The Catgut Acoustical Society Library

Author Index To Newsletters & Journals (1964 - 1999)

Authors: G -- H

AUTHOR INDEX TO CAS NEWSLETTERS & JOURNALS (1964 - 1999)
AUTHOR(S) TITLE ISSUE:PAGE(S) DATE
Gabrielsson, A. Emotional expression in music performance (abstract) 2.4:42 11/93
Gabrielsson, A.
Jansson, E. V.
An analysis of long-time-average-spectra of twenty-two quality-rated violins 27:13-19 05/77
Gadd, C. Stress relaxation of wood 41:17-18 05/84
Some effects of grain run-out on the properties of spruce (abstract) 1.8:48 11/91
Gadd, C. W. Use of a bent top to reduce long-term violin deformation 3.3:45-47 05/97
Gallaher, A. See Firth, I. M. -- issue 46:3-6 11/86
Gallwey, T. See Naspo, R. -- issue 46:46-47 11/86
Garoff, S. See Schumacher, R. T. -- issue 3.2:9-17 11/96
Gatjen, B. Untersuchungen zur Saitenbewegung des Cembalos, -- der Einfluss von Konstruktionsmerkmalen auf den Cembaloklang (abstract) 1.4:42 11/89
Gazengel, B.
Gilbert, J.
From the measured input impedance to the synthesized pressure signal: application to the saxophone (abstract) 2.8:44 11/95
Gearhart, F. See Bissinger, G. -- issue 3.6:44-45 11/98
Geissler, P. See Muller, H. A. -- issue 41:12 5/84
Genda, S. Fibre optic soundpost inspection light (Note) 1.6:39 11/90
Gennaula, C. See Beauchamp, J. -- issue 2.3:25 5/93
Ghelmeziu, N.
Beldie, I. P.
On the characteristics of resonance spruce wood 17:10-16 05/72
Gibiat, V. Multiphonics analysis by means of phase space representations and Poincaré sections (abstract) 1.4:40 11/89
Gilbert, J. See Gazengel, B. -- issue 2.8:44 11/95
Gillespie, F. C.
Thompson, R. P.
A low cost audio-oscillator for violin plate tuning 29:25-26 05/78
Goodway, M. See Savage, W. R. -- issue 41:10 5/84
Gorrill, S. A viola with electronically synthesized resonances 24:11-13 11/75
Electronic viola demonstration 25:4 05/76
Gossick, B. R. Wheatstone's work on acoustics 27:6-9 05/77
Goudeseune, C. See Beauchamp, J. -- issue 2.3:25 5/93
Gough, C. E. The acoustics of stringed instruments studied by string resonances 35:22-28 05/81
Acoustical studies of stringed instruments using string resonances (abstract) 41:7 05/84
Acoustic radiation resonance spectroscopy as a possible method for studying musical instruments (abstract) 41:8 05/84
Large amplitude free vibrations of an elastic string (abstract) 41:9 05/84
Microcomputers for acoustic measurement and violin assessment [Abstracted 46:37 11/86] 48:4-9 11/87
GRAM The Group for Research in the Acoustics of Music 18:5 11/72
Green, B. See Naspo, R. -- issue 46:46-47 11/86
Greilsamer, L. See Menzel, R. E. -- issue 2.2:30 11/92
Gruppe, P. Reminiscences of a professional cellist and problems of cello adjustment 30:30-32 11/78
Guerard, J. See Boutillon, X. -- issue 2.8:43 11/95
Guettler, K. The bowed string computer simulated - some characteristic features of the attack [See erratum 2.3:40 5/93] [Abstracted 1.8:50 11/91] 2.2:22-26 11/92
Dynamics of the sound spectrum with relations to bow pressure, string torsion, bow/hair compliance and resin characteristics (abstract) 2.4:45 11/93
Wave analysis of a string bowed to anomalous low frequencies 2.6:8-14 11/94
See Askenfelt, A. -- issue 3.6:3-8 11/98
Guettler, K.
Askenfelt, A.
