AUTHOR(S) | TITLE | ISSUE:PAGE(S) | DATE |
---|---|---|---|
Gabrielsson, A. | Emotional expression in music performance (abstract) | 2.4:42 | 11/93 |
| An analysis of long-time-average-spectra of twenty-two quality-rated violins | 27:13-19 | 05/77 |
Gadd, C. | Stress relaxation of wood | 41:17-18 | 05/84 |
Some effects of grain run-out on the properties of spruce (abstract) | 1.8:48 | 11/91 | |
Gadd, C. W. | Use of a bent top to reduce long-term violin deformation | 3.3:45-47 | 05/97 |
Gallaher, A. | See Firth, I. M. -- issue 46:3-6 11/86 | ||
Gallwey, T. | See Naspo, R. -- issue 46:46-47 11/86 | ||
Garoff, S. | See Schumacher, R. T. -- issue 3.2:9-17 11/96 | ||
Gatjen, B. | Untersuchungen zur Saitenbewegung des Cembalos, -- der Einfluss von Konstruktionsmerkmalen auf den Cembaloklang (abstract) | 1.4:42 | 11/89 |
| From the measured input impedance to the synthesized pressure signal: application to the saxophone (abstract) | 2.8:44 | 11/95 |
Gearhart, F. | See Bissinger, G. -- issue 3.6:44-45 11/98 | ||
Geissler, P. | See Muller, H. A. -- issue 41:12 5/84 | ||
Genda, S. | Fibre optic soundpost inspection light (Note) | 1.6:39 | 11/90 |
Gennaula, C. | See Beauchamp, J. -- issue 2.3:25 5/93 | ||
| On the characteristics of resonance spruce wood | 17:10-16 | 05/72 |
Gibiat, V. | Multiphonics analysis by means of phase space representations and Poincaré sections (abstract) | 1.4:40 | 11/89 |
Gilbert, J. | See Gazengel, B. -- issue 2.8:44 11/95 | ||
| A low cost audio-oscillator for violin plate tuning | 29:25-26 | 05/78 |
Goodway, M. | See Savage, W. R. -- issue 41:10 5/84 | ||
Gorrill, S. | A viola with electronically synthesized resonances | 24:11-13 | 11/75 |
Electronic viola demonstration | 25:4 | 05/76 | |
Gossick, B. R. | Wheatstone's work on acoustics | 27:6-9 | 05/77 |
Goudeseune, C. | See Beauchamp, J. -- issue 2.3:25 5/93 | ||
Gough, C. E. | The acoustics of stringed instruments studied by string resonances | 35:22-28 | 05/81 |
Acoustical studies of stringed instruments using string resonances (abstract) | 41:7 | 05/84 | |
Acoustic radiation resonance spectroscopy as a possible method for studying musical instruments (abstract) | 41:8 | 05/84 | |
Large amplitude free vibrations of an elastic string (abstract) | 41:9 | 05/84 | |
Microcomputers for acoustic measurement and violin assessment [Abstracted 46:37 11/86] | 48:4-9 | 11/87 | |
GRAM | The Group for Research in the Acoustics of Music | 18:5 | 11/72 |
Green, B. | See Naspo, R. -- issue 46:46-47 11/86 | ||
Greilsamer, L. | See Menzel, R. E. -- issue 2.2:30 11/92 | ||
Gruppe, P. | Reminiscences of a professional cellist and problems of cello adjustment | 30:30-32 | 11/78 |
Guerard, J. | See Boutillon, X. -- issue 2.8:43 11/95 | ||
Guettler, K. | The bowed string computer simulated - some characteristic features of the attack [See erratum 2.3:40 5/93] [Abstracted 1.8:50 11/91] | 2.2:22-26 | 11/92 |
Dynamics of the sound spectrum with relations to bow pressure, string torsion, bow/hair compliance and resin characteristics (abstract) | 2.4:45 | 11/93 | |
Wave analysis of a string bowed to anomalous low frequencies | 2.6:8-14 | 11/94 | |
See Askenfelt, A. -- issue 3.6:3-8 11/98 | |||
| Relation between bow resonances and the spectrum of a bowed string (abstract) | 2.8:38 | 11/95 |
On the kinematics of spiccato and ricochet bowing | 3.6:9-15 | 11/98 | |
Gunzburger, M. D. | See Meir, A. J. -- issue 46:38 11/86 | ||
Güth, W. | See Wall, E. -- issue 1.7:39 5/91 | ||
Hacklinger, M. | Violin adjustment -- Strings and bridges | 31:17-19 | 05/79 |
Note on bridge inclination | 33:18 | 05/80 | |
