Compositional Algorithms, Psychoacoustics and Spatial Processing

Music 220b (follows 220a)

Chris Chafe, 2-4 units, W 2:15 -4:05, Ballroom, Knoll Building

TA: Juan Pampin List of Students

New Stuff

set your browser so that its helper app for .cl (common lisp) files is the lisp editor you use (eg. xemacs)
follow the assignment naming protocol so that all finished student work will be viewable via the "results" and "projects" links (see lab1)

January '98 Real-time CLM Extensions
7	new extensions	GUI on-the-fly waveform and fft display real-time formant filter instrument	lab1: r-t analyzer
14	singing voice synthesis	Subtractive Synthesis model	lab2: bass->soprano lab2: results
21	external audio	input to real-time CLM, effects processing, signal detection (envelope follower), Ring Modulator for Mantra performance	lab3: line-in lab3: results (due Feb 4)
28	spatial, reverb, effects	localization of sound, the CLM reverb family, multichannel projection tutorial

February '98 Algorithm Design
4	compositions	introduction to algorithmic control works of Reich, Schloss, Chowning, Schottstaedt, Lucier more on the logistic equation	lab4: logistic map lab4: results (due Feb 18)
11	real-time performance	algorithms in performance with MIDI, DSP, envelopes Mantra rehearsal end-of-quarter work applying algorithms to singing synthesis	project description
18	analysis of performance	vocal technique under a microscope notation and representation: micro-structure of spoken dialogue
25	auditory scene analysis	neural, perceptual levels, feature maps, computational ASA

March '98 Projects
4	45 min. project presentations	1) ATS - SMS [TF, HT, CC, UN] 2) FM [PC, DG]
11	45 min. project presentations	3) FOF - Chant [CR, MZ] 4) Granular [JN, AT]
finals slot	45 min. project presentations	5) LPC [RL, OB] 6) Physical Model [PH, AM]