Spring 2008 Courses:

Music 15N The Role of Technology in the Arts MW 3:15-5:05, Knoll 217
Music 151 Psychophysics and Cognitive Psychology for Musicians, MW 10-11:50, Knoll 217
Music 154 Composing, Coding, and Performance for Laptop Orchestra, T 5:30-8:30, CCRMA Stage
Music 220C Research Seminar in Computer-Generated Music, TTh 10-11:50, Knoll 217
Music 254 Music Query, Analysis, and Style Simulation, WF 10-11:30, Braun 129
Music 319 Research Seminar on Computational Models of Sound, Th 11-1, Knoll 315
Music 421 Audio Applications of the Fast Fourier Transform (FFT), TTh 3:15-4:30, Knoll 217
Music 423 Signal Processing Research Seminar, F 3:15-4:05+, Knoll 315
Music 424 Signal Processing Techniques for Digital Audio Effects, TTh 1:15-2:45, Knoll 217

Winter 2008 Courses:

Music 150 Musical Acoustics, MW 3:15-4:30, Knoll 217
Music 192B Advanced Sound-Recording Technology, W 1:15-3:05, Knoll 217
Music 192C Session Recording
Music 220B Compositional Algorithms, Psychoacoustics, and Spatial Processing T-Th, 10:00-11:30
Music 220D Research in Computer Generated Music
Music 253 Musical Informatics, WF 10-11:50, Braun 128
Music 318 Advanced Acoustics: Sound and Vibration
Music 319 Research Seminar on Computational Models of Sound Perception, Th 11:00-1:00, Knoll 315
Music 420 Signal Processing Models in Musical Acoustics, T-Th 2:45-4:00, Knoll 217
Music 422 Perceptual Audio Coding, F 2:15-4:05, Knoll 217
Music 423 Graduate Seminar in Signal Processing Research, F 3:15, Knoll 315

Autumn 2007 Courses:

Music 158: Soundwire Ensemble, Th 11-1, Knoll Stage
Music 192A: Foundations of Sound Recording Technology, W 1:15-3:05, Knoll 217
Music 220A: Foundations of Computer-Generated Sound, TTh 10-11:50, Knoll 217
Music 250A: HCI Theory and Practice, MW 10-11:50, Knoll 217
Music 319: Research Seminar on Computational Models of Sound Perception, Th 11-12:30, Knoll 315
Music 320: Introduction to Digital Audio Signal Processing, TTh 3:15-5:05, Knoll 217
Music 423: Digital Signal Processing Research Seminar, F 3:15, Knoll 217

Spring 2007 Courses:

Music 151 Psychophysics and Cognitive Psychology for Musicians, MW 10-11:50, Knoll 217
Music 154 Composition and Performance of Instrumental Music with Electronics, M 1:15-3:30, Knoll 217
Music 220C Research Seminar in Computer-Generated Music, TTh 10-11:50, Knoll 217
Music 254 Music Query, Analysis, and Style Simulation, F 10-11:50, Braun 129
Music 257 Introduction to the Music of South Asia, MW 3:15-5, Knoll 317, CCRMA Stage
Music 319 Research Seminar on Computational Models of Sound, Th 11-1, Knoll 315
Music 421 Audio Applications of the Fast Fourier Transform (FFT), TTh 3:15-5:05, Knoll 217
Music 423 Signal Processing Research Seminar, F 3:15-5:05, Knoll 315
Music 424 Signal Processing Techniques for Digital Audio Effects, TTh 1:15-2:45, Knoll 217

Winter 2007 Courses:

Music 150 Musical Acoustics, MW 3:15-4:30, Knoll 217
Music 192B Advanced Sound-Recording Technology, W 1:15-3:05, Knoll 217
Music 192C Session Recording
Music 220B Compositional Algorithms, Psychoacoustics, and Spatial Processing T-T, 10:00-11:45
Music 220D Research in Computer Generated Music
Music 250A HCI Theory and Practice, MW 10-12, Knoll 217
Music 253 Music Information: An Introduction, F 10-11:50
Music 318 Advanced Acoustics: Rooms and Concert Halls
Music 319 Research Seminar on Computational Models of Sound Perception, Th 11:00-1:00
Music 420 Signal Processing Models in Musical Acoustics, T-Th 2:45-4:00, Knoll 217
Music 422 Perceptual Audio Coding, F 3:15-5:05, Knoll 218
Music 423 Graduate Seminar in Signal Processing Research, F 3:15, Knoll 217