Introduction to the chamber music demonstration concert Mittenwald 19.06.89 (abstract) | 1.5:42 | 05/90 | |
Haines, D. W. | The Foundations of Acoustics by Eugen Skudrzyk -- Book review | 20:5 | 11/73 |
Wood substitutes and a program of wood testing | 22:22 | 11/74 | |
Request for samples of wood and varnished wood suitable for stringed instruments | 22:23 | 11/74 | |
Musical Acoustics, Part I, Violin Family Components, ed. by C. M. Hutchins -- Book review | 24:3 | 11/75 | |
Mechanical properties of wood and varnish of importance in radiating panels | 24:9-10 | 11/75 | |
Musical Acoustics, Part II, Violin Family Functions, ed. by C. M. Hutchins -- Book review | 26:4-5 | 11/76 | |
On musical instrument wood (I) | 31:23-32 | 05/79 | |
On musical instrument wood (II): Surface finishes, plywood, light and water exposure | 33:19-23 | 05/80 | |
On Measuring the Elastic and Damping Constants of Orthotropic Sheet Materials by M. E. McIntyre and J. Woodhouse -- Book review | 1.3:65-66 | 05/89 | |
Stiffness values of spruce determined by ultrasonic tests | 3.6:23 | 11/98 | |
See Haltiwanger, M. -- issue 24:29-34 11/75 | |||
| Application of graphite composites in musical instruments | 23:13-15 | 05/75 |
| Moving resonance frequencies in guitars (abstract) | 25:4 | 05/76 |
| A violin and a guitar with graphite-epoxy composite soundboards | 24:25-28 | 11/75 |
Halgedahl, F. W. | See Hanson, R. J. -- issue 1.8:51 11/91 | ||
See Hanson, R. J. -- issue 2.6:1-7 11/94 | |||
See Hanson, R. J. -- issue 2.8:39 11/95 | |||
Hall, D. | See Askenfelt, A. -- issue 1.4:41 11/89 | ||
| A study of body resonances and their influence on the performance of a folk guitar | 24:29-34 | 11/75 |
Hammel, G. | See Barnes, P. -- issue 40:21-26 11/83 | ||
Hancock, M. | Thoughts on the response of a violin | 2:7-8 | 11/64 |
Letter to the editer: About soundposts | 6:5 | 11/66 | |
The mechanical impedances of violin strings -- Part Ia (abstract) | 22:25 | 11/74 | |
The mechanical impedances of violin strings -- Part Ib | 23:17-26 | 05/75 | |
The mechanical impedances of violin strings -- Part II | 28:14-16 | 11/77 | |
The mechanical impedances of violin strings -- A progress report (abstract) | 34:8 | 11/80 | |
The dynamics of isolated musical strings [see erratum 40:7 11/83] | 38:24-29 | 11/82 | |
The dynamics of musical strings [see erratum 1.4:50 11/89 and 1.8:56 11/91] | 1.3:33-45 | 05/89 | |
Violin and Viola Designs of the Old Italian Masters by E. Cowell -- Book review | 1.3:62 | 05/89 | |
The dynamics of musical strings [Abstracted 1.8:50 11/91] | 1.8:23-25 | 11/91 | |
Hannan, N. E. | Request for information on a rough patch of tone on the violin [response in 27:31 5/77] | 21:10 | 05/74 |
Hansen, U. J. | See Popp, J. -- issue 46:39 11/86 | ||
| Mode studies of a baritone guitar (abstract) | 1.4:43 | 11/89 |
| Holographic studies of vibrational modes in noncircular cylinders (abstract) | 2.3:33 | 05/93 |
Hanson, C. C. | "Catgut churches" | 38:39 | 11/82 |
Hanson, R. J. | Analysis of "live" and "dead" guitar strings | 48:10-16 | 11/87 |
| Measurements of nonlinear effects in a vibrating wire (abstract) | 2.4:45 | 11/93 |
| Factors contributing to "deadness" of plucked strings (abstract) | 46:39 | 11/86 |
| Nonlinear phenomena in vibrating strings (abstract) | 1.4:41 | 11/89 |
| Low-pitched notes associated with large bowing force (abstract) | 1.8:51 | 11/91 |
Anomalous low-pitched tones from a bowed violin string | 2.6:1-7 | 11/94 | |
Anomalous low pitched-tones from a bowed violin string (abstract) | 2.8:39 | 11/95 | |
Hansson, H. O. | Constructional principles for the five-stringed violino grande [Abstracted 11:5 5/69] | 18:23-32 | 11/72 |
