The Catgut Acoustical Society Library
The Catgut Acoustical Society Library| AUTHOR(S) | TITLE | ISSUE:PAGE(S) | DATE |
|---|---|---|---|
| Abbott, D. | See Segerman, E. -- issue 25:24-26 5/76 | ||
| See Segerman, E. -- issue 29:29-33 5/78 | |||
| Abbott, J. A. | Mountain mahogany: A domestic alternate for ebony? | 48:32 | 11/87 |
| The legacies of John Bolander: opportunities for bow research | 1.5:1-4 | 05/90 |
| Violin bow dynamics - an initial response to John Bolander's plea (Note) | 1.5:30-31 | 05/90 |
| Abbott, W. M. | See Abbott, J. A. -- issue 1.5:1-4 5/90 | ||
| Abild, E. N. | Cleaning a violin or bow | 38:10 | 11/82 |
| Ågren, C. H. | A second look at the viol family | 10:6-11 | 11/68 |
| Rebec resurrection, or appreciation of an ancient ancestor | 13:11-14 | 05/70 | |
| Optical contouring of violin and viol plates | 14:17-18 | 11/70 | |
| Electro-optical vibration probe using integrated circuits | 19:10-12 | 05/73 | |
| Textile security or taming the elusive viol (Note) | 1.7:35 | 05/91 | |
| Fiddle after a viol player's heart (Note) | 2.4:28 | 11/93 | |
| Fiddle after a viol-player's heart: monster progress report, part deux | 3.3:58-59 | 05/97 | |
| Measuring the wood resonances of treble viol plates by hologram interferometry (abstract) | 11:5 | 05/69 |
| Spectral analysis of melody patterns by linear prediction: formant frequencies and spectral slopes (abstract) | 2.3:29 | 05/93 |
| Alf, G. T. | Curtin & Alf's bass bar frame | 3.2:51-53 | 11/96 |
| Allen, J. B. | Harmonic structure of an aging guitar string (abstract) | 22:20 | 11/74 |
| On the aging of steel guitar strings | 26:27-28 | 11/76 | |
| Anderson, J. M. | See Hanson, R. J. -- issue 2.4:45 11/93 | ||
| Ando, S. | A sound field reproduction system for use in music training rooms (abstract) | 2.3:31 | 05/93 |
| Ando, Y. | On bore shape of a shakuhachi and its resonance characteristics [Abstracted 46:40 11/86] | 47:21-25 | 05/87 |
| Linearized models of shakuhachi bore shape and the significance of its configuration on musical properties (abstract) | 1.4:39 | 11/89 | |
| Several peculiar structural devices of Japanese musical instruments and some aspects of timbre taste in Japanese music common with western ones [Repeat of ISMA '92 see 2.3:23 5/93] (abstract) | 2.4:47 | 11/93 | |
| Andras, K. | The subjective judgments of musicians and public in a reconstructed multi-purpose theater (abstract) | 2.3:31 | 05/93 |
| Transient sound spectra of a variable length organ pipe (abstract) | 2.3:30 | 05/93 |
| Angster, Joseph | See Angster, Judith -- issue 1.4:39 11/89 | ||
| The investigation of the changes of the sound quality of an organ pipe during the intonation process (abstract) | 1.4:39 | 11/89 |
| Aoyagi, R. | See Kishi, K. -- issue 2.8:39 11/95 | ||
| Apgar, V. | See Bram, Marjorie -- issue 8:3-6 11/67 | ||
| Ariyama, M. | See Ueda, K. -- issue 2.3:26 5/93 | ||
| Askenfelt, A. | Eigenmodes and tone quality of the double bass | 38:34-39 | 11/82 |
| Study your bowing technique! (abstract) | 41:8 | 05/84 | |
| Mini-meeting on the acoustics of the piano | 1.2:32 | 11/88 | |
| The motion of the piano hammer during string contact (abstract) | 1.8:52 | 11/91 | |
| Properties of violin bows (abstract) | 2.3:24 | 05/93 | |
| A look at violin bows (abstract) | 2.4:46 | 11/93 | |
| Observations on the transient components of the piano tone (abstract) | 2.4:48 | 11/93 | |
| Observations on the violin bow and the interaction with the string (abstract) | 2.8:38 | 11/95 | |
| See Guettler, K. -- issue 2.8:38 11/95 | |||
| See Guettler, K. -- issue 3.6:9-15 11/98 | |||
| See Suzuki, H. -- issue 2.1:42 5/92 | |||
| The bouncing bow: an experimental study | 3.6:3-8 | 11/98 |
| Properties of piano hammers (abstract) | 1.4:41 | 11/89 |
| Piano touch, hammer action and string motion (abstract) | 41:8 | 05/84 |