Relation between bow resonances and the spectrum of a bowed string (abstract) 2.8:38 11/95
On the kinematics of spiccato and ricochet bowing 3.6:9-15 11/98
Gunzburger, M. D. See Meir, A. J. -- issue 46:38 11/86
Güth, W. See Wall, E. -- issue 1.7:39 5/91
Hacklinger, M. Violin adjustment -- Strings and bridges 31:17-19 05/79
Note on bridge inclination 33:18 05/80
Introduction to the chamber music demonstration concert Mittenwald 19.06.89 (abstract) 1.5:42 05/90
Haines, D. W. The Foundations of Acoustics by Eugen Skudrzyk -- Book review 20:5 11/73
Wood substitutes and a program of wood testing 22:22 11/74
Request for samples of wood and varnished wood suitable for stringed instruments 22:23 11/74
Musical Acoustics, Part I, Violin Family Components, ed. by C. M. Hutchins -- Book review 24:3 11/75
Mechanical properties of wood and varnish of importance in radiating panels 24:9-10 11/75
Musical Acoustics, Part II, Violin Family Functions, ed. by C. M. Hutchins -- Book review 26:4-5 11/76
On musical instrument wood (I) 31:23-32 05/79
On musical instrument wood (II): Surface finishes, plywood, light and water exposure 33:19-23 05/80
On Measuring the Elastic and Damping Constants of Orthotropic Sheet Materials by M. E. McIntyre and J. Woodhouse -- Book review 1.3:65-66 05/89
Stiffness values of spruce determined by ultrasonic tests 3.6:23 11/98
See Haltiwanger, M. -- issue 24:29-34 11/75
Haines, D. W.
Chang, Nagyoung
Application of graphite composites in musical instruments 23:13-15 05/75
Haines, D. W.
Dickens, F. T.
Moving resonance frequencies in guitars (abstract) 25:4 05/76
Haines, D. W.
Hutchins, C. M.
Hutchins, M. A.
Thompson, D. A.
A violin and a guitar with graphite-epoxy composite soundboards 24:25-28 11/75
Halgedahl, F. W. See Hanson, R. J. -- issue 1.8:51 11/91
See Hanson, R. J. -- issue 2.6:1-7 11/94
See Hanson, R. J. -- issue 2.8:39 11/95
Hall, D. See Askenfelt, A. -- issue 1.4:41 11/89
Haltiwanger, M.
Haines, D. W.
A study of body resonances and their influence on the performance of a folk guitar 24:29-34 11/75
Hammel, G. See Barnes, P. -- issue 40:21-26 11/83
Hancock, M. Thoughts on the response of a violin 2:7-8 11/64
Letter to the editer: About soundposts 6:5 11/66
The mechanical impedances of violin strings -- Part Ia (abstract) 22:25 11/74
The mechanical impedances of violin strings -- Part Ib 23:17-26 05/75
The mechanical impedances of violin strings -- Part II 28:14-16 11/77
The mechanical impedances of violin strings -- A progress report (abstract) 34:8 11/80
The dynamics of isolated musical strings [see erratum 40:7 11/83] 38:24-29 11/82
The dynamics of musical strings [see erratum 1.4:50 11/89 and 1.8:56 11/91] 1.3:33-45 05/89
Violin and Viola Designs of the Old Italian Masters by E. Cowell -- Book review 1.3:62 05/89
The dynamics of musical strings [Abstracted 1.8:50 11/91] 1.8:23-25 11/91
Hannan, N. E. Request for information on a rough patch of tone on the violin [response in 27:31 5/77] 21:10 05/74
Hansen, U. J. See Popp, J. -- issue 46:39 11/86
Hansen, U. J.
McDonald, S.
Lozano, J.
Rossing, T. D.
Mode studies of a baritone guitar (abstract) 1.4:43 11/89
Hansen, U. J.
Rossing, T. D.
Jelatis, G. J.
Holographic studies of vibrational modes in noncircular cylinders (abstract) 2.3:33 05/93
Hanson, C. C. "Catgut churches" 38:39 11/82
Hanson, R. J. Analysis of "live" and "dead" guitar strings 48:10-16 11/87
Hanson, R. J.
Anderson, J. M.
Macomber, H. K.
Measurements of nonlinear effects in a vibrating wire (abstract) 2.4:45 11/93
Hanson, R. J.
Bishop, C. D.
Factors contributing to "deadness" of plucked strings (abstract) 46:39 11/86
Hanson, R. J.
Claassen, C.
Nonlinear phenomena in vibrating strings (abstract) 1.4:41 11/89
Hanson, R. J.