Harajda, H. | Changes in amplitude of violin sounds in a concert hall | 33:13-17 | 05/80 |
The characteristics of the sound dynamic possibilities of the contemporary master bowed instruments (abstract) | 41:10 | 05/84 | |
Der Einfluss mancher Veränderungen in der Struktur der Klänge nach dem Muster der Simulierten Geigenklänge auf die Veränderungen des Gehöreindruks (abstract) | 1.4:47 | 11/89 | |
| Sound response of violin instruments: The spectral structure changes in violin sounds during the attack phase (abstract) | 2.4:45 | 11/93 |
Harazono, M. | Study of a string vibration affected by negative stiffness of an electromagnetic transducer (abstract) | 2.3:27 | 05/93 |
Harbold, M. L. | Musical Acoustics, Piano and Wind Instruments, ed. by Earle L. Kent -- Book review | 28:13-14 | 11/77 |
Hariharan, P. | See Marty, S. M. -- issue 47:26-29 5/87 | ||
See Marty, S. M. -- issue 47:30-33 5/87 | |||
| Acoustic Properties of some Australian and Indonesian woods | 3.5:10-14 | 05/98 |
| Influence of bow direction on the harmonics of a viola | 42:25-28 | 11/84 |
Hashimoto, S. | See Sato, A. -- issue 2.3:26 5/93 | ||
Heckl, M. | The equivalent sources method - Cremer's last contribution to structure-borne sound (abstract) | 2.3:34 | 05/93 |
| Preliminary studies on violin radiation patterns | 4:11 | 11/65 |
Helmick, C. N., Jr. | Alberta Hurst plays the tenor violin | 15:8-10 | 05/71 |
Hendrickson, T. J. | See Marshall, K. D. -- issue 1.4:42 11/89 | ||
See Savage, W. R. -- issue 41:12 5/84 | |||
Herschbach, D. | Musical metaphors: The string quartet | 31:33 | 05/79 |
Hertzberg, H. T. E. | Letter to the editor: A workshop on the repair and maintenance of stringed instruments | 8:6-7 | 11/67 |
Higgs, S. J. R. | See Coates, S. R. -- issue 24:16-17 11/75 | ||
Hirasawa, Y. | See Maekawa, Z. -- issue 2.3:30 5/93 | ||
Hiroshi, T. | See Tatsumi, I. -- issue 2.4:44 11/93 | ||
Hirsch, I. J. | See Strong, W. J. -- issue 1.3:67 5/89 | ||
Hirschberg, A. | See Wijnands, A. P. J. -- issue 1.4:40 11/89 | ||
| Some fluid dynamic aspects of the behaviour of reed organ pipes and clarinet (abstract) | 1.4:40 | 11/89 |
Hodges, E. D. | Thoughts about the violin | 24:4 | 11/75 |
Hoejke, P. | See Brelay, H. -- issue 2.3:28 5/93 | ||
Hoekje, P. | A brief summary of A. H. Benade's wind instrument adjustment principles | 2.7:16-24 | 05/95 |
Hojo, H. | See Tokuhiro, I. -- issue 2.3:29 5/93 | ||
Holmer, C. I. | L. Cremer's contributions to sound transmission through and within structures (abstract) | 2.3:35 | 05/93 |
| Time-frequency analysis of `samisen' sound (abstract) | 2.3:24 | 05/93 |
Horiuchi, T. | Experimental analysis of bowed string excitation using a position sensitive diode (abstract) | 2.3:23 | 05/93 |
Horner, A. | See Beauchamp, J. -- issue 2.3:25 5/93 | ||
Houtsma, A. J. M. | Carillons with major-third bells: Musical acoustics by computer (abstract) | 1.4:45 | 11/89 |
Perception of bit-compressed digitally coded music (abstract) | 2.3:29 | 05/93 | |
Tuning of orchestral chimes: pitch and consonance (abstract) | 2.8:45 | 11/95 | |
See Chiang, C. J. -- issue 38:8-10 11/82 | |||
See Hirschberg, A. -- issue 1.4:40 11/89 | |||
See Strong, W. J. -- issue 1.3:67 5/89 | |||
Huber, J. | The application of acoustical testing methods to the guitar | 11:15-18 | 05/69 |
See Zaret, P. -- issue 1.3:64 5/89 | |||
Hubler, A. | See Rose, M. -- issue 1.4:38 11/89 | ||
Hutchins, C. M. | Notes on plate testing and variables | 2:5 | 11/64 |
A chapter in the history of the violin family | 4:5-9 | 11/65 | |
Possible effects of shear in bringing violin plates to optimum condition | 4:9 | 11/65 | |
That elusive "clear full ring" | 5:4-6 | 05/66 | |