| Vibration levels and finger forces in string instrument playing (abstract) | 1.8:50 | 11/91 | |
| Attal, J. | See Bucur, V. -- issue 2.1:41 5/92 | ||
| Atwood, W. | Plate margins: the next frontier | 3.2:36-39 | 11/96 |
| A bridge collection examined | 3.4:38-43 | 11/97 | |
| Auhagen, W. | Experimental research in the perception of tonality (abstract) | 1.4:46 | 11/89 |
| Auld, L. E. | See Priesing, D. -- issue 46:47 11/86 | ||
| Bachman, W. | Inharmonicity and line-splitting in piano sound spectra (abstract) | 1.4:41-42 | 11/89 |
| Bacon, R. A. | A discrete string model (abstract) | 28:7 | 11/77 |
| Baese, G. L. | See Thompson, Rex P. -- issue 1.2:29 11/88 | ||
| Lip vibration and pressure recordings during french horn playing (abstract) | 2.8:40 | 11/95 |
| Bain, R. | See Firth, I. M. -- issue 46:3-6 11/86 | ||
| Banerjee, B. M. | See Sengupta, R. -- issue 41:11 5/84 | ||
| Bariska, M. | Acoustics of Wood by Voichita Bucur -- Book review | 3.1:51-52 | 05/96 |
| Barkeshli, M. | Un instrument traditionnel dans la musique Iranienne (abstract) | 46:40 | 11/86 |
| Microscopy of wood finishes | 1.1:9-15 | 05/88 |
| Of old wood and varnish: Peering into the can of worms | 1.4:2-9 | 11/89 | |
| Investigating old varnish and ground layers (abstract) | 1.4:37-38 | 11/89 | |
| Mechanical properties and microstructure of bent spruce (abstract) | 2.4:47 | 11/93 | |
| Analysis of sound spectra from bowed violins and violas | 40:21-26 | 11/83 |
| Bartram, S. F. | Crystallinity of wood measured by X-ray diffraction techniques | 7:8 | 05/67 |
| Measurement of material properties of wood for musical instrument construction (abstract) | 1.4:43 | 11/89 |
| Predicting sound quality of a violin from its frequency response (abstract) | 2.4:42 | 11/93 |
| Beauchamp, J. | Time-varying spectra of violin tones (abstract) | 11:5 | 05/69 |
| Investigation of timbre using spectral matching, modelling, and interpolation (abstract) | 2.3:25 | 05/93 |
| Bedrane, G. | See Doutaut, V. -- issue 2.8:44 11/95 | ||
| Bein, J. | Thanks to the luthiers! | 40:4 | 11/83 |
| Beldie, I. P. | Vibration and sound radiation of the violin at low frequencies | 22:13-14 | 11/74 |
| See Ghelmeziu, N. -- issue 17:10-16 5/72 | |||
| Bell, A. J. | Vibrations of the harp soundboard and soundbox (abstract) | 41:12 | 05/84 |
| The Helmholtz resonance and higher air modes of the harp sound box | 3.3:2-8 | 05/97 | |
| Benade, A. H. | Response of a plate in the region of unresolved resonances as affected by damping | 4:12-13 | 11/65 |
| Spectrum measurements in a somewhat reverberant room (abstract) | 11:5 | 05/69 | |
| The wolf tone on violin family instruments | 24:21-23 | 11/75 | |
| The path from string to ear (abstract) | 25:5 | 05/76 | |
| Fiddle acoustics: The summer of 1977 | 28:3-6 | 11/77 | |
| Violin stringing and Leopold Mozart's advice | 28:7-9 | 11/77 | |
| The room around the instrument | 28:9-10 | 11/77 | |
| John Schelleng in retrospect | 33:3 | 05/80 | |
| News from Cleveland | 33:6 | 05/80 | |
| News from Cleveland | 36:3 | 11/81 | |
| An essay on the interpretation of realtime analyzer data | 38:30-33 | 11/82 | |
| News from Cleveland | 40:3 | 11/83 | |
| Musical acoustics today | 46:30-36 | 11/86 | |
| See Field, C. W. -- issue 35:3-4 5/81 | |||
| See Schelleng, J. C. -- issue 26:4 11/76 | |||
| See Weinreich, G. -- issue 1.7:39 5/91 | |||
| See Worman, W. E. -- issue 1.5:17-22 5/90 | |||
| Tape recorder transposition of standard violin to simulate the highest seven members of C. M. Hutchins' family of true violins | 13:8-10 | 05/70 |
| Benade, M. | A simple gauge for measuring purfling groove depth | 15:15 | 05/71 |
| Benade, V. | Arthur H. Benade -- The making of a musical acoustics researcher, theorist and teacher | 1.2:24-27 | 11/88 |
| Berendt, R. D. | See Schelleng, J. C. -- issue 28:31 11/77 | ||
| Bernot, F. | See Besnainou, C. -- issue 1.4:42 11/89 | ||