Schneider, A. J.
Halgedahl, F. W.
Low-pitched notes associated with large bowing force (abstract) 1.8:51 11/91
Anomalous low-pitched tones from a bowed violin string 2.6:1-7 11/94
Anomalous low pitched-tones from a bowed violin string (abstract) 2.8:39 11/95
Hansson, H. O. Constructional principles for the five-stringed violino grande [Abstracted 11:5 5/69] 18:23-32 11/72
Harajda, H. Changes in amplitude of violin sounds in a concert hall 33:13-17 05/80
The characteristics of the sound dynamic possibilities of the contemporary master bowed instruments (abstract) 41:10 05/84
Der Einfluss mancher Veränderungen in der Struktur der Klänge nach dem Muster der Simulierten Geigenklänge auf die Veränderungen des Gehöreindruks (abstract) 1.4:47 11/89
Harajda, H.
Fedyniuk, P.
Sound response of violin instruments: The spectral structure changes in violin sounds during the attack phase (abstract) 2.4:45 11/93
Harazono, M. Study of a string vibration affected by negative stiffness of an electromagnetic transducer (abstract) 2.3:27 05/93
Harbold, M. L. Musical Acoustics, Piano and Wind Instruments, ed. by Earle L. Kent -- Book review 28:13-14 11/77
Hariharan, P. See Marty, S. M. -- issue 47:26-29 5/87
See Marty, S. M. -- issue 47:30-33 5/87
Harjono, R. D.
Dunlop, J. I.
Acoustic Properties of some Australian and Indonesian woods 3.5:10-14 05/98
Harnor, R.
Townsend, P. D.
Influence of bow direction on the harmonics of a viola 42:25-28 11/84
Hashimoto, S. See Sato, A. -- issue 2.3:26 5/93
Heckl, M. The equivalent sources method - Cremer's last contribution to structure-borne sound (abstract) 2.3:34 05/93
Hegeman, A. S.
Hutchins, C. M.
Preliminary studies on violin radiation patterns 4:11 11/65
Helmick, C. N., Jr. Alberta Hurst plays the tenor violin 15:8-10 05/71
Hendrickson, T. J. See Marshall, K. D. -- issue 1.4:42 11/89
See Savage, W. R. -- issue 41:12 5/84
Herschbach, D. Musical metaphors: The string quartet 31:33 05/79
Hertzberg, H. T. E. Letter to the editor: A workshop on the repair and maintenance of stringed instruments 8:6-7 11/67
Higgs, S. J. R. See Coates, S. R. -- issue 24:16-17 11/75
Hirasawa, Y. See Maekawa, Z. -- issue 2.3:30 5/93
Hiroshi, T. See Tatsumi, I. -- issue 2.4:44 11/93
Hirsch, I. J. See Strong, W. J. -- issue 1.3:67 5/89
Hirschberg, A. See Wijnands, A. P. J. -- issue 1.4:40 11/89
Hirschberg, A.
Laar, R. v. d.
Marrou-Maurières, J. P.
Wijnands, A. P. J.
Houtsma, A. J. M.
Dane, H.
Kruijswijk, S.
Some fluid dynamic aspects of the behaviour of reed organ pipes and clarinet (abstract) 1.4:40 11/89
Hodges, E. D. Thoughts about the violin 24:4 11/75
Hoejke, P. See Brelay, H. -- issue 2.3:28 5/93
Hoekje, P. A brief summary of A. H. Benade's wind instrument adjustment principles 2.7:16-24 05/95
Hojo, H. See Tokuhiro, I. -- issue 2.3:29 5/93
Holmer, C. I. L. Cremer's contributions to sound transmission through and within structures (abstract) 2.3:35 05/93
Horiuchi, R.
Kikuchi, T.
Sato, S.
Miura, H.