Winter 2006 Courses:

Music 150 Musical Acoustics, MW 3:15-4:30, Knoll 217
Music 192B Advanced Sound-Recording Technology, W 1:15-3:05, Knoll 217
Music 192C Session Recording
Music 220B Compositional Algorithms, Psychoacoustics, and Spatial Processing T-Th 10:15-12:45
Music 220D Research in Computer Generated Music
Music 250A HCI Theory and Practice MW 10-12, Knoll 217
Music 253 Music Information (An Introduction)
Music 319 Research Seminar on Computational Models of Sound Perception, Th 11:00-12:00
Music 420 Signal Processing Models in Musical Acoustics, T-Th 3:15-4:30, Knoll 217
Music 422 Perceptual Audio Coding, F 3:15-5:05, Knoll 218
Music 423 Graduate Seminar in Signal Processing Research, F 3:15, Knoll 217

Fall 2005 Courses:
Music 120: Auditory Remapping of Bioinformatics
Music 192A: Foundations of Sound Recording Technology
Music 220A: Foundations of Computer-Generated Sound
Music 250A: HCI Theory and Practice (CS377A)
Music 319: Research Seminar on Computational Models of Sound Perception
Music 320: Introduction to Digital Audio Signal Processing
Music 423: Digital Signal Processing Research Seminar

Winter 2005 Courses:
Music 150: Intro to Musical Acoustics, MW 3:15-4:30 Wilbur Module B7
Music 192b: Advanced Sound Recording Technology,
W 1:15-3:05, Wilbur Module B3
Music 192c: Session Recording Independent Study
Music 220b: Compositional Algorithms, Psychoacoustics and Spatial Processing,
TTH 10:15-11:45 Wilbur Module B7
Music 250: HCI Performance System,
MW 10-12 Wilbur Module C6f
Music 253: CS 275A: Musical Information,
TTh 10:00-11:50, Braun 128
Music 319: Research Seminar on Computational Models of Sound Perception
Th, 4:30-6:30, Wilbur Module B24
Music 420: Signal Processing Methods in Musical Acoustics,
TTH 3:15-4:30 Wilbur Module B7
Music 422: Perceptual Audio Coding,
F 3:15-5:05 Wilbur Module B7
Music 423: Digital Signal Processing Research Seminar
F 3:15-5:05 Wilbur Module C06F

Fall 2004 Courses:
Music 120: Auditory Remapping of Bioinformatics,
MW 1:15-3:05, Wilbur C06F (W TBD)
Music 192A: Foundations of Sound Recording Technology,
W 1:15-3:05, Wilbur C06F
Music 220A: Foundations of Computer-Generated Sound,
TTh 10-12, Wilbur C06F
Music 250A: HCI Theory and Practice (CS377A),
MW 10-12, Wilbur C06F
Music 319: Research Seminar on Computational Models of Sound Perception,
Th 11-12:30, Wilbur Library
Music 320: Introduction to Digital Audio Signal Processing,
TTh 3:15-5, Wilbur C06F
Music 423: Digital Signal Processing Research Seminar,
F 3:15-5, Wilbur C06F

Spring 2004
Music 150: Musical Acoustics
Music 154: Composition and Performance of Instrumental Music and Electronics
Music 192c: Session Recording
Music 220c: Research Seminar in Computer Generated Music
Music 220d: Research Seminar in Computer Generated Music
Music 254: Applications of Musical Information: Query, Analysis and Style Simulation
Music 319: Research Seminar on Computational Models of Sound Perception
Music 421: Applications of the Fast Fourier Transform
Music 423: Digital Signal Processing Research Seminar
Music 424: Signal Processing Techniques for Digital Audio Effects