| Bernstein, R. | Tuning the top of a New Family small bass | 35:12-15 | 05/81 |
| A tip for a perfect hollow grind | 37:26 | 05/82 | |
| Besnainou, C. | Looking for the properties of ancient gut strings (abstract) | 1.4:41 | 11/89 |
| Composite materials versus musical instruments (abstract) | 2.4:46 | 11/93 | |
| Modal stimulation: a sound synthesis approach (abstract) | 2.8:43 | 11/95 | |
| See Vaiedelich, S. -- issue 1.4:38 11/89 | |||
| See Vallete, C. -- issue 1.4:45 11/89 | |||
| A new instrument: The Klanoun, which may be used as a small portable harpsichord (abstract) | 1.4:42 | 11/89 |
| Bessaraboff, N. | Translation -- "Two main types of arching" by A. K. Leman | 8:9-11 | 11/67 |
| See Boyden, D. D. -- issue 21:3-4 5/74 | |||
| See Bram, Marjorie -- issue 8:3-6 11/67 | |||
| Billaud-Siefert, F. | See Rocaboy, F. -- issue 1.8:41 11/91 | ||
| Bishop, C. D. | See Hanson, R. J. -- issue 46:39 11/86 | ||
| Bissinger, G. | The Science of Sound by Thomas D. Rossing -- Book review | 38:6 | 11/82 |
| Violin Acoustics - A New Look at Old Art by Augustus F. Mathews -- Book review | 1.5:40 | 05/90 | |
| The Physics of Musical Instruments by Neville H. Fletcher and T. D. Rossing -- Book review | 1.7:41 | 05/91 | |
| Violin cavity mode dependence on f-hole shape, area and position (abstract) | 1.8:49 | 11/91 | |
| Semiempirical relationships for A0 and A1 cavity mode frequencies for bowed string instruments of the violin, viola and cello family | 2.1:8-12 | 05/92 | |
| Effect of f-hole shape, area, and position on violin cavity modes below 2kHz | 2.2:12-17 | 11/92 | |
| The effect of violin cavity volume (height) changes on the cavity modes below 2 kHz | 2.2:18-21 | 11/92 | |
| The Absolute Tone - The Secret of Stradivari by Solomon Budnick -- Book review | 2.3:20 | 05/93 | |
| Bounce tests, modal analysis, and the playing qualities of the violin bow | 2.8:17-22 | 11/95 | |
| Ambiguity in A1 - B1 delta criterion for violin tone and quality | 3.1:13-16 | 05/96 | |
| Mode-ling the sound of the violin: the V-R model and the role of the soundpost | 3.5:29-37 | 05/98 | |
| Toward a normal-mode understanding of the violin | 3.6:21-22 | 11/98 | |
| Modal analysis of assembled string instruments | 3.8:19-23 | 11/99 | |
| A standardized qualitative violin evaluation procedure? | 3.6:44-45 | 11/98 |
| Plate tuning project on (machine figured) violins (abstract) | 25:5 | 05/76 |
| Tuning the bassbar in a violin plate, I | 26:10-12 | 11/76 | |
| Tuning the bassbar in a violin plate, II | 30:23-27 | 11/78 | |
| "Q" measurements of mode #2 and mode #5 in a number of violin and viola top and back plates | 35:5-7 | 05/81 | |
| Evidence for the coupling between plate and enclosed air vibrations in violins | 39:7-11 | 05/83 | |
| Further evidence for coupling between plate and enclosed air vibrations in string instruments | 40:18-19 | 11/83 | |
| Tracking "enclosed air plate" coupling with interior gas exchange (abstract) | 41:13 | 05/84 | |
| Air-plate --> neck fingerboard coupling and the "feel" of a good violin | 44:11-12 | 11/85 | |
| A1 cavity-mode-enhanced fundamental in bowed violin and viola sound | 1.2:11-13 | 11/88 | |
| Software review: SCORE desktop music publishing system for the IBM PC | 1.4:31-32 | 11/89 |
| Bodley, N. | Inharmonicities in the piano -- Report on lecture-demonstration by Dr. Albert E. Sanderson (abstract) | 25:5 | 05/76 |
| Anatomical features and anisotropy in spruce wood with identical rings | 1.8:12-16 | 11/91 |
| Bonta, S. | Further thoughts on the history of strings | 26:21-26 | 11/76 |
| Compromises in the design of the bass violin, 1530-1700 (abstract) | 46:39 | 11/86 | |
| Research potentials in auditory characteristics of violin tone (abstract) | 11:5 | 05/69 |
| Prestimulus perceptual activity in perception of tone in musical sequences | 32:3-7 | 11/79 | |
| Bork, I. | Modal analysis in musical acoustics (abstract) | 1.4:37 | 11/89 |