Time-frequency analysis of `samisen' sound (abstract) 2.3:24 05/93
Horiuchi, T. Experimental analysis of bowed string excitation using a position sensitive diode (abstract) 2.3:23 05/93
Horner, A. See Beauchamp, J. -- issue 2.3:25 5/93
Houtsma, A. J. M. Carillons with major-third bells: Musical acoustics by computer (abstract) 1.4:45 11/89
Perception of bit-compressed digitally coded music (abstract) 2.3:29 05/93
Tuning of orchestral chimes: pitch and consonance (abstract) 2.8:45 11/95
See Chiang, C. J. -- issue 38:8-10 11/82
See Hirschberg, A. -- issue 1.4:40 11/89
See Strong, W. J. -- issue 1.3:67 5/89
Huber, J. The application of acoustical testing methods to the guitar 11:15-18 05/69
See Zaret, P. -- issue 1.3:64 5/89
Hubler, A. See Rose, M. -- issue 1.4:38 11/89
Hutchins, C. M. Notes on plate testing and variables 2:5 11/64
A chapter in the history of the violin family 4:5-9 11/65
Possible effects of shear in bringing violin plates to optimum condition 4:9 11/65
That elusive "clear full ring" 5:4-6 05/66
Tuning top and back plates electronically 6:15-18 11/66
Plate tuning -- A progress report 8:12-16 11/67
A history of violin research -- Part I --1800-1920 [illustrations in 33:35 5/80 and 37:20-23 5/82 -- see erratum 13:5 5/70] 12:17-22 11/69
Comparison of information obtained with various test methods and procedures applied to the violin and parts thereof (abstract) 14:5 11/70
More about plate tap tones 14:15-17 11/70
Wood sizes for the New Violin Family 15:12 05/71
Variations in violin testing 15:15-21 05/71
Musical acoustics in the United States 17:6-9 05/72
Progress report on a method of checking eigenmodes of free violin plates during instrument construction 19:17-20 05/73
A note on top plate tuning 21:11 05/74
A note on the function of the soundpost 21:27-28 05/74
Six weeks abroad with the fiddles 22:1,3-4 11/74
Some effects of moisture and varnish on free plate modes (abstract) 22:22 11/74
Tuning violin plates (abstract) 22:22 11/74
The alto violin 22:27 11/74
Free plate resonances of 16 conventional violas (abstract) 25:3 05/76
Brescian viola tone quality (abstract) 25:8 05/76
Fundamental bending vibrations in violin making 25:9-11 05/76
The Helmholtz air resonance of the cello and baritone 26:5-6 11/76
How come "SUS" 27:2 05/77
Acoustics for the violin maker, II -- Complex tones -- The vibrating string 27:3-5 05/77
Music Room and Acoustics -- Eight papers given at a seminar at the Royal Institute of Technology, Stockholm -- Book review 28:10-11 11/77
Acoustics for the violin maker, III [see also 29:33 5/78] 28:19-22 11/77
Another piece of the free plate tap tone puzzle 28:22-24 11/77
Wood for violins 29:14-18 05/78
A possible rationale for tuning violin free plates to a given narrow frequency range 32:21-23 11/79
A history of violin research -- Part II -- Illustrations 33:35-36 05/80
A study of mode couplings (abstract) 34:8 11/80
Eigenmode plate tuning methods (abstract) 34:8 11/80
The Helmholtz resonance of the baritone violin 34:34-36 11/80
A note on plate theory and the eigenmodes of free violin plates 36:16-17 11/81
A history of violin research -- Part III -- More illustrations 37:20-23 05/82
Problems of moisture changes when tuning violin plates 37:25 05/82
Violin makers' electronic test equipment 37:26 05/82
Stradivarius plate tests 37:30 05/82
Meditations Through the Quran by Ernest G. McClain -- Book review 39:3 05/83
Orient adventure with the fiddles 39:5-6 05/83
Plate tuning for the violin maker 39:25-32 05/83
The effect on tone quality of a violin when the lower air modes are eliminated (abstract) 41:9 05/84
The function of the violin -- What the maker wants to know (abstract) 41:11-12 05/84
A note on practical bridge tuning for the violin maker 42:15-18 11/84
Effects of an air-body coupling on the tone and playing qualities of violins 44:12-15 11/85
An Amateur in Music by Bernard W. Robinson -- Book review 45:5 05/86