Winter 2004
Music 15N: Technology and the Arts
Music 151: Psychophysics and Cognitive Psychology for Musicians
Music 192b: Advanced Sound Recording Technology
Music 192c: Session Recording Independent Study
Music 220b: Compositional Algorithms, Psychoacoustics and Spatial Processing
Music 250b: HCI Performance System
Music 253/ CS 275A: Musical Information
Music 319: Research Seminar on Computational Models of Sound Perception
Music 420: Signal Processing Methods in Musical Acoustics
Music 422: Perceptual Audio Coding
Music 423: Digital Signal Processing Research Seminar

The following links reference previous incarnations of course and workshop web pages.

Fall 2003
MUS120: Auditory Remapping of Bioinformatics
MUS120Z: Musique Concréte in the Digital Era
MUS192A: Foundations of Sound Recording Technology
MUS192C: Session Recording (Independent Study)
MUS220A: Foundations of Computer-Generated Sound
MUS250A: HCI Theory and Practice (CS377A)
MUS319: Research Seminar, Computational Models of Sound
MUS320: Introduction to Digital Audio Signal Processing
MUS423: Signal Processing Research

Spring 2003
Music 220c: Research Seminar in Computer-Generated Music
Music 319: Research Seminar on Computational Models of Sound Perception
Music 421: Signal Processing Methods in Musical Acoustics
Music 423: CCRMA DSP Seminar

Winter 2003
Music 15N: Technology and the Arts
Music 150: Musical Acoustics
Music 151: Psychophysics and Cognitive Psychology for Musicians
Music 192b: Fundamentals of Sound Recording
Music 220b: Synthesis Techniques, Compositional Algorithms, Psychoacoustics and Spatial Processing
Music 250b: Computer-Human Interaction Technology
Music 253/ CS 275A: Musical Information
Music 420: Applications of the Fast Fourier Transform
Music 422: Perceptual Audio Coding
Music 423: Digital Signal Processing Research Seminar

Fall 2002
Music 120: Musique Concr�e in the Digital Era
Music 192a: Fundamentals of Sound Recording
Music 220a: Fundamentals of Computer-Generated Sound
Music 250a: Computer-Human Interaction Technology
Music 255: Orchestration and Timbral Analysis
Music 319: Research Seminar on Computational Models of Sound
Music 320: Introduction to Digital Audio Signal Processing
Music 423: Graduate Seminar in Signal Processing Research

Summer 2002
Workshops 2002

Spring 2002
Music 151: Psychophysics and Cognitive Psychology for Musicians
Music 192c: Session Recording
Music 220c: Research Seminar in Computer-Generated Music
Music 254: Musical Representation and Computer Analysis
Music 421: Signal Processing Methods in Musical Acoustics
Music 423: CCRMA DSP Seminar

Winter 2002
Music 120: Introduction to sonification
Music 192b: Fundamentals of Sound Recording
Music 220b: Synthesis Techniques, Compositional Algorithms, Psychoacoustics and Spatial Processing
Music 253: Musical Information
Music 250b: Computer-Human Interaction Technology
Music 255: Orchestration and Timbral Analysis
Music 420: Applications of the Fast Fourier Transform
Music 422: Perceptual Audio Coding
Music 423: Digital Signal Processing Research Seminar

Fall 2001
Music 150: Musical Acoustics
Music 192a: Fundamentals of Sound Recording
Music 220a: Fundamentals of Computer-Generated Sound
Music 250a: Computer-Human Interaction Technology
Music 320: Introduction to Digital Audio Signal Processing
Music 423: Digital Signal Processing Research Seminar

Summer 2001
Workshops 2001

Spring 2001
Music 151: Psychophysics and Cognitive Psychology for Musicians
Music 192c: Session Recording
Music 220c: Research Seminar in Computer-Generated Music
Music 254: Musical Representation and Computer Analysis
Music 421: Signal Processing Methods in Musical Acoustics
Music 423: CCRMA DSP Seminar