| Impulse measurements on violins (abstract) | 2.4:43 | 11/93 | |
| See Meyer, J. -- issue 2.8:43 11/95 | |||
| See Meyer, J. -- issue 46:38 11/86 | |||
| Boullosa, R. | The use of transient excitation for guitar frequency response testing | 36:17-20 | 11/81 |
| Boutillon, X. | The piano hammer action (abstract) | 46:37-38 | 11/86 |
| On the duration of violin transients (abstract) | 2.4:44 | 11/93 | |
| See David, B. -- issue 2.8:42 11/95 | |||
| Hybrid synthesis (abstract) | 2.8:43 | 11/95 |
| Measuring the admittance of a violin bridge in three directions (abstract) | 1.4:48 | 11/89 |
| Bower, V. E. | Die Akustik der Gitarre in Einzeldarstellungen by Jürgen Meyer -- Book review | 46:45-46 | 11/86 |
| Manual of Guitar Technology by Franz Jahnel -- Book review | 48:33 | 11/87 | |
| Bowie, J. C. | Principles in bridge design (abstract) | 1.4:48 | 11/89 |
| Principles in acoustic bridge design (abstract) | 2.4:46 | 11/93 | |
| Bowsher, J. M. | Subjective assessment of musical instruments (abstract) | 25:15 | 05/76 |
| Boyden, D. D. | Nicholas Bessaraboff's Ancient European Musical Instruments -- reprinted from Notes -- Book review | 21:3-4 | 05/74 |
| Bram, Marjorie | Viol Family | 11:2-3 | 05/69 |
| An interview with Carl-Hugo Ågren | 14:12-15 | 11/70 | |
| The World of Baroque and Classical Instruments by Jeremy Montagu -- Book review | 32:2 | 11/79 | |
| The World of Romantic and Modern Musical Instruments by Jeremy Montagu -- Book review | 36:4 | 11/81 | |
| Interview with Nicholas Bessaraboff | 8:3-6 | 11/67 |
| Bram, Marvin | Regarding viola tone | 25:8-9 | 05/76 |
| Branning, H. P. | Audition preferences of trained and untrained ears on hearing melodic and harmonic intervals when tuned in just intonation or Pythagorean ratios | 40:5 | 11/83 |
| Vibrational modes and decay rates of solid and laminated piano soundboards (abstract) | 2.3:28 | 05/93 |
| Bresciani, J. F. | See Caussé, R. -- issue 2.3:25 5/93 | ||
| Natural eigenmodes and random response of the violin box: numerical and experimental study (abstract) | 2.8:38 | 11/95 |
| Effect of the bass bar on the free violin top plate studied by finite element analysis | 3.6:16-20 | 11/98 |
| Brock-Nannestad, G. | The masking of characteristic spectra by the acoustico-mechanical recording process (abstract) | 41:8 | 05/84 |
| Brown, D. E. | See Rossing, T. D. -- issue 2.3:34 5/93 | ||
| Brown, E. | Letter to the editor: Reactions to the alto violin | 29:3,26 | 05/78 |
| Brown, J. C. | Fourier analysis of the bowed string (abstract) | 46:42 | 11/86 |
| Brownell, D. | Research Papers in Violin Acoustics 1975-1993, ed. by C. M. Hutchins and V. Benade -- Book review | 3.4:59 | 11/97 |
| Bucur, V. | Anatomical structure and some acoustical properties of resonance wood | 33:24-29 | 05/80 |
| Relationships between grain angle of wood specimens and ultrasonic velocity | 41:30-35 | 05/84 | |
| Ultrasonic velocity, stiffness matrix and elastic constants of wood | 44:23-28 | 11/85 | |
| Variability of resonance wood expressed by its elastic constants (abstract) | 46:41 | 11/86 | |
| Varieties of resonance wood and their elastic constants | 47:42-48 | 05/87 | |
| Wood stiffnesses determined by mode conversion technique (abstract) | 1.4:43 | 11/89 | |
| Acoustic emission techniques in wood science (abstract) | 1.8:48 | 11/91 | |
| The application of acoustic emission techniques in wood science and technology | 2.1:28-31 | 05/92 | |
| Viscoelastic behavior of resonance wood expressed by ultrasonic measurements (abstract) | 2.3:24 | 05/93 | |
| See Rocaboy, F. -- issue 1.6:21-28 11/90 | |||
| Identification of wood anatomical elements by acoustic microscopy (Note) | 2.1:41 | 05/92 |
| Budnick, S. | See Bissinger, G. -- issue 2.3:20 5/93 | ||
| Burroughs, C. M. | See Wang, L. M. -- issue 3.7:9-17 5/99 |
Last modified: 17 March 2000