Tuning top and back plates electronically | 6:15-18 | 11/66 | |
Plate tuning -- A progress report | 8:12-16 | 11/67 | |
A history of violin research -- Part I --1800-1920 [illustrations in 33:35 5/80 and 37:20-23 5/82 -- see erratum 13:5 5/70] | 12:17-22 | 11/69 | |
Comparison of information obtained with various test methods and procedures applied to the violin and parts thereof (abstract) | 14:5 | 11/70 | |
More about plate tap tones | 14:15-17 | 11/70 | |
Wood sizes for the New Violin Family | 15:12 | 05/71 | |
Variations in violin testing | 15:15-21 | 05/71 | |
Musical acoustics in the United States | 17:6-9 | 05/72 | |
Progress report on a method of checking eigenmodes of free violin plates during instrument construction | 19:17-20 | 05/73 | |
A note on top plate tuning | 21:11 | 05/74 | |
A note on the function of the soundpost | 21:27-28 | 05/74 | |
Six weeks abroad with the fiddles | 22:1,3-4 | 11/74 | |
Some effects of moisture and varnish on free plate modes (abstract) | 22:22 | 11/74 | |
Tuning violin plates (abstract) | 22:22 | 11/74 | |
The alto violin | 22:27 | 11/74 | |
Free plate resonances of 16 conventional violas (abstract) | 25:3 | 05/76 | |
Brescian viola tone quality (abstract) | 25:8 | 05/76 | |
Fundamental bending vibrations in violin making | 25:9-11 | 05/76 | |
The Helmholtz air resonance of the cello and baritone | 26:5-6 | 11/76 | |
How come "SUS" | 27:2 | 05/77 | |
Acoustics for the violin maker, II -- Complex tones -- The vibrating string | 27:3-5 | 05/77 | |
Music Room and Acoustics -- Eight papers given at a seminar at the Royal Institute of Technology, Stockholm -- Book review | 28:10-11 | 11/77 | |
Acoustics for the violin maker, III [see also 29:33 5/78] | 28:19-22 | 11/77 | |
Another piece of the free plate tap tone puzzle | 28:22-24 | 11/77 | |
Wood for violins | 29:14-18 | 05/78 | |
A possible rationale for tuning violin free plates to a given narrow frequency range | 32:21-23 | 11/79 | |
A history of violin research -- Part II -- Illustrations | 33:35-36 | 05/80 | |
A study of mode couplings (abstract) | 34:8 | 11/80 | |
Eigenmode plate tuning methods (abstract) | 34:8 | 11/80 | |
The Helmholtz resonance of the baritone violin | 34:34-36 | 11/80 | |
A note on plate theory and the eigenmodes of free violin plates | 36:16-17 | 11/81 | |
A history of violin research -- Part III -- More illustrations | 37:20-23 | 05/82 | |
Problems of moisture changes when tuning violin plates | 37:25 | 05/82 | |
Violin makers' electronic test equipment | 37:26 | 05/82 | |
Stradivarius plate tests | 37:30 | 05/82 | |
Meditations Through the Quran by Ernest G. McClain -- Book review | 39:3 | 05/83 | |
Orient adventure with the fiddles | 39:5-6 | 05/83 | |
Plate tuning for the violin maker | 39:25-32 | 05/83 | |
The effect on tone quality of a violin when the lower air modes are eliminated (abstract) | 41:9 | 05/84 | |
The function of the violin -- What the maker wants to know (abstract) | 41:11-12 | 05/84 | |
A note on practical bridge tuning for the violin maker | 42:15-18 | 11/84 | |
Effects of an air-body coupling on the tone and playing qualities of violins | 44:12-15 | 11/85 | |
An Amateur in Music by Bernard W. Robinson -- Book review | 45:5 | 05/86 | |
Free plate tuning frequencies for the Violin Octet instruments | 45:12-14 | 05/86 | |
Some notes on free plate tuning frequencies for violins, violas and cellos | 47:39-41 | 05/87 | |
Effects of five years of filler and varnish seasonings on the eigenmodes in four pairs of viola plates | 48:25-26 | 11/87 | |
A note for the violin maker in free plate mode tuning and plate stiffnesses | 1.3:25 | 05/89 | |
