 1.5:40 5/90 | ||
Mathews, M. V. | An electronic violin with a singing formant (abstract) | 41:11 | 05/84 |
See Kohut, J. -- issue 14:5 11/70 | |||
Matsuda, M. | See Akiyama, K. -- issue 2.3:29 5/93 | ||
Mattsson, G. | See Jansson, E. V. -- issue 1.6:11-15 11/90 | ||
McClain, E. G. | The scroll and the cross | 23:11-12 | 05/75 |
Comments on H. Fowler article on small, whole-number intervals [see 34:20-21 11/80] | 34:21 | 11/80 | |
See Esty, E. -- issue 27:3 5/77 | |||
See Hutchins, C. M. -- issue 39:3 5/83 | |||
McDonald, G. R. | Back and belly clamps | 4:10-11 | 11/65 |
Violin making | 9:16-18 | 05/68 | |
Letter to the editor: Contour mapping | 12:4 | 11/69 | |
Violin structure | 13:14-21 | 05/70 | |
McDonald, S. | See Hansen, U. J. -- issue 1.4:43 11/89 | ||
McIntosh, R. | See Fryxell, R. E. -- issue 45:5 5/86 | ||
McIntyre, M. E. | See Haines, D. W. -- issue 1.3:65-66 5/89 | ||
| New results on the bowed string | 28:27-31 | 11/77 |
| Toward a psychoacoustically realistic violin physics | 22:18-19 | 11/74 |
Toward a theoretical understanding of violin plate tuning (abstract) | 25:4 | 05/76 | |
On measuring wood properties, part I | 42:11-15 | 11/84 | |
A parametric study of the bowed string: The violinist's menagerie | 42:18-21 | 11/84 | |
On measuring wood properties, part II | 43:18-24 | 05/85 | |
On measuring wood properties, part III | 45:14-23 | 05/86 | |
McLennan, J. E. | The violin as a structure -- A consideration of the static force in the instrument | 34:15-20 | 11/80 |
Shear modulus of tone wood | 2.6:20-23 | 11/94 | |
Meinel, H. | Zum Problem des Baues klanglich hervorragender Geigen und anderer Streichinstrumente | 17:22-26 | 05/72 |
Investigation of a necessary way for numerical analysis and judgment of the musical quality of violin tones (German version also included) | 23:7 | 05/75 | |
Musikalisch-technische Probleme des Geigenbaues | 23:27-29 | 05/75 | |
| Normal modes of orthotropic plates (abstract) | 46:38 | 11/86 |
Menzel, R. E. | Drawing of tenor violin | 15:11 | 05/71 |
A plate outline tracer | 22:17 | 11/74 | |
Classic Guitar Making by A. E. Overholtzer -- Book review | 22:25-26 | 11/74 | |
Violin Bow Rehair & Repair by H. S. Wake -- Book review | 24:3 | 11/75 | |
The Health of the Violin and the Viola and Cello by Lucien Greilsamer -- Book review | 2.2:30 | 11/92 | |
A peg box split | 2.7:25-27 | 05/95 | |
The bridge curve | 2.8:1-5 | 11/95 | |
| The optical proximity detector in violin testing | 13:30-35 | 05/70 |
Optical proximity detection techniques in violin testing (abstract) | 14:5 | 11/70 | |
| The microtexture of horse hair [see also 33:35 5/80] | 32:14-20 | 11/79 |
| Directional characteristics of the sound emission of fiddles with horns (abstract) | 1.4:45-46 | 11/89 |
Meyer, H. G. | A practical approach to the choice of tone wood in the instuments of the violin family | 2.7:9-13 | 05/95 |
Acoustic conditions for a soloist's concert violin | 3.3:25-28 | 05/97 | |
| Emission of difference tones from a violin | 3.5:22-23 | 05/98 |
Meyer, J. | Directivity of the string instruments and its influence on the orchestra sounds in concert halls (abstract) | 11:5 | 05/69 |
Die Richtcharakteristiken der Streichinstrumente und ihre Bedeutung für die Aufstellung des Orchesters | 17:17-21 | 05/72 | |
An acoustical method of violin testing [Abstracted 22:8 11/74] | 23:2-6 | 05/75 | |
Tonal quality of violins (abstract) | 41:10 | 05/84 | |