Free plate tuning frequencies for the Violin Octet instruments 45:12-14 05/86
Some notes on free plate tuning frequencies for violins, violas and cellos 47:39-41 05/87
Effects of five years of filler and varnish seasonings on the eigenmodes in four pairs of viola plates 48:25-26 11/87
A note for the violin maker in free plate mode tuning and plate stiffnesses 1.3:25 05/89
A measurable controlling factor in the tone and playing qualities of violins [see erratum 1.5:48 5/90] 1.4:10-15 11/89
A controlling factor in the tone and playing qualities of the finest violins (abstract) 1.4:37 11/89
The cavity (air) modes of the violin (Brief) 1.5:34-35 05/90
Some of the effects of adjusting the A0 and the B0 modes of a violin to the same frequency (Brief) 1.5:35-37 05/90
Acoustical effects of "dressing down" a fingerboard and/or thinning a violin neck (Brief) 1.5:37 05/90
Sympathetic vibration and coupling of resonances (Brief) 1.6:40-41 11/90
Body length found to be the primary factor controlling tone quality between violins, violas, cellos, and basses (Brief) 1.7:36-38 05/91
A rationale for BI-TRI-OCTAVE plate tuning (Brief) 1.8:36-37 11/91
Experimental evidence that free plate mode tuning is primarily a method of controlling stiffness in the top and back of violins (abstract) 1.8:49 11/91
The future of violin research [Abstracted 1.8:46 11/91] 2.1:1-7 05/92
The effect of relating the tailpiece frequency to that of other violin modes 2.3:5-8 05/93
From the memory department (Brief) 2.3:19 05/93
The Scientific Image, From Cave to Computer by Harry Robin -- Book review 2.3:20 05/93
Tonal effects of interactions between the two lowest cavity modes and corpus modes of the violin (abstract) 2.4:43 11/93
Experiments leading to better violins, violas, and cellos (abstract) 2.4:49 11/93
A measurable effect of long-term playing on violin family instruments [also abstracted in 2.8:39 11/95] 3.5:38-40 05/98
See Bissinger, G. -- issue 1.2:11-13 11/88
See Bissinger, G. -- issue 25:5 5/76
See Bissinger, G. -- issue 26:10-12 11/76
See Bissinger, G. -- issue 30:23-27 11/78
See Bissinger, G. -- issue 35:5-7 5/81
See Bissinger, G. -- issue 39:7-11 5/83
See Bissinger, G. -- issue 40:18-19 11/83
See Bissinger, G. -- issue 41:13 5/84
See Bissinger, G. -- issue 44:11-12 11/85
See Bram, Marjorie -- issue 8:3-6 11/67
See Creel, W. -- issue 14:9-12 11/70
See Esty, M. L. -- issue 30:29-30 11/78
See Esty, M. L. -- issue 31:3-4 5/79
See Field, C. W. -- issue 35:3-4 5/81
See Haines, D. W. -- issue 24:25-28 11/75
See Haines, D. W. -- issue 24:3 11/75
See Haines, D. W. -- issue 26:4-5 11/76
See Hegeman, A. S. -- issue 4:11 11/65
See Hutchins, M. A. -- issue 41:9 5/84
See Menzel, R. E. -- issue 13:30-35 5/70
See Menzel, R. E. -- issue 14:5 11/70
See Moral, J. A. -- issue 39:18-22 5/83
Hutchins, C. M.
Rodgers, O. E.
Methods of changing the frequency spacing (delta) between the A1 and B1 modes of the violin 2.1:13-19 05/92
Hutchins, C. M.
Stetson, K. A.
Taylor, P. A.
Clarification of "free plate tap tones" by hologram interferometry 16:15-23 11/71
Hutchins, C. M.
Voskuil, D.
Mode tuning for the violin maker 2.4:5-9 11/93
Hutchins, M. A. Violin varnish -- Appearance rating of fillers and sealers (abstract) 25:5 05/76
Acoustical parameters for violin and viola back wood 36:29-31 11/81
Physical measurements on sampling of European spruce and maple for violin top and back plates 40:28-30 11/83
Study of the physical parameters of 7 species of spruce and other soft woods with relation to their suitability for violin top plates (abstract) 41:13 05/84
Effects on spruce test strips of four-year application on four different sealers plus oil varnish [Abstracted 1.4:38 11/89] 1.7:11-16 05/91
See Haines, D. W. -- issue 24:25-28 11/75
Hutchins, M. A.
Hutchins, C. M.
Marshall, K. D.
Dickens, E. D.
Moisture proofing wooden instruments (abstract) 41:9 05/84

Last modified: 17 March 2000