A measurable controlling factor in the tone and playing qualities of violins [see erratum 1.5:48 5/90] | 1.4:10-15 | 11/89 | |
A controlling factor in the tone and playing qualities of the finest violins (abstract) | 1.4:37 | 11/89 | |
The cavity (air) modes of the violin (Brief) | 1.5:34-35 | 05/90 | |
Some of the effects of adjusting the A0 and the B0 modes of a violin to the same frequency (Brief) | 1.5:35-37 | 05/90 | |
Acoustical effects of "dressing down" a fingerboard and/or thinning a violin neck (Brief) | 1.5:37 | 05/90 | |
Sympathetic vibration and coupling of resonances (Brief) | 1.6:40-41 | 11/90 | |
Body length found to be the primary factor controlling tone quality between violins, violas, cellos, and basses (Brief) | 1.7:36-38 | 05/91 | |
A rationale for BI-TRI-OCTAVE plate tuning (Brief) | 1.8:36-37 | 11/91 | |
Experimental evidence that free plate mode tuning is primarily a method of controlling stiffness in the top and back of violins (abstract) | 1.8:49 | 11/91 | |
The future of violin research [Abstracted 1.8:46 11/91] | 2.1:1-7 | 05/92 | |
The effect of relating the tailpiece frequency to that of other violin modes | 2.3:5-8 | 05/93 | |
From the memory department (Brief) | 2.3:19 | 05/93 | |
The Scientific Image, From Cave to Computer by Harry Robin -- Book review | 2.3:20 | 05/93 | |
Tonal effects of interactions between the two lowest cavity modes and corpus modes of the violin (abstract) | 2.4:43 | 11/93 | |
Experiments leading to better violins, violas, and cellos (abstract) | 2.4:49 | 11/93 | |
A measurable effect of long-term playing on violin family instruments [also abstracted in 2.8:39 11/95] | 3.5:38-40 | 05/98 | |
See Bissinger, G. -- issue 1.2:11-13 11/88 | |||
See Bissinger, G. -- issue 25:5 5/76 | |||
See Bissinger, G. -- issue 26:10-12 11/76 | |||
See Bissinger, G. -- issue 30:23-27 11/78 | |||
See Bissinger, G. -- issue 35:5-7 5/81 | |||
See Bissinger, G. -- issue 39:7-11 5/83 | |||
See Bissinger, G. -- issue 40:18-19 11/83 | |||
See Bissinger, G. -- issue 41:13 5/84 | |||
See Bissinger, G. -- issue 44:11-12 11/85 | |||
See Bram, Marjorie -- issue 8:3-6 11/67 | |||
See Creel, W. -- issue 14:9-12 11/70 | |||
See Esty, M. L. -- issue 30:29-30 11/78 | |||
See Esty, M. L. -- issue 31:3-4 5/79 | |||
See Field, C. W. -- issue 35:3-4 5/81 | |||
See Haines, D. W. -- issue 24:25-28 11/75 | |||
See Haines, D. W. -- issue 24:3 11/75 | |||
See Haines, D. W. -- issue 26:4-5 11/76 | |||
See Hegeman, A. S. -- issue 4:11 11/65 | |||
See Hutchins, M. A. -- issue 41:9 5/84 | |||
See Menzel, R. E. -- issue 13:30-35 5/70 | |||
See Menzel, R. E. -- issue 14:5 11/70 | |||
See Moral, J. A. -- issue 39:18-22 5/83 | |||
| Methods of changing the frequency spacing (delta) between the A1 and B1 modes of the violin | 2.1:13-19 | 05/92 |
| Clarification of "free plate tap tones" by hologram interferometry | 16:15-23 | 11/71 |
| Mode tuning for the violin maker | 2.4:5-9 | 11/93 |
Hutchins, M. A. | Violin varnish -- Appearance rating of fillers and sealers (abstract) | 25:5 | 05/76 |
Acoustical parameters for violin and viola back wood | 36:29-31 | 11/81 | |
Physical measurements on sampling of European spruce and maple for violin top and back plates | 40:28-30 | 11/83 | |
Study of the physical parameters of 7 species of spruce and other soft woods with relation to their suitability for violin top plates (abstract) | 41:13 | 05/84 | |
Effects on spruce test strips of four-year application on four different sealers plus oil varnish [Abstracted 1.4:38 11/89] | 1.7:11-16 | 05/91 | |
See Haines, D. W. -- issue 24:25-28 11/75 | |||
| Moisture proofing wooden instruments (abstract) | 41:9 | 05/84 |
Last modified: 17 March 2000