The musician's subjective impression of sound on the concert platform | 43:26-29 | 05/85 | |
Physical aspects of flute playing (abstract) | 1.8:47 | 11/91 | |
Interaction between musical instruments and room acoustics (abstract) | 2.3:31 | 05/93 | |
Vibrato sounds in large halls (abstract) | 2.4:41 | 11/93 | |
See Bower, V. E. -- issue 46:45-46 11/86 | |||
See Schelleng, J. C. -- issue 19:6 5/73 | |||
| On the radiation of the attack noise of the grand piano (abstract) | 2.8:43 | 11/95 |
| How to measure the acoustical properties of violins (abstract) | 46:38 | 11/86 |
Meyer, R. M. | The Savart violin revisited | 42:30-33 | 11/84 |
Tools for setting the soundpost of small violins | 45:6 | 05/86 | |
Abraham Prescott: Bass Viol Maker of Deerfield and Concord by Edward Wall -- Book review | 1.1:31 | 05/88 | |
Source of a crack (Brief) | 2.2:30 | 11/92 | |
Art & Method of the Violin Maker - Principles and Practice by Henry A. Strobel -- Book review | 2.5:28 | 05/94 | |
Michaelsen, P. | The Hardingfiddle -- An investigation on its sympathetic strings | 34:21-25 | 11/80 |
Miklos, A. | See Angster, J. -- issue 2.3:30 5/93 | ||
Mikumo, M. | Finger-tapping strategy for encoding melodies (abstract) | 2.3:32 | 05/93 |
Miles, J. L. | Taking the sting out of exothermic reactions (Note) | 2.2:27 | 11/92 |
Simple method to measure air resonance modes (Note) | 2.5:26-27 | 05/94 | |
Tuning the A1 mode without changing the body size of an instrument | 3.2:29-35 | 11/96 | |
Tuning the A0 mode without changing the body or f-hole size | 3.4:52-53 | 11/97 | |
Miller, H. B. | Reminiscences of Art Benade | 1.3:2-7 | 05/89 |
Miller, H. Burritt | Letter to the editor: Contour mappings | 12:3 | 11/69 |
Translation -- "Controviolino" from the Catalog of the Musical Instruments of the Community of Milano (Italy) | 12:3 | 11/69 | |
A caveat for would-be "genuine Cremona varnish makers" | 15:14 | 05/71 | |
Miller, J. E. | Spectral measurements of violins | 2.4:1-4 | 11/93 |
Real-time spectral studies of violins (lecture-demo) | 2.4:49 | 11/93 | |
Miller, R. T. | Visualizing complete violin modes | 2.2:1-5 | 11/92 |
Milos, A. | See Angster, Judith -- issue 1.4:39 11/89 | ||
Minato, K. | See Yano, H. -- issue 1.5:41 5/90 | ||
Mitsuo, M. | See Kiyoko, M. -- issue 2.3:33 5/93 | ||
Miura, H. | See Horiuchi, R. -- issue 2.3:24 5/93 | ||
Molenaar, P. | See King, A. T. -- issue 1.8:41 11/91 | ||
Molin, N.-E. | See Jansson, E. V. -- issue 1.3:27-30 5/89 | ||
See Lindberg, B. -- issue 2.6:24-27 11/94 | |||
See Saldner, H. O. -- issue 3.4:10-16 11/97 | |||
| Eigenmodes and electronic holography on three violins (abstract) | 2.4:43 | 11/93 |
| A violinmaker's practical test of wood properties suggested from FEM-analysis of an orthotropic shell | 46:24-29 | 11/86 |
Montagu, J. | See Bram, Marjorie -- issue 32:2 11/79 | ||
See Bram, Marjorie -- issue 36:4 11/81 | |||
Moral, J. A. | Input admittance and the function of the violin (abstract) | 41:12 | 05/84 |
See Bretos, J. -- issue 2.8:38 11/95 | |||
See Bretos, J. -- issue 3.6:16-20 11/98 | |||
See Field, C. W. -- issue 35:3-4 5/81 | |||
See Jansson, E. V. -- issue 1.2:2-6 11/88 | |||
| Input admittance and vibration patterns of free violin plates | 39:18-22 | 05/83 |
| Long-time-average-spectra of scales and spectra of single tones from a violin | 31:5-12 | 05/79 |
Eigenmodes and the function of the violin | 34:29-32 | 11/80 | |