Winter 2001
Music 192b: Advanced Sound Recording Technology
Music 220b: Synthesis Techniques, Compositional Algorithms, Psychoacoustics and Spatial Processing
Music 250b: Computer-Human Interaction Technology
Music 253: Musical Information
Music 420: Applications of the Fast Fourier Transform
Music 422: Perceptual Audio Coding
Music 423: Digital Signal Processing Research Seminar

Fall 2000
Music 192a: Fundamentals of Sound Recording
Music 220a: Fundamentals of Computer-Generated Sound
Music 250a: Computer-Human Interaction Technology
Music 320: Introduction to Digital Audio Signal Processing
Music 423: Digital Signal Processing Research Seminar

Summer 2000
Sophomore College 2000
Workshops 2000

Spring 2000
120: Interactive Computer Music
154: History of Electroacoustic Music
192C: Session Recording
220c: Research Seminar in Computer-Generated Music
421: Signal Processing Methods in Musical Acoustics

Winter 2000
151: Psychophysics and Cognitive Psychology
192B: Advanced Sound Recording Technology
220B: Compositional Algorithms, Psychoacoustics and Spatial Processing
420: Applications of the Fast Fourier Transform
422: Perceptual Audio Coding

Fall 1999
150: Musical Acoustics
192A: Fundamentals of Sound Recording
220A: Fundamentals of Computer Generated Sound
320: Introduction to Digital Audio Signal Processing and the DFT
CS377B: Human-Computer Interaction Technology

Summer 1999
Workshops 1999

Spring 1999
120: Intro to Music Composition and Programming using MIDI-Based Systems
192C: Session Recording
220C: Research Seminar in Computer-Generated Music
319: Research Seminar on Computational Models of Sound Perception
421: Signal Processing Methods in Musical Acoustics
422: Perceptual Audio Coding
423: Grad. Seminar in Signal Processing Research

Winter 1999
154: History of Electroacoustic Music
192B: Advanced Sound Recording Technology
220B: Compositional Algorithms, Psychoacoustics and Spatial Processing
319: Research Seminar on Computational Models of Sound Perception
420: Applications of the Fast Fourier Transform
423: Grad. Seminar in Signal Processing Research

Fall 1998
149: Instrumental Music with Electronics
151: Psychophysics and Cognitive Psychology for Musicians
152: Musical Acoustics
192A: Fundamentals of Sound Recording
220A: Fundamentals of Computer Generated Sound
319: Research Seminar on Computational Models of Sound Perception
320: Intro to Digital Audio Signal Processing and the DFT
CS377B: Human-Computer Interaction Technology
423: Grad. Seminar in Signal Processing Research

Summer 1998
Workshops 1998

Spring 1998
15: Stanford Introductory Seminar: The Role of Technology in the Arts
192C Session Recording
192e: Workshop in Orchestration
220C: Research Seminar in Computer-Generated Music
319: Research Seminar on Computational Models of Sound Perception
421: Signal Processing Methods in Musical Acoustics
422: Perceptual Audio Coding

Winter 1998
14q: Topics in Interactive Computer-Music Performance
220b: Compositional Algorithms, Psychoacoustics and Spatial Processing
420: Short-Time Fourier Transform Theory and Audio Applications

Fall 1997
192a: Theory and Practice of Sound Recording: Foundations of Sound Recording Technology
220a: Fundamentals of Computer Generated Sound

Summer 1997
Summer Workshops

Spring 1997
154: Introduction to Computer and Electronic Music
192b: Creative Processes in Popular Music Recording
254: Music Representation and Computer Analysis: Seminar

Winter 1997
120: Introduction to Music Composition and Programming Using MIDI-Based Systems
252b: Topics in Computer Music: Perceptual Audio Coding
253: Musical Information: An Introduction

Fall 1996
220a: Fundamentals of Computer Generated Sound
252a: Human Computer Interface Design
Lisp Workshop for Musicians

Summer 1996
Summer Workshops

Spring 1996
154: Introduction to Computer and Electronic Music

Spring 1996
220b: Algorithmic Composition Techniques

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