"There is weather in his compositions, as well as landscape: open, brooding, sometimes ominous, often wintry....His compositions have a way of insinuating themselves into your mind. Listen to them enough and you begin to think and take in the world as he does. You hear a gust of wind or the far-off sound of machinery and you think that sounds like something from a Burtner composition."
- Dale Keiger, Johns Hopkins Magazine

The work of Alaskan composer and sound artist, Matthew Burtner explores environmental systems (ecoacoustics), technological embodiment, and extended polyrhythmic and noise-based musical systems. His instrumental and computer music is performed widely and he tours regularly with the metasaxophone, an augmented computer instrument of his own creation.
http://www.burtner.net
http://www.metasax.com

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 


Winner 2008 Howard Foundation Fellowship

Composition fellowship for creation of a new multimedia opera "Unganaqtuq (a profound attachment)"


DVD release: "(dis)Connected" and sound design featured in the Think Thank snowboard film Stack Footy
with performance by the CM-MC Crew (featuring BigO aka Gigantic Romantic, The CM-MC, Julius, Corey and Robert)
http://www.thinkthank.com

premiere: July 10, 2008, Mount Hood, Oregon

Snowboarder Mag calls it "mind shattering, world ending, brain corroding... The soundtrack didn't fail to provide a different point of view, either... the old creepster styling of the weird instrumentals I've grown to love."
read the full snowboard magazine review on line


10-year Metasax Retrospective Concert
featuring Michael Straus, Brian Osborne, MS9 Saxophone Ensemble, Joint Chiefs of Sax saxophone quartet
The Red Room, Baltimore, MD, 435 E. 31st Street, $6
August 23, 2008


click image for pdf poster


 



Ensemble Integrales premiere of (dis)Sensus for violin, sax, piano, percussion and computer interaction
2008 Integrales commission
Hamburg, Germany, April 16, 2008


some New York concerts

Technosonics Festival, NYC, October 31, 2008
Sxueak for squeaky toys and trajectory-based computer interaction
featuring music from the VCCM

Ear to the Earth Festival, NYC, October 21, 2008
selected chamber music: Mists, Delta 3, Windsketches, Prismic Generations, and new work
Metasax & DRUMthings

Ear to the Earth Festival, NYC, October 20, 2008
Snowprints
Jessica Schmitz, flute; Madeleine Shapiro, cello; and Steve Gosling, piano

Goodbye Blue Monday, NYC, August 17, 2008
Endprint for tenor sax and 8 recorded tenor saxes
Michael Straus, saxophone

The Stone , NYC, July 29, 2008
Aes/Aer for trombone and computer sound
William Lang, trombone

EMF Festival, Flea Theater, NYC, May 20, 2008
selected chamber music: Kuik (aria), Fragments from Cold, SXrAtch, Broken Drum, That which is bodiless is reflected in bodies
with Jaunelle Celaire, Morris Palter and Minna Chung

Sonic Residues Festival, Stony Brook, NY, May 12, 2008
Fragments from Cold
Minna Chung, cello

Monkytown, NYC, March 9, 2008
Matthew Burtner & Friends
selected chamber music: Prismic Generations, Mists, SXueAk, Kuik (aria), Mind Cam, That which is bodiless is reflected in bodies
and the premiere of Ted Coffey's new work, Swinge for saxophones, voice, percussion and laptop
with Haleh Abghari, Ted Coffey, Morris Palter, Michael Straus


MICE 200-500 human-computer orchestra premiere
Digitalis under the stars 2008, 4/30/08, 8pm, UVA amphitheater

On April 30, 2008, Digitalis Under the Stars, the annual computer music festival at the University of Virginia, will feature the premiere of the first large-scale mobile interactive computer orchestra, an ensemble formed of 180 regular members and expandable to include any number of audience members equipped with portable computers.

Created and directed by Matthew Burtner, the MICE Computer Orchestra employs MICEtro, a new hardware/software system created by Burtner’s Interactive Media Research Group (IMRG). MICEtro uses techniques of emergence, perturbation and LAN technology to create technosonic music from massive data generation. This momentous first, full-scale performance is optimized for 500 computers.

The performance will take place in the UVa Amphitheater, just off of Jefferson’s Lawn, in front of Garrett Hall at 8pm on 4/30/08. The event is being produced by UVA’s MUSI235 Technosonics class, the IMRG, the VCCM and the Department of Music with support from the Teaching+Technology Initiative, ITC, Netops and the 7-Society.

MICE (the Mobile Interactive Computer Ensemble) was formed at UVA in 2001 by Burtner to explore multi-performer interactive music systems. In 2008, with support of T+TI Grant and Fellowship, the group expanded into an orchestral scale in the context of the Technosonics Digital Sound Art Composition class.

more information and full list of performers at:
http://www.burtner.net/MICE.html


where in the world is

visit Metasax&DRUMthings @YouTube...

visit
Metasax&DRUMthings @ MySpace...

visit
Metasax&DRUMthings in person @:

Ear to the Earth Festival, New York City, October 21, 2008, 8pm

Red Room , Baltimore, August 23, 2008, 8pm

Flea Theater, New York City, May 20, 2008, 8pm

Monkeytown, Brooklyn, March 9, 2008, 8pm

UAF New Music Festival, Fairbanks, February 20, 2008, 8pm

EVO, Seattle, September 15, 2007, 10pm

The Stone, NYC, october 11, 2007, 10pm


more info on Metasax&DRUMthings

Scores, recordings and performance media now available through the online store

 
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© Matthew Burtner, 1994-2008