Müller, H. A. | The function of the violin bridge | 31:19-22 | 05/79 |
How the violin makers choose the wood and what the procedure means from a physical point of view (abstract) | 46:41 | 11/86 | |
The acoustical quality of the violin with respect to physical properties (abstract) | 2.4:42 | 11/93 | |
| Modal analysis applied to instruments of the violin family (abstract) | 41:12 | 05/84 |
| Is scientific research useful for violin makers? (abstract) | 1.4:48 | 11/89 |
Myers, A. | See Sharp, D. B. -- issue 2.8:41 11/95 | ||
Nag, D. | See Sengupta, R. -- issue 41:11 5/84 | ||
| Parameters effecting on eigenmodes of violin top plate (abstract) | 2.3:24 | 05/93 |
Nagai, Y. | The calculation of the sound directional characteristics of the violin body with a given source distribution | 20:10-14 | 11/73 |
Naganuma, D. | See Nakamura, I. -- issue 2.8:42 11/95 | ||
| Time-frequency distribution using product kernel - theory and application to piano sound (abstract) | 2.3:27 | 05/93 |
Nagashima, Y. | An experiment of real-time control for "pseudo granular" synthesis (abstract) | 2.3:25 | 05/93 |
| Automatic transcription system for ensemble music (abstract) | 2.3:26 | 05/93 |
| Physically wrong rhythms can be subjectively correct (abstract) | 2.3:31 | 05/93 |
Nakamori, S. | Original estimation technique for music by using covariance information (abstract) | 2.3:27 | 05/93 |
Nakamura, I. | Simulation of string vibrations on the piano -- A struck string (abstract) | 34:9 | 11/80 |
The formation of piano sound (abstract) | 41:7 | 05/84 | |
The decay characteristics of piano tones for the group of three strings (abstract) | 1.5:41 | 05/90 | |
See Naganuma, D. -- issue 2.3:27 5/93 | |||
| The cause of piano sound spectra (abstract) | 2.8:42 | 11/95 |
| Contribution of ultra sound to timbre (abstract) | 2.3:28 | 05/93 |
| Audible tone on a human tympanic membrane evoked by ultrasonic components (abstract) | 2.3:28 | 05/93 |
Nakano, M. | See Akiyama, K. -- issue 2.3:29 5/93 | ||
Namba, S. | See Kurakata, K. -- issue 2.3:32 5/93 | ||
Naspo, R. | The Inner Game of Music by Barry Green and Timothy Gallwey -- Book review | 46:46-47 | 11/86 |
Naylor, G. | A study of the effects of tempo and reverberation on the maintenance of synchronization (abstract) | 1.4:44 | 11/89 |
Naylor, G. M. | Stylistic response to problems of audibility in ensemble performance (abstract) | 46:40 | 11/86 |
| Influence of static flow on the input impedance of a woodwind instrument, or why a clarinet with tiny holes demands another reed or mouthpiece (abstract) | 2.8:41 | 11/95 |
Nederveen, C. J. | Letter to the editor: Comments on "A brief summary of A. H. Benade's wind instrument adjustment principle" [See 2.7:16-24 5/95] | 3.1:43 | 05/96 |
Ngai, H.,-C. | See Sie, A. -- issue 1.4:46 11/89 | ||
Niewczyk, B. | See Jansson, E. V. -- issue 2.2:6-11 11/92 | ||
See Jansson, E. V. -- issue 2.4:42 11/93 | |||
Niewczyk, B. K. | See Jansson, E. V. -- issue 2.8:39 11/95 | ||
See Jansson, E. V. -- issue 3.3:9-14 5/97 | |||
See Jansson, E. V. -- issue 3.7:23-27 5/99 | |||
Niewczyk, J. | See Jansson, E. V. -- issue 1.2:2-6 11/88 | ||
Nishina, E. | See Oohashi, T. -- issue 2.3:28 5/93 | ||
Nonaka, T. | See Nakajima, Y. -- issue 2.3:31 5/93 | ||
| The contribution to problems of the material influence and acoustical measurement on the brasswind instruments (abstract) | 1.4:44 | 11/89 |
Last modified: 17 